How many trunk does this spectacular Trident maple (Acer buergerianum) grove have? It's from an award winning display at the 2013 Taikan Bonsai Exhibition. The artist is Kenji Oshima. The photo is from Bill Valavanis Bonsai blog.
The odd rule. Almost anyone who plays with bonsai for a while will incorporate the odd number of trees rule into their storehouse of bonsai wisdom. It goes something like this: In any group planting (with more than two trunks), you should use an odd number of trees. This applies at least up to eleven trunks. After eleven, it doesn’t matter because who can count that high (something like that).
Once you realize that this, or any other bonsai rule, is simply a guideline that may or may not be useful depending upon the situation, than you are free to experiment. I usually avoid 4s and 6s because that’s the way I learned (mostly from paying attention to Japanese bonsai artists, many of whom make strong arguments for asymmetrical compositions and feel that odd numbers are important in achieving this), but I don’t feel bound to odd numbers.
Enough from me, let’s hear from Robert Steven, a serious bonsai scholar and famous bonsai artist. From his Bonsai Rules Syndrome 2 – Odd Number in Grouping Bonsai: “In any visual art, we are always suggested to make an asymmetrical composition because this is considered as the best to give a dynamic flow and less boring…” Continued below the next photo…
Odd or even, who cares? This dramatic mixed forest is from the Museo del Bonsai Marabella.
Robert Steven cont: “Then someone put this principle into bonsai with simple analogy of odd number, assuming odd number will automatically create asymmetrical composition because there will be more trees on one side and less on the other side. Then people are using this as the rule and spread the teaching for grouping bonsai and consider even number grouping bonsai is wrong.
The important point is the conceptual skill to form asymmetrical balance and not the number. Odd number can form boring symmetrical composition and even number can easily create dynamic asymmetrical composition as well.
The most important is to master the 3 aspect in designing grouping bonsai: composition, dimension and perspective; and there are simple tips to make good composition, dimension and perspective…” For the rest visit Robert’s
Bonsai Rules Syndrome 2 – Odd Number in Grouping Bonsai.
This and the photo just below are two of the examples Robert uses in his article Bonsai Rules Syndrome 2 – Odd Number in Grouping Bonsai.
I've seen this planting in more than one place (perhaps on Bark even). Like the photo above, no artist, species or location is given.
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