Bonsai that Don’t Bust Your Bank Account & an Important Natural Phenomenon

We’ve featured this tree before and we may well feature it again in a year or two. The tree is a yew. The artist is Harry Harrington. Sticking with our friend Harry Harrington. We originally put this post together in September, 2017… All the photos featured here are courtesy of Harry Harrington, an artist who specializes in what you might call found bonsai; bonsai from the wild or from hedgerows and gardens or wherever bonsai stock might come from that doesn’t bust your bank account. For more found bonsai and other good news, you can visit Harry at Bonsai4me or on his … Continue reading Bonsai that Don’t Bust Your Bank Account & an Important Natural Phenomenon

Bonsai that Don’t Bust Your Bank Account & an Important Natural Phenomenon You Might Not Be Aware of

We’ve featured this tree before, but because I don’t think you’ll see many bonsai quite like it, it’s worth another look. Two photos just below show the natural phenomenon behind this type carving. The tree is a yew. The artist is Harry Harrington. All the photos in this post are courtesy of Harry Harrington, an artist who specializes in what you might call found bonsai (bonsai from the wild or from hedgerows and gardens or wherever else the original stock might come from that doesn’t bust your bank account). Harry is also the author of The Foundations of Bonsai, a book that explores the … Continue reading Bonsai that Don’t Bust Your Bank Account & an Important Natural Phenomenon You Might Not Be Aware of

Evolution of Remarkable Bonsai

Harry Harrington’s latest iteration of his English yew. Here’s what Harry said about this tree three days ago: ” Finally, work on my Taxus baccata/ Yew bonsai completed with the branches wired and laid-out. Height 25″/61cm, trunkbase (inc root jin) 12″/30cm. Pot by Victor Harris of Erin Pottery.” I’ve been watching the evolution of Harry Harrington’s bonsai for a long time now. In fact, one of our first posts is from Harry’s bonsai4me (March 2009). Now, almost seven years later we have the (you can supply your own adjectives) tree shown here. It’s an English (aka European) Yew (Taxus baccata). … Continue reading Evolution of Remarkable Bonsai

Robert Steven Critiques an Atlas Cedar and Provides an Interesting Lesson in Creating Shari

Robert Steven’s digitally enhanced version of a Blue Atlas Cedar. The original photo (below) was submitted by Mike Andrews. The original. Robert’s critique Basically, this is a very nice Cedar with nice movement and sufficient well-arranged branching and the shari helps create a feeling of age. But, there are few issue here : This bonsai is styled in a very common “S” shape with a basic 1,2,3 branch arrangement. Although there is nothing wrong with it, it lacks excitement. In other words, it could be styled in more interesting and natural fashion. The shari is not properly done. As described … Continue reading Robert Steven Critiques an Atlas Cedar and Provides an Interesting Lesson in Creating Shari

Beware the Terriers!

A good mix of freshly carved and aged olive wood. The carving was done by Graham Potter. The aged wood is courtesy of Mother Nature and Father Time. Graham’s video series The shots here are from a wood carving demo by Graham Potter; one of many in an excellent, ongoing series.

In Praise of the American Larch: aka the Tamarack

Nick Lenz calls this rugged heavily scarred old larch a ‘super hack back job’ (performed with a chainsaw). It’s noteworthy for its excellent taper and nebari (among other things), things that doesn’t come naturally with most larches. I guess you could say that the Halloween carving is also noteworthy. The photo is from Nick’s book, Bonsai from the Wild (Stone Lantern Publishing). Round these parts it’s a Tamarack Here in Vermont we are right on the southern edge of the Larix laricina’s range. Most bonsai enthusiasts (and many others) refer to it as the American larch, but around here almost … Continue reading In Praise of the American Larch: aka the Tamarack

Jin & Shari #6: Carving an Old Hornbeam

Here’s a great example of an English hornbeam (Carpinus betulus) that started as large tree that was cut down and carved. The artist is Graham Potter of Kaizen Bonsai. Carving video by Graham Potter If you are interested in carving as well as reducing large field grown trees, check out the video below. It might just open up an entirely new way of doing things for you and your bonsai.

Jin & Shari #3: Power Carving Tools

A power rotary tool (Dremel brand) with a steel wire brush attachment in the skilled hands of François Jeker. From Bonsai Today issue 104 (out of print). The use of carving tools in bonsai In bonsai carving tools are used to create new deadwoood and enhance existing deadwood. There was a day not too long ago when all carving was done by hand. Recently, all that has changed and more and more bonsai artists are using power tools. And not just small rotary tools, but even things like chainsaws and specially designed grinders. Just scratching the surface (so to speak) … Continue reading Jin & Shari #3: Power Carving Tools

Jin & Shari #2: A Western Deadwood Artist

A detail of a Mugo pine (Pinus mugo, also called Swiss mountain pine) that was carved by François Jeker eight years before the photo was taken. François’ expert carving, and the sun, rain, wind and frost have combined to create a natural look and feel. The photo is from Bonsai Today issue 104 (out of print). François Jeker Though I’ve never met him and have only seen photos of him working and the results (like the one above), I suspect that François Jeker is one of the foremost experts, if not THE foremost expert, on deadwood in the West. If … Continue reading Jin & Shari #2: A Western Deadwood Artist

Deadwood Lives Beyond HBO: Jin & Shari

This stately Foemina Juniper (Juniperus chinensis ‘Foemina’) is a pretty good example of what you can do with jin and shari. It is part of the wonderful world class bonsai collection at the National Bonsai and Penjing Museum. It was donated by James (Jim) and Helen Barrett and currently resides in the John Y Naka North American Pavilion. What are Jin & Shari? Jin are dead branches (intentionally created or naturally occurring) that can lend of feeling of age and character to a bonsai. Shari is deadwood (sometimes called driftwood) on the trunk of a bonsai. Like jin, shari can … Continue reading Deadwood Lives Beyond HBO: Jin & Shari