Elevated Company

The sheer power of this magnificent tree places it in elevated company. It’s a 50cm (20″) tall Ficus microcarpa by one of our favorite South American bonsai artists, Nacho Marin of Venezuela. The pot is by John Evans of the USA. Yesterday we featured a Ficus from Taiwan, so picking up that thread… and because I’m still on mini-vacation, we’ll take the quick path This one originally appeared here in May, 2015 Though this post was inspired by Nacho Marin’s powerful Ficus (above) and though Nacho is South American, when we start looking at Ficus bonsai we seem to circle back to Taiwan NEW FALL … Continue reading Elevated Company

Movement, Power & Artistic Freedom

Abstract bonsai art. I think there’s a temptation to judge trees with elaborately carved deadwood. But maybe it’s best to just appreciate the skill involved and not worry about too much deadwood or whether the result look like our sense of what’s natural or not. Not to downplay the importance of bonsai the look like trees in nature, rather to appreciate the vast variety of approaches and results in our wonderful world of bonsai Yesterday we featured Cheng, Cheng-Kung’s colorful side. Today we’ll touch upon his famous Sidao carving method and some results. Hopefully this will peak your interest. If … Continue reading Movement, Power & Artistic Freedom

Not All Bonsai Need Deadwood

It takes a strong tree to handle a pot like this. This Pistacio (Pistacia chinensis Bunge) has at least two features that qualify: its muscular trunk which works well with the depth of the pot (deep pots with thin trunks just don’t work) and its lushly hued full crown which contrasts with the pot’s brilliance. Today is the first day of a short summer vacation. We’ll try to keep Bark going by employing some favorites from our archives. This one is from January, 2016 (with a couple revisions today) The trees shown here are all Cheng, Cheng-Kung’s creations. Cheng is famous for his Sidiao method (a … Continue reading Not All Bonsai Need Deadwood

Great Bonsai Deserve a Great Turntable

Everything looks good on a Green T turntable and this powerful rock planting by Jan Culek is no exception Just in case you missed it, we’re going to feature our famous Green T Turntables again (it’s always worth another look). The time is always right for you to own and enjoy your own Green T Turntable (Basic or Plus models) while enhancing your bonsai enjoyment ORDER YOUR OWN GREEN T HYDRAULIC LIFT TURNTABLe now A few Good Reasons to join the hundreds of Bonsai Lovers who are now the happy owners of Green T Turntables SAVE – Both models are now on Special Free Shipping in the Continental U.S. and ownership of … Continue reading Great Bonsai Deserve a Great Turntable

Great Bonsai Shots – a Story of Time & Human Artistry

A story of time and human artistry. This shot (looks like a Japanese white pine) is from Kunio Kobayashi’s famous Shunkaen Bonsai Museum in Edogawa, Tokyo Prefecture, Japan. When I first saw it, I was sure that it’s from the tree below. After closer examination, I’m not so sure. All the photos in this post are from the Shunkaen Bonsai Museum fb timeline The Shunkaen Bonsai Museum was founded by the great bonsai master, Kunio Kobayashi. Here’s what Mr Kobayashi wrote about the museum… “The Museum was built with the ambition to spread Japanese culture, especially Bonsai in a new way … Continue reading Great Bonsai Shots – a Story of Time & Human Artistry

The Monk, Bonsai Before & After

Before and after by Salvador De Loy Reyes. He calls it The Monk, but gives no other information, including no species (looks a lot like a Shimpaku juniper) or details of any kind, though you might guess it was originally field grown and purposely twisted to look like an old Japanese yamadori (bonsai collected from the wild). Without seeing the other side of the tree, it’s almost impossible to follow the live veins in their delightfully chaotic movement up the trunk Yesterday’s post featured three trees that were ready to be reviewed and retouched by Salvador De Los Reyes. Today it’s a before … Continue reading The Monk, Bonsai Before & After

“JeJeJe” – One Very Impressive Olive & Two Others that Can Use Some Reviewing & Retouching

This impressive old Olive must have taken a long time to carve. Assuming that most of the deadwood was carved by human hands (with some power tools’ help of course). Either way, it’s masterpiece (though there’s still the sacrifice shoots on the lowest branch, which will look a lot better when their work is done and they are removed). Speaking of the lowest branch, here’s Salvador De Los Reyes’ caption with this tree… “Vamos a dar mas fuerza a esa rama de abajo,” and here’s my translation… “We are going to strengthen the lower branch.” The photos of the three Olives and the Spanish text in this … Continue reading “JeJeJe” – One Very Impressive Olive & Two Others that Can Use Some Reviewing & Retouching

Trident Maple Bonsai in a Well Chosen Pot

Sweet! I thought you might like to see this. It’s Carl Morrow’s Trident maple in a very well chosen and appropriately sized pot (Carl sent photos in an email, so no links) Last week we featured a Robert Steven critique of a Trident maple that belongs to Carl Morrow (Size Matters & Small Is Beautiful). It was a repost of a one we originally did in September, 2010. Carl took Robert’s advice and repotted the tree into a smaller pot, though not the same pot Robert used in his simulation (it’s hard to find simulated pots!). As it turns out, I think … Continue reading Trident Maple Bonsai in a Well Chosen Pot

Bjorn’s Bonsai for the Memory Bank

Before and after Juniper procumbens by Bjorn Bjorholm. The most obvious improvement is the foliage mass, but if you take a close look you see can many more changes, particularly the highlighting of the live vein (especially at the top of tree) It’s time to revisit Bjorn Bjorholm one of our most talented young bonsai artists – many of whom, including Bjorn, apprenticed in Japan. The photos and quoted text in this post are from Bjorn’s blog Before we go any further, do yourself a favor and take a look at Bjorn’s Advanced Bonsai Course. The price is right and if you take … Continue reading Bjorn’s Bonsai for the Memory Bank

Bonsai, Before & After – Evolution & Elevation of a Native Scots Pine

Jan Culek’s caption for this yamadori pine reads… “Evolution of native Czech Sylvestris pine between the years 2013-2017.” In English Pinus sylvertris is commonly called Scots pine. Jan makes no mention of the slab pot or the deadwood stand that supports it Here’s one more post featuring the bonsai of Jan Culek. It’s an unusual before and after of a yamadori Scots pine. The tree itself is distinctive enough and shows off Jan’s skills, but I think it’s the deadwood underneath the tree that that elevates the bonsai and causes the whole presentation to stand out (if you suffer from fear of puns, please accept … Continue reading Bonsai, Before & After – Evolution & Elevation of a Native Scots Pine