An Eccentric Bonsai with a Exceptionally Long Cascade

cascadeWe found this exceptionally long cascading bonsai on the Bonsai South (Australia) website (the old link no longer works). I'll guess it's Ficus of some sort. The blank gap above the photo is intentional and has to do with how our posts appear on social media. The original photo is below. 

It’s time to dig way back into our archives. This one originally appeared in 2009,  our first year. It was part of a series of posts on eccentric bonsai and was titled Eccentric Bonsai #4: A Very Long Cascade. The trees and the photos belong to Bonsai South.

It’s not easy to keep the lower reaches healthy on such a long cascading branch. Especially on a tree that basically wants to grow upward. You’ll notice the untrained small branches at the very bottom. Letting those small sacrifice branches grow unimpeded helps draw energy down to the tip. If this tree was just watered and otherwise left alone, the tip of the cascade might die for lack of energy.

 

bonsai-southAnother, not so eccentric Ficus from the Bonsai South gallery.

eccentric-bonsai-south

Without the gap.

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Finding Fault Doesn’t Make You a Hater

Luigi

Luigi Maggione’s wildly expressive, unusual bonsai with Itoigawa shimpaku foliage that has been grafted onto a Sabina juniper (Juniperus sabina).

There’s a lot to like about this bonsai (I found it while perusing Salatore Liporace facebook feed) including just how strikingly unique it is and that way it jumps off the page and demands your attention. There are also some issues that might be called faults.

Which begs the question of what constitutes a fault and also why bother to find faults at all (answer; finding faults doesn’t make you a hater* if you use them as learning tools – we learn from mistakes and can always improve).

One type of fault has to do with health – in this case the way the moss is fills the pot which may inhibit aeration (drainage) and the way it’s jammed up against the deadwood, which is sure to encourage rot.

The other type of fault has to do with notions of beauty. A subject far too vast for this time and place, but in a nutshell has, at least in part, to with simplicity, balance and refinement.

In this case I think you might be able to find fault on all three counts (and with all but the very best bonsai) – the deadwood is perhaps a little too busy, especially with all the tiny pieces that would rot and break of in a natural setting; the upside down V shape of the foliage is a little static and lacks interest and the foliage itself lacks refinement.

Still, even with these ‘faults’, I really like this tree. It is daring and unique. Even playful. And anyway, why listen me talk about faults? There’s a good reason you almost never see my bonsai in these posts.

*I’m a hater of the recently popular and always hateful expression ‘hater.’

Luigitop

 

Luigitrunk

 

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Defoliating Grandfather – Redirecting Energy, Maintaining Balance & Creating Fine Branching

defoliationHere’s Juan Adrade’s English caption for this magnificent old Trident maple. “Partial defolation on one of the grandfather trees. Close to 100 yrs old." Here's his Spanish: "Defoliación de las ramas exteriores en uno de los tridentes del abuelo de mi maestro. Este arbol posiblemente se acerca a los 100 años." You might notice the part about exterior branches in the Spanish. This would indicate that Juan is redirecting energy away from the outer tips and down closer to the center of the tree. This photo is from Juan’s facebook feed.

Defoliation is an important technique for redirecting energy, maintaining balance and creating fine branching. Especially on deciduous bonsai. The photo above is from a post we did in 2014 titled Defoliating Grandfather. The illustrations and text below are from a July 2009 post titled Energy Balancing #6: Defoliation Tips. Most of this post was shown in 2015. I think defoliation warrants the repetition.

 

bt3p20defol1a

Cut…
Use sharp scissors to defoliate. Cut in the center of the petiole (leaf stem). If you cut too close to the base of the leaf stem, you may damage the buds that form there.

…don’t pull
Don’t use you fingers to pinch or pull leaves off. This is a recipe for damage (the unreadable text with the illustration above says: Don’t pull, it could damage the buds). More on defoliation below….

