Coming Soon… Fall Potting Season

A freshly transplanted Black pine. From our Masters’ Series Pine book. When it comes to transplanting, timing depends on your climate. Here in northern Vermont seasons can change rapidly and winters are very cold, so fall transplanting season starts and ends early (more on this below) If you live in a warmer climate fall comes later for you and there is more margin for error. One advantage to transplanting in the early fall is when the spring season starts, little or no growing time is lost. Roots grow in the fall when the soil is still warm and after diminished … Continue reading Coming Soon… Fall Potting Season

Meandering Myrtles

Here’s the copy from our source (a Bark post last November titled Meandering Lines)…  “This Myrtle (Myrtus communis) belongs to Andrea Albergo. The pot is by Greg Ceramics and the photo is by Harry Harrington. I chose it for the lead tree for several reasons; I’m not sure I’ve ever seen a Myrtle with such a massive trunk (turns out I had), deadwood on most non-conifers isn’t all that common (though becoming more common) and I like the loose abstract meandering lines of the deadwood and living veins.” Yesterday we feature a very muscular Myrtle (Myrtus communis) for your viewing … Continue reading Meandering Myrtles

Powerful Shari, Brilliant Pot & Upside Down Maple

This old Taxus Baccata (English yew) is dominated by its powerful shari (trunk deadwood) The artist is Stefano Frisoni of Italy. On the road again today, so we’ll take the easy way out. The photos shown here are from a post we did in December, 2015. Continued below… NEW SALE 25% off our large selection of Bonsai Fertilizer well fed bonsai are healthy bonsai plus 10% off orders 100.00 or more and FREE Shipping on U.S. orders 50.00 or more   Nice tree. Brilliant pot!  Eleven years from stump by Mario Komsta (a regular here on Bark). It’s a Silverberry … Continue reading Powerful Shari, Brilliant Pot & Upside Down Maple

Calligraphy & the Origins of Bonsai

Calligraphy anyone? I don’t know if calligraphy was on Mario Komsta’s mind when he styled this remarkable tree. I do know that there was a time when bonsai that looked like calligraphy was popular and that many scholars agree that bonsai was, in part at least, inspired by the calligraphy of the old Chinese masters. This is especially true of literati style bonsai (bunjin in Japanese). Headed out of town this morning, so we’ll make this quick and easy.  This post originally appeared here on Bark in 2013. I started out to continue our Hornbeam series, but got distracted by … Continue reading Calligraphy & the Origins of Bonsai

Fertilizing, Back-Budding & One More Hornbeam

This shohin Carpinus coreana* (Korean hornbeam) by Mario Komsta has appeared here before. As a companion plant no less (see below). No problem though. Any tree this good deserves to be shown more than once. As a companion or by itself. A few days ago I mentioned we were starting a series on the Hornbeam genus (Carpinus). There are approximately 40 species of Hornbeams on the planet and many, if not most of them are suitable for bonsai. In this case we’re showing just one by Mario Komsta. Unrelated to Hornbeams, but also by Mario is a piece on the … Continue reading Fertilizing, Back-Budding & One More Hornbeam

Bonsai Art & the Art of Bonsai

The day has barely started and I’m already running out of superlatives. I guess spectacular will do in this case. It’s a Korean hornbeam (Carpinus turczaninowii) by Ian Stewartson. The photo is from Bonsai Art’s website. After three straight new posts it’s time to delve into our archives . This one originally appeared March 2013. Bonsai Art magazine is very well named. As bonsai magazines go, it is as well-done, beautiful and professional as they come. The problem, for most of us at least, is that it’s in German. But really, the photos and overall presentation are so good that … Continue reading Bonsai Art & the Art of Bonsai

May You Enjoy a Happy, Healthy & Prosperous New Year

Just couldn’t resist posting yet another yew (there have been several lately). This time it’s an English yew (Taxus Baccata) by Stefano Frisoni. It’s almost 2016 and there are countless loose ends to tie up, so we’ll dig up part of a December 2012 post with some trees that I particularly like. Meanwhile, may you and yours enjoy a happy, healthy and prosperous New Year! And thank you for helping to make 2015 a happy bonsai year. Nice tree. Fantastic pot!  Eleven years from stump by Mario Komsta (a regular here on Bark). I originally guessed that it was an Ilex and of course, I … Continue reading May You Enjoy a Happy, Healthy & Prosperous New Year

Outstanding Japanese (Korean?) Red Pine Bonsai

Cork bark Japanese Red pine? I found this remarkably corked-up pine on the Art of Bonsai Project. It’s by Enrico Savini. I’ve never heard of a Cork bark Red pine (Cork bark Japanese black pines are fairly common), but that’s what AoB says. Whatever it is, there’s no denying that it’s an exceptional tree. According to Wikipedia, Japanese red pines (Pinus densiflora) should probably be called Korean red pines. “For Korean people, even today, it is considered to represent Korean spirit and mentioned in South Korean national anthem, Aegukga. Since it was introduced to the West by Japanese scholars during … Continue reading Outstanding Japanese (Korean?) Red Pine Bonsai

A Bonsai Lesson in Perception

After. This wildly flowing Shimpaku (Shin) expresses pure movement. It also presents a lesson in perception. It’s by Mario Komsta (aka Mariusz Komsta). If you have a moment, take a close look at this tree and see if you can figure out why, with almost noting on the left and almost everything on the right, this tree has an overall sense of balance. To my eye it looks like Mario did several things to make this tree appear to be balanced, and they all have to do with suggesting that you look to the left. Which is another way of … Continue reading A Bonsai Lesson in Perception