Cuttings

Walter Pall’s Hedge Cutting Method

The Japanese maple that Walter Pall uses to illustrate his ‘hedge-cutting method.’ This photo was taken four years after Walter started working with this tree. The before photo is below. Walter Pall’s hedge-cutting method. Our last post presented a radical approach to soil and feeding by Walter Pall, the great bonsai innovator. This post features another of Walter’s radical innovations. This time it’s about pruning broad leaf bonsai. Before continuing with Walter’s technique, I’ll reintroduce Jim Smith and see if I can bore you with a personal note. I first learned about hedge shearing bonsai from Jim Smith, a highly … Continue reading Walter Pall’s Hedge Cutting Method

Turning Some Cherished Notions on Their Heads

This Hawthorn in bloom is from Walter Pall’s Bonsai Adventures, as is the article below. The rest of the photos in this post are from Walter’s online gallery. Walter Pall, world famous bonsai artist and much more… We’ve feature Walter’s bonsai numerous times here on Bark (and in Bonsai Today) and will continue to feature them for as long as we continue posting. I won’t say much more, except that Walter produces quality trees by the hundreds (seemingly at least) and he also sometimes produces worthwhile and even provocative ideas about bonsai. What follows may be his most fascinating and … Continue reading Turning Some Cherished Notions on Their Heads

Book Review for a Unique & Exceptional New Bonsai Book

The following review of Bill Valavanis’ new Classical Bonsai Art is borrowed from Andy Rutledge’s Bonsai Journal. Andy has a knack for digging into books and bringing out nuggets of gold. In this vein (sorry bout that) Andy’s reviews include good and bad (his own words) sections, though the latter doesn’t really apply in this case. If you get a chance, I recommend that you pay Bonsai Journal a visit. You won’t be disappointed. Classical Bonsai Art, A Half Century of Bonsai Study – The Creations & Passions of William N. Valavanis Review by Andy Rutledge   “Immersing oneself in … Continue reading Book Review for a Unique & Exceptional New Bonsai Book

FREE Advertising & A Few Small Complaints

This Juniper is from the ‘Before and After’ section on Suthin Sukosolvisit’s Bonsai Studio. Suthin is one of the headliners at the GSBF Convention XXXVI (below). Would you like to see your bonsai event featured here? If so, here’s the deal; we need at least one good link, otherwise, we’re not going to bother. And not just a link that lists the date and place, but a link with the names of the featured bonsai artists and with some sort of graphics (club logos are passable, but what we really like are photos of bonsai that belong to the featured … Continue reading FREE Advertising & A Few Small Complaints

Full Floral Assualt

Whoops! My mistake. This tree is from Bill Valavanis‘ excellent new book ‘Classical Bonsai Art’ (stay posted, it will be here next week). It belongs to Robert Blankfield, who originally styled it at a workshop with Bill. I found the tree on the web (unattributed, so I’ve deleted that link) and didn’t know its origin. I have Bill to thank for setting me straight. It all started with an email from Terry Davis with a link a rather amazing Ashikaga Flower Park and the joy of spring video. To excite your optic nerves and maybe inspire you to take a … Continue reading Full Floral Assualt

Bonsai & Some Great Stories Unearthed

This photo is originally from the from Kokufu-ten 47 (1973) and came to us via Owen Reich’s Bonsai Unearthed. We’ve been discussing root-on-rock bonsai lately, and by extension root-over-rock bonsai, and you must admit that this is a worthy and very unusual example of the latter (I’ll guess that it’s a Trident maple). Also, when have you ever seen a companion plant quite as large as this one? It’s about time we featured Owen Reich (an apprentice and instructor in Japan whose name came up in our last post). After all, it’s rare to find someone who knows his (or … Continue reading Bonsai & Some Great Stories Unearthed

Study Bonsai in the Old Country

I know I’ve seen this powerful little White pine-over-rock somewhere, and wonder if it hasn’t appeared right here on Bonsai Bark (a quick search unearthed nothing, but that’s no guarantee). It’s from the Fujikawa International School of Bonsai website. This post is about your chance to study at the Fujikawa International School of Bonsai, enjoy some great sushi (maybe even drink a little sake) and experience the wonders of life in Japan. In their own words (from Fujikawa’s website)… “The Fujikawa School is an extension of Fujikawa Kouka-en nursery and is located in Ikeda City, just north of Osaka, Japan. … Continue reading Study Bonsai in the Old Country

The Beast of Bare-Boned Bonsai

Japanese beech forest on a curved slab. From Bonsai Today issue 24. Artist unknown. Japanese beech (Fagus crenata), with their striking white bark, strong trunks (often with excellent nebari) and beautiful smallish leaves, are a favorite of many bonsai artists, especially in Japan. Unfortunately, they aren’t that easy to find her in North America and our native beech (Fagus grandifolia), though a sweet and prolific tree is too rangy and large-leafed to make for very good bonsai (the European beech, Fagus sylvatica, which you can find, is a much better bet). All the trees in this post are Japanese beech … Continue reading The Beast of Bare-Boned Bonsai

Great Bonsai, Great Photos

We’ve featured this tree before, but now I can’t find it (read, just back from vacation, too much to do and don’t want to be bothered). It looks kinda Ilex like, but neither my guessing skills nor my memory are up to much. Anyway, it’s a great little tree (if you can take your eyes off the pot long enough to see it… which is not to say that I don’t like the pot, because I really like it and I also think it’s a daring choice for the tree). This photo and all the photos in this post are … Continue reading Great Bonsai, Great Photos

A Quick Study in Deadwood

It’s all about the deadwood (and the crown). Deadwood is sometimes overplayed, especially on Shimpaku. But even though the deadwood is dominant on this tree, the powerful and well constructed crown offers a good sense of balance. All three photos in this post are from Marco Invernizzi’s website. I’m still on vacation, so we’ll make no pretense of in-depth analysis of deadwood this morning (not that we ever do much in-depth analysis of anything). Just three photos of Shimpaku from Marco Invernizzi’s website with a few quick comments and a little word from our sponsor. Marco Invernizzi studied extensively with … Continue reading A Quick Study in Deadwood