Clipping and Growing

This massive Trident maple most likely started in a field somewhere and was allowed to grow quite tall (the fastest way to thicken the trunk) before it was cut back. This first cut was the beginning of clip and grow styling (see below). The owner/artist of this outstanding bonsai is German Gomez. Most large Trident maples (and some other deciduous trees) are started in the field and developed using the clip and grow technique. The result is usually a heavy trunked tree with gentle curves, often in a more or less S shape. You can see this basic shape in … Continue reading Clipping and Growing

Clip-and-Grow – Back to Bonsai Basics

You can see the large scar from the first cut on this powerful old Chinese elm (Ulmus parviflora). If you follow the trunk up a ways, you can see the change of direction where the second cut took place, though you can’t see a scar from this view. This tree appears in the 1st U.S. National Bonsai Exhibition Album.* It was started from a large collected tree in China. The owner/artist is Melvyn Goldstein. The fuzzy image is due to enlarging to fit our newer format. It’s full tilt spring around here now. Digging and potting season in all its … Continue reading Clip-and-Grow – Back to Bonsai Basics

Blowing in the Wind

The sublime windswept landscape planting is from Robert Steven’s now classic Vision of My Soul. The species of the trees is Dyospryros montana (Mountain persimmon is one of several English names). A very quick search will reveal that there are precious few good windswept bonsai. At least on the web. I suspect there are several reasons for this. First, it’s time consuming to make a superb windswept like the one above. All those little branches need to be wired. Second, you have to understand how the wind works on trees. This requires some study and paying attention to detail. Not … Continue reading Blowing in the Wind

Searching for the Unusual

At a glance you might think this is just a stump with some foliage tacked on, but then as you look closer you notice the taper at the base and the way the texture of the wood creates movement and a feeling of age. Then there’s that little cave that enhances the story of time and place and natural forces that came together to help create this Dogwood by Franco Berti. From a post titled Reportage Vi Trofeo Bonsai e Suiseki Città di Poppi by Bonsai Romano. Searching for the unusual I spend a lot of time looking for unusual … Continue reading Searching for the Unusual