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Bonsai Today back issues provide a wealth of information on a wide range of Bonsai topics, including articles on defoliation. All available back issues are now 20% off, plus an additional 20% to 25% off for our Site Wide Sale.

bt3p20defol1bDefoliate, then prune
This illustrations go from right to left, Japanese style. Upper right is before. Lower right is next. It shows after defoliation, but before pruning. The message here is; if you are going to prune and defoliate, then defoliate before you prune so you can better see exactly where to prune (within reason; if you know you are going to remove a whole branch, no point in defoliating it). Bottom center is after pruning (the after pruning tag in the illustration is a little out of place).

Defoliation results in better ramification
The two on the left show what the branch might look like later if you hadn’t defoliated (top) and with defoliation (bottom).

All of the illustrations in this post are by Kyosuke Gun. They originally appeared in Bonsai Today issue #3 (Japanese images courtesy of Bonsai Focus).

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Dragon!

dragon7

It’s time to revisit Bonsai Master Masahiko Kimura, the man, who more than anyone, revolutionized the art of bonsai.

Dragon is one of the best examples of Kimura’s bonsai revolution. When he did it, there was nothing like it anywhere and it still stands as one of the most amazing bonsai transformations ever.

Unfortunately, The Bonsai Art of Kimura where the transformation of the Dragon is shown in detail, is long out of print. Fortunately, the transformation is also in Bonsai Today issue 2, which shows up time to time.

If you want to get your hands on Kimura in hard copy, Bonsai Today is full of articles featuring the Master and his work and The Magician, the Bonsai Art of Kimura 2 is still in print. You can also find excellent articles about Kimura and other Japanese masters in Bonsai Focus magazine.

 

taxusThe powerful Taxus by Master Kimura conforms a little more to a conventional bonsai shape. But considering when it was done, it was ahead of its time and it remains one of the best bonsai you'll see anywhere. The photo is from The Magician. It also appears in Bonsai Today issue 56.

 

KimoriginalThis Taxus is one of Kimura's personal favorites (also one of mine). It's from The Bonsai Art of Kimura.

3 BTs

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Three Bonsai – Before & After

all3B&A

Three before and after bonsai styling by Juan Andrade. The trees are from top to bottom: Shimpaku juniper, Japanese black pine and a Needle juniper trunk with Shimpaku juniper foliage grafted on.

Juan Andrade is a long term apprentice at Bonsai Aichien nursery in Japan. We’ve been following Juan’s progress for a long time (here’s a Bark post from 2012 that features a tree of his). Juan posts regularly on facebook, which is where we found these photos.

 

afterpine

This pine has a bunjin feel, but I think it's a little too lush to qualify as bunjin, though I suspect there may be differing opinions. No matter what you might call it, no doubt you'll agree that it's a very good bonsai. 
In case you are wonder what Bunjin is, there's a pretty good discussion here.

aftershim

It's not in a pot yet, but if you look at the before photo above, you can see that it has come a long ways in the right direction.

 

afterbunjin

This strange beauty definitely qualifies as bunjin.

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Beautiful Bonsai Garden at Just the Right Moment

rbowDave Benavente's exquisite bonsai garden at just the right moment.

It’s Monday morning, there’s a lot going on and we’re a little short staffed, so we’re going to lean on our archives once again. This one originally appeared in April 2013 and again last year. I’ve added a little and deleted a little.

I’m always impressed with David Benavente’s bonsai and ditto with his bonsai display. His photos too. Everything is so well put together and inviting.

You can check out David’s bonsai and all the rest on facebook and on his website. His Before and After (Antes y Despues) series is particularly good, but really, I’d recommend exploring all of his photos. Many tell stories, some with a little humor thrown in.

ba3

Here's one of David's 'Before and After' series.

bena22

Here's another from 'Before and After.' I cropped out the before to get a closer view of the after. You can see them together here.

 

Fall color. I'm always impressd with how well organized and neat David's nursery looks (at least in the photos he shows us, though I suspect he's not hiding anything).
Here's another close-up of an 'after.' The original photo is below.

