Walter Pall’s Hedge Cutting Method 6/18/13

The Japanese maple that Walter Pall uses to illustrate his ‘hedge-cutting method.’ This photo was taken four years after Walter started working with this tree. The before photo is below.

Walter Pall’s hedge-cutting method. Our last post presented a radical approach to soil and feeding by Walter Pall, the great bonsai innovator. This post features another of Walter’s radical innovations. This time it’s about pruning broad leaf bonsai.

Before continuing with Walter’s technique, I’ll reintroduce Jim Smith and see if I can bore you with a personal note.

I first learned about hedge shearing bonsai from Jim Smith, a highly respected American Bonsai Artist and grower who works primarily with tropical and sub-tropical bonsai. Because Jim lives in Florida, I figured that hedge shearing was only used in the tropics or sub-tropics, due to rapid rates of growth and recovery.

That was until I began field growing larches here in Vermont and decided that the only way to keep up is to use my sword shears (large one-handed shears with long blades that I originally learned about from Jim) and simply keep cutting back to the desired silhouettes. At least while they’re in the ground. However, until now, I didn’t know about Walter Pall’s hedge-cutting methods, which as it turns out (and as you might expect) are considerably more sophisticated than mine.

What follows are some of Walter’s photos (with his captions in italics) and some remarks (also in italics) that I selected from his hedge-cutting article.

 

Before. “2008-05: The tree arrived in my garden in this state. The previous owner had kept it in Akadama mush and thought that he would automatically improve the tree by pinching. The crown is much too wide and flat and the leaves hide poorly structured branches. Many branches are dead. The Nebari could be much better and the maple is planted too high in its pot.”

“Well, a few decades ago when the first bonsai trees were brought to the West, the purchasers asked how they should care for these trees. The answer was given so that no mistakes could be made. It was assumed that the owners wanted to keep the trees in the state in which they purchased them. The pinching was recommended because it is useful for trees that are ‘finished’ and ready for exhibition or sale. Nobody thought at that time that the Westerners would ever be able to develop bonsai themselves.

In the developmental phase, the goal is clearly to improve the tree. The trunk and the branches must be thickened, pruning wounds must close and the tree is to develop so many new shoots that one has a choice of useful branches. The nebari should also improve significantly. At this stage, the immediate image is secondary to the future beauty. That is why leaves can be large and the tree can look ugly for the longest time. To achieve these goals, the tree needs as much excess energy as possible which it can only obtain through the photosynthetic activity of as many leaves as possible. If exactly those sources of energy are removed too early, then the tree can’t develop. In the worst case, it dies a slow death.”

As you can tell from the sacrifice branches, Walter’s methods involve more than just hedge shearing. “2009-01: A deciduous tree can be much better evaluated without its leaves. It is now apparent that the center tree ought to be much thicker and somewhat higher. The previous owner didn’t achieve much by many years of pinching. It looks rather poorly developed. The pot by Bryan Albright seems over powering.”

“The numerous leaves produce lots of energy in the form of carbohydrates that moves downwards through the branches and is deposited in the branches, the trunk, and finally the roots. The result is that branches and trunk thicken, that the surface roots – the nebari – also thicken, and that the roots grow strongly. At the same time, many new visible and dormant buds develop. The entire system “tree” is strengthened and it has good reserves for any setbacks. A radical cutback is such a setback.

In Central European climate about six to eight weeks after the first flush, in our area from the middle of May to the beginning of June, the tree is then cut back with big sheers to its previous silhouette. It is irrelevant where exactly it is being cut, or if any leaves are cut. This actually ought to occur as a partial leave pruning will allow light and air into the crown of the tree. All other growth inside the silhouette is not touched but strengthened with this method. And the tree is strongly encouraged to bud out again.”

The final photo in Walter’s article. “2013-02: The tree was repotted into a very suitable pot by Walter Venne from Germany. The results of the development thus far are quite presentable. But is is by far not the end of the development. Much has changed in five growth periods, yet the work continues as before. In another five years the tree will be better again. The drawback, however, will be that he tree is not really presentable during much of that time.”

The above comments and photos are just a sampling from Walter Pall’s ground-breaking article on his hedge-cutting method.

The following photos are not by Walter.

Podocarpus macrophylla by Jim Smith. My best guess is that Jim used his own hedge shearing method to develop this tree. Photo is from The Art of Bonsai Project.

 

Our Sword shears work quite well for the hedge cutting method.


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10 thoughts on “Walter Pall’s Hedge Cutting Method

  1. This “method” was also taught by Harold Sasaki many years ago when he did workshops at Bonsai West in Massachusetts. He called it the “Pinoccio” approach; when the nose pokes out cut it off.

  2. Wayne,

    Jim gave me a pair of these shears many years ago, and I have been using them ( and several I’ve since purchased from you ) to rough prune many of my trees ever since. Once you get used to them, even fine pruning can be done ! Best tool I’ve ever owned !

    Ed Trout

  3. Yeah,this is new to me. But,then again,I am a ‘Johnny come lately’ to most things in life for some odd reason. However,I get it. It makes perfect sense to me. Ive always been drawn to work my trees this way-like they tell me what is right–despite the readings Ive done and methods Ive followed by suggestion of many.Damn,Im a hard head. Ill be going this route from here on and wow,if the trees could only talk-they surely will be grateful after giving me hell for my dumbness. Learn,work,set backs,anxieties,learn,work,ect…I love it.

  4. I think I like the cyan pot better than the brown wone this ended up in. Complements the leaf color better.
    VAriety? Benishichihenge?

  5. This looks to be an excellent technique. But the new enthusiast needs to bear in mind that both Walter Pall and Jim Smith are old hands and have developed ‘an eye’, that is the artistic skills to
    guide them to excellent results. The newcomer may end up with a very course looking tree and be left to wonder what happened. Since it takes several years to see the results of your efforts, it is a long process, and disappointing to end up with undesirable results. Don

  6. Thanks Don,
    True, they are old hands and it maybe that this technique is not for everyone. Sooner or later anyone one who wants quality bonsai is going to have to learn about subtle refinement (though actually, Walter does show more than just hedge shearing in the original).

  7. Hi Terry,
    I see your point about the pot, especially with the new leaves. Traditionally in Japan, glazed pots were almost always use for deciduous trees and many people still adhere to this.

  8. Hi Darren,
    Yeah, developing quality bonsai takes work, perseverance and willingness to learn. No matter what techniques you employ.

  9. I have been using this method on all my elms for two years. With a little refinement for bud direction it gives great results.

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