Boxwoods? Serissas? Or…?

This unusual and creative arrangement is from Aus Bonsai on facebook. It would be nice to know who the artist is, but they don’t say. In any case, I like the way each planting looks like it could stand alone, and the way they all work together (even given the one with the mismatched rock). Are they Boxwoods? Serissas? Both? Something else? It’s hard to tell from here. Cropped so you can see a little more detail. Closer (fuzzier too). Is that a flower and some buds? Could it be a Serissa? Here’s another one from Aus Bonsai. The … Continue reading Boxwoods? Serissas? Or…?

A Mind Bending Transformation

You’ll never guess what happened to this tree (unless you’ve seen our Masters’ Series Juniper book or Bonsai Today issue 21). Here’s a hint: it was flipped upside down somewhere along the way from where it started (below) to where it ended (above). The artist is Masahiko Kimura, aka The Magician. Bonsai Today back issues and our Masters’ Series books present literally hundreds of bonsai techniques. Some are quite simple and suitable for any beginner. Many others are fairly advanced, though doable if you pay close attention and take your time. And then there are the few techniques that no … Continue reading A Mind Bending Transformation

Wire: What’s the Difference?

Like most bonsai, this one has been wired. In fact, there’s visible wire on it right now. It’s a Shimpaku that’s from a chapter in our Masters’ Series Juniper book, titled Keiko Tamaki’s Deft Touch. Most bonsai are wired at some stage in their development. In fact, bonsai that have been around for a long time may have been wired repeatedly over the years. There are very good reasons for this, not the least of which is, it is often very difficult to get decent results without wire. There’s much more that be can said about this but we’ll leave … Continue reading Wire: What’s the Difference?

Keeping It Close to Home – Upcoming Bonsai Events

This Shimpaku is from the home page of the Suthin Bonsai Studio website. Though magnificent Shimpaku are pretty common (especially in Japan), still, this one is distinctive in at least a couple ways: the lush crown that reaches all way down to the right gives the tree a dynamic flowing movement that adds interest, but just might cause your eye to flow right off the page. But then there’s the irrepressible curlycue jin that serves, among other things as a counter-balance to the crown’s lean to the right and brings your eye right back (too much coffee this morning is … Continue reading Keeping It Close to Home – Upcoming Bonsai Events

Kokufu: More of the Very Best Bonsai

2012 Kokufu Prize wining informal upright Osakazuki Satsuki azalea (Rhododendron lateritium var. Osakazuki). This and the other images in this post are from Phoenix Bonsai. As long as we’re stealing images from Phoenix Bonsai Society we might as well pillage their text: “This now eight-day February national exhibit of bonsai is the largest and most prestigious of all bonsai shows worldwide. The Nippon Bonsai Association (NBA), the official sponsor of the event, has worked diligently over many years to insure that only the finest bonsai in Japan are displayed. To win one of the several prizes or sho awarded greatly … Continue reading Kokufu: More of the Very Best Bonsai

Tree + Pot = Bonsai

This sinuous shimpaku by Boon Manakitivipart (Bonsai Boon) is an excellent example of how to harmonize a tree with a pot. Not only does the rusty orange/tan (what is that color called?) pot color highlight the cinnamon colored bark, but the soft curves of pot enhance the trunk’s soft curves as well as the overall soft roundness of the foliage. As an added touch, the high shine on the pot helps bring out the bark’s almost glowing quality. Altogether a very sweet effect. What do you think? I’m not an expert and my opinion is just my opinion (opinions are … Continue reading Tree + Pot = Bonsai

Roy Nagatoshi Grafts Shimpaku Branches and Foliage onto a California Juniper

Shimpaku foliage grafted onto a California juniper by Roy Nagatoshi. All of the photos in this post are by Dale Berman. They originally appeared in Bonsai Today issue 108 in an article by Marcus Juniel. Shimpaku foliage on California junipers California juniper foliage is heavy and somewhat coarse (I think it looks fine on native stock, but Shimpaku foliage is beautiful and looks even better) and many bonsai artist opt to graft on Shimpaku foliage. Approach graft. The Shimpaku (scion) still has it roots in soil when it is joined with the stock. Once the graft has taken, it is … Continue reading Roy Nagatoshi Grafts Shimpaku Branches and Foliage onto a California Juniper

Junipers: Don’t Pinch Too Much!

Even if you’re one of those curmudgeons who complains about the overly sculpted look of some Japanese bonsai, you’ve got to admit that this powerhouse Shimpaku approaches perfection. That trunk draws your eye like few trunks anywhere, with its single living vein, mysterious hollow at its base and the spidery fingers and hole at the top. But it’s the tight lush foliage that I want to point out here; the result of some serious trimming and pinching. The photo is from our Juniper book. Artist unknown. A question about pinching on Michael Hagedorn’s site The following is from the Seasonal … Continue reading Junipers: Don’t Pinch Too Much!

The Bonsai Artistry of Michael Hagedorn Plus Freeze Dried Roots

We borrowed this magnificent Sierra/Shimpaku juniper from Michael Hagedorn Crataegus Bonsai site. Michael is the author of Post-Dated: The Schooling of an Irreverent Bonsai Monk. Reworking a remarkable Weyerhaeuser Juniper Here’s what Michael has to say about the tree above: “A rangy juniper reworked in a half-day refinement session at the Weyerhaeuser collection in Federal Way, Washington. This 40″ (102cm) tree is a collected Sierra juniper grafted with shimpaku.” You can see the whole post here, which includes the before shot.

Master’s Gallery #2: Group Displays

From left to right: unidentified grass, Japanese black pine (Pinus thunbergii), flowering ‘Nippon Bells’ (Shortia uniflora) companion plant, suiseki (viewing stone), another unidentified companion, and a very stately Needle juniper (Juniperus ridgida). By Masao Komatsu. Group displays Each group display in this post is by a single artist. Each display shows mastery in two art forms: bonsai and bonsai display. The photos come from an article by Saburo Kato in Bonsai Today issue 43.