The Prime Minister’s Award

Shinji Suzuki’s 2010 Prime Minister Award Juniper. Borrowed from Michael Hagedorn’s Crataegus Bonsai (the original photo includes the stand – it’s a long story). Michael is an accomplished American bonsai artist and teacher, and the author of Post-Dated: The Schooling of an Irreverent Bonsai Monk. In Michael’s own words The following was lifted from Crataegus Bonsai: “My teacher’s juniper from the 2010 Sakafu show has been my favorite since it first came into his studio in 2006, and I was in my last year apprenticing there. The delicacy and naturalness of this meter-high tree has always left me spellbound. He … Continue reading The Prime Minister’s Award

Bonsai Seasonals with Michael Hagedorn

You could spend your whole life collecting bonsai and never find one as impressive as this. From Michael Hagedorn’s Crataegus Bonsai Seasonals. Here’s what Michael says about this photo… “Initial potting of a large Rocky Mountain Juniper, Winter 2010 Seasonal.” Just a little understated. If this is any indication, it’s worth noting that Michael has his students working on trees of this caliber (and caliper). Study with one of the very best My guess is that three days with Michael will be worth months or even years of fumbling about in your backyard in hopes that trial and error will … Continue reading Bonsai Seasonals with Michael Hagedorn

Suzuki, Santini & One Big Sabamiki

I pulled this distinctive bonsai off of a gallery on facebook that was posted by Francesco Santini. There isn’t much information provided and I don’t read Italian anyway (Free Translation nonwithstanding), so I can’t say much about this tree except that the hollowed out trunk caught my eye. An unusual tree I have seen very few trunks that have been so completely hollowed (from side to side anyway, if not in depth). It looks like it might be a Ezo spruce though I could be mistaken. If it is an Ezo, it must be quite old to attain such size … Continue reading Suzuki, Santini & One Big Sabamiki

Eccentric Bonsai: Shinji Suzuki’s Cascade Juniper

The styling progression on this cascade Shimpaku juniper by Shinji Suzuki is remarkable (you can see the whole step by step progression in our Juniper book). So is the end result. Remarkable and very unusual. Shinji Suzuki styled it when he was 24 years old. I wonder if he would do it differently now. It’s not just the wild mixed interlocking swirls of live and dead wood… … nor is it just the very long piece of deadwood that runs through the center like a dagger, all the way from near the top to the very bottom… nor the delicate … Continue reading Eccentric Bonsai: Shinji Suzuki’s Cascade Juniper

The Bonsai Artistry of Michael Hagedorn Plus Freeze Dried Roots

We borrowed this magnificent Sierra/Shimpaku juniper from Michael Hagedorn Crataegus Bonsai site. Michael is the author of Post-Dated: The Schooling of an Irreverent Bonsai Monk. Reworking a remarkable Weyerhaeuser Juniper Here’s what Michael has to say about the tree above: “A rangy juniper reworked in a half-day refinement session at the Weyerhaeuser collection in Federal Way, Washington. This 40″ (102cm) tree is a collected Sierra juniper grafted with shimpaku.” You can see the whole post here, which includes the before shot.

Roy, Walter, Shinji, Isao & The Ichiban

Isao Omachi using the part of the Ichiban blade that is designed for cutting wire. Isao Omachi’s comments Here’s part of what Isao Omachi has to say about his Ichiban: “Compared to a normal pair of bonsai scissors, these are light and comfortable in the hand; you barely have to raise your elbow. You can multitask with ease, cutting swiftly through branches and wire… In addition to Ichiban’s unique design and efficiency, any level of bonsai student can have fun using a pair…” Roy Nagatoshi, Walter Pall, Shinji Suzuki and Isao Omachi So far Marco has sent us testimonials from … Continue reading Roy, Walter, Shinji, Isao & The Ichiban

The Great Debate part 2: You Be the Judge

This Scot’s pine (Pinus sylvestris) by Walter Pall is from the cover of Bonsai Today issue 104. It was presented by Walter as an example of a naturalistic bonsai. “… too many of these bonsai look like they are made of plastic…” The whole quote, which was written by Walter Pall, and appears in Bonsai Today issue 104, goes like this: “I have seen that the trend in styling is toward more and more refinement, which often takes away all the naturalness. I find that too many of these bonsai look like they are made of plastic and are not … Continue reading The Great Debate part 2: You Be the Judge

Michael Hagedorn Interview: Part 2

This is the second and final installment of our Michael Hagedorn interview. Do you collect wild trees? Any advice if you do? I do collect. And I would definitely advise studying the techniques of taking wild trees with a very experienced collector who has a high success rate. Studying this seriously is better than learning by mistake and experiment—enough have done that already! The tree pictured above is Sonoran scrub live oak (Quercus turbinella). Michael says of this tree: I collected this oak from a mountain range in eastern Arizona in 1999, at around 5,000 ft. It was growing much … Continue reading Michael Hagedorn Interview: Part 2

Michael Hagedorn Interview: Part 1

In my last post I wrote a review of Michael Hagedorn’s Post-Dated; The Schooling of an Irreverant Bonsai Monk, a book I consider to be an important and unique contribution to English language bonsai literature. You could say that Post-Dated is in fact literature, as distinguished from the how-to genre that most bonsai books fall into. In addition to being a very accomplished writer, Michael Hagedorn is a first rate bonsai artist. His work appeared in the Kokufu show in Tokyo (Kokufu is the pre-eminent bonsai show in Japan) in 2004, 2005 and 2006, and Mr. Suzuki (Michael’s teacher) honored … Continue reading Michael Hagedorn Interview: Part 1

Post-Dated by Michael Hagedorn

I first read Post-Dated at 30,000 feet; Boston to SFO. By coincidence, the man sitting next to me was reading Thoreau’s Walden, a book usually confined to students and scholars (and everyone else’s bookshelves). He was well past his student years and turned out to be an engineer who simply loved Thoreau. I bring this up because Post-Dated has a chapter titled: Restless Spirits: The Usefulness of Henry and Ernest. Henry is, of course, Henry Thoreau. Ernest is Ernest Hemmingway. Michael included them in his book because they both studied bonsai in Japan as young men. Henry was gifted, but … Continue reading Post-Dated by Michael Hagedorn