Styling

Bonsai Tonight with Boon & Peter Tea

This heavy gnarly trunked Japanese black pine is from Bonsai Tonight. When Jonas took this photo, it had just been styled at a Bay Island Bonsai workshop by Peter Tea. It’s not clear if the tree is Peter’s or if it belongs to Boon (it’s not unusual for a student to work on a teacher’s tree), though I imagine that it’s Peter’s. We’ve now been informed the the tree belongs to Boon (see comments). Close up of the trunk. Closer up still. You could search for a long time and never stumble across a trunk as abundant in natural character … Continue reading Bonsai Tonight with Boon & Peter Tea

A Sculptural Elm: Definitely Not Japanese

I’m guessing this impressive tree is a Chinese elm. Whatever it is, it displays much of what you’d look for in a bonsai: power, refinement, balance, excellent ramification, attractive pot, even some imperfection. I’d also venture that it’s definitely not Japanese. It’s from Rawe Laranta Ramook Bonsai. It’s Penjing, but is it Chinese? A couple posts ago Robert Steven offered us a lesson in the five schools of Chinese Penjing. I’m pretty sure Robert would include this tree in that vast and varied grouping, even if it’s not from China (I don’t know where it’s from). Though Robert (and others) … Continue reading A Sculptural Elm: Definitely Not Japanese

What Would You Do?

Perfect, powerful, beautifully nicely photographed and apparently growing on a rock. The shape of the tree and the deadwood have a juniper look, but the foliage looks more pine than juniper, though it’s too far away to get a good read (see below). The dramatic backdrop could only be the Grand Canyon. The photo is courtesy of Bonsai Mania. What would you do? Imagine that this tree is in a training pot and, best of all, it’s yours. What would you do (if anything) to improve it? This blurry blow up pretty much confirms my notion the the tree is … Continue reading What Would You Do?

New Book from Japan: The Beauty of Bonsai

This sumptuously photographed new book is aptly named. In addition to numerous stunning color photos, it features a preface by Masahiko Kimura and a section on Kimura that includes thirty seven new photos of the master at work, as well as of some of his most daring bonsai. That and much, much more. Hardcover, 96 pages with 205 color photos. No matter how much we think… … that we in the West are catching up with the Japanese when it comes to the art of bonsai, we still lag behind when it comes to the art of bonsai display and … Continue reading New Book from Japan: The Beauty of Bonsai

Robert Steven Critiques a Black Pine and Offers Some Insights into the Five Schools of Penjing

Robert Steven’s simulation of a Japanese black pine that was submitted by Mike Liu (Mike’s original is immediately below). Mike’s original photo that was submitted to Robert. Robert’s Critique The Five Schools of Chinese Penjing The above black pine bonsai is sent by Mike Liu from China. Since Chinese bonsai is called penjing, I will offer a brief discussion of penjing. The main difference between penjing (Chinese: pen = pot; jing = panorama) and bonsai (Japanese: bon = pot; sai = plant), despite the terminology, penjing is more about artistic nuance in portraying natural phenomena; and bonsai is more disciplined … Continue reading Robert Steven Critiques a Black Pine and Offers Some Insights into the Five Schools of Penjing

Better Now? Revisiting Mario’s Famous Hornbeam

The latest incarnation of Mario Komsta’s extraordinary and now somewhat famous Hornbeam. Balance Is the balance better now (comparing the photo above with the earlier photo immediately below)? Does the elongated first branch (left) help to counter balance the slight rightward lean of the apex? The base of the trunk The base of the trunk appears stronger in the earlier photo below. Is it just the photo, or does the extended branching and the new pot diminish the power of the base? Ramification No matter what our thoughts about balance and the base of the trunk, the impeccable patience and … Continue reading Better Now? Revisiting Mario’s Famous Hornbeam

Short & Very Muscular

One very muscular Shimpaku juniper. From Reiner Vollmari’s photo gallery. Hiding the action This wonderfully powerful bonsai presents a bit of a mystery. The live wood that peaks out in the V at the top of the shari is quite well developed, as is the entire crown, and would require at least one or two large living veins to support all that life. The small living vein in the front, though quite striking against the massive deadwood, is completely unconvincing. This is not a complaint, I like this tree a lot. It is unique in its strength and its style. … Continue reading Short & Very Muscular

Bonsai Gallery: Five Magnificent Trees

Forest on a slab from Bonsai Today issue 23. Though the photo is uncaptioned it looks like it could be an Ezo spruce forest by Saburo Kato. Slant style Japanese maple in fall color. From Bonsai Today issue 14. Artist unknown. This is one of a handful of outstanding Japanese winterberries (Ilex serrata) that pop up here and there in Bonsai Today. It’s from issue 14 (it appears on both the cover and inside, though with different backgrounds). Artist unknown. Trident maple forest from Bonsai Today issue 14. I counted 29 trees, though it’s difficult (if not impossible) to tell … Continue reading Bonsai Gallery: Five Magnificent Trees

It’s About the Flowers

Bonsai Mike’s shohin pyracantha (firethorn). Ordinary bonsai conventions don’t necessarily apply The Japanese (and others) tend to design flowering bonsai to show off the flowers. Other considerations, like taper and branch placement, often take a back seat. So much so that many flowering trees are displayed only when flowering (and fruiting). They pass the rest of their time tucked away in some corner of the nursery. A lot to like Even though it breaks one of the primary conventions of bonsai (the first two branches are next to each other) the bonsai above is so sweet that you could show … Continue reading It’s About the Flowers

Bonsai the Natural Way and the Hand of Man

My best guess is that this powerful old tree is a needle juniper (Juniperus rigida), though I can’t be sure. Whatever it is, it seems to posses an extraordinary number of separate live veins and a massive amount of deadwood to boot. It’s from Gyozan Nakano, Sakai: A 35 Year Anthology (not available in English). Nature and the hand of man Though the tree above is quite powerful and leagues above most bonsai, still, you might fine the busyness around its base (and other places) a little distracting. I’m not sure I’d do anything about it, as attempts to improve … Continue reading Bonsai the Natural Way and the Hand of Man