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The photos shown here are just a small sampling of David Benavente's bonsai. For more, visit him on facebook or his website.

 

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Not So Common Privet Bonsai

privmain

One of Harry Harrington's latest Privet bonsai. This one has highly refined delicate carving with abundant sabamiki, which is something I've noticed in Harry's bonsai lately. Height 16" (39 cm). Pot by Erin Bonsai Pottery.

I’ve been following Harry Harrington since Bark’s earliest days (2009). He has a thing for Common privets (Ligustrum ovalifolium) and they’ve long interested me too, though you just don’t see that many Privet bonsai. Except if you follow Harry.

 

pri3

This one was collected from a 70 year old hedge row in 2012, though you can bet it didn't look like this then. Height 13" (33 cm). Pot by Erin Bonsai Pottery.

 

priv4An old tree with modern feel. Collected from the same 70 year old hedge row as the one just above. Height 13" (34 cm). Pot by Erin Bonsai Pottery.
 

priv6

Harry doesn't say how old the hedgerow was. Height 14" (36 cm). Pot by Erin Bonsai Pottery.

 

priv8a

Like the others shown here, this gnarled oldie was also no doubt dug from an ancient English hedgerow, though unlike the others it's not so vertically inclined. Height 15" (55 cm). Pot by Erin Bonsai Pottery.

 

privet1

This craggy eccentric hasn't found its way into a pot yet, though based on what we've seen so far, you might guess that it will come from Erin Bonsai Pottery. Height 19" (45 cm). Spread 17" (42 cm).

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Twisting versus Bending Shari (Something You Don’t See Everyday)

Joe Graviss-ARobert Steven's simulation of a Juniper that was submitted by Joe Graviss (the original photo is below).

Robert Steven’s critiques have been an anchor here on Bonsai Bark for almost six years. His first of approximately forty critiques (so far) appeared in 2010 (Bark dates to 2009).

Each critique is a lesson in bonsai styling and taken together they constitute an extensive course in Robert’s bonsai tradition (if you asked me about Robert’s tradition I’d say his primary expertise lies in Penjing and tropical bonsai, but extends well into other areas of bonsai… though I’m not sure that’s how he would say it).

Speaking of other areas of bonsai, this temperate zone conifer presents several challenges and of course, Robert’s spot on solutions, which include an examination of twisting versus bending shari. Something you don’t see everyday.

Joe Graviss

The original photo as submitted by Joe Graviss.

Robert’s Comments

I only received one photo, so I can only give comments using the angle shown on the photo, though this angle looks good enough.

From the photo, it is obvious that this bonsai is designed with the flow to the left, based on the lower main branch that grows to the left. But this branch is not strong enough to be the dominant line. The upper part of the tree which flows to the right, is stronger, as is the ramification and resulting foliage. Consequently, with the flow to the left, it is difficult to obtain ideal visual balance.

I would suggest restyling to follow the original flow of the tree to the right. Turn the lower left branch into jin, reshape and refine the foliage (as illustrated by my simulation). Lift the trunk slightly to the right for better balance and repot for a better overall composition.

Last but not least, I would like to comment on the shari as it was not ideally created. The Shari should be created in a twisting line that rounds the trunk because the trunk’s natural line is twisting and not bending. The shari as presented bends along the trunk, rather than twisting around it.

Although it cannot be corrected, I still made the simulation to allow you to visualize the ideal shari. Shari is formed from top down, starting from a dead branch and following the living vein down the trunk, rather than bottom up.  And in this case, it should create a twisting line to enhance the natural drama.

*** My critique and recommended solution might not always fit your taste because there is always personal preference and option in designing bonsai. But I always try to give my opinion based on artistic principles and horticultural convincing approach.

To understand better my concept, please read my books Vision of My Soul (out of print) and Mission of Transformation which is available at Stone Lantern.

My Face Book page : http://facebook.com/robertbonsai

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Ancient Bonsai Bones

taiwan4I like the way the fresh foliage seems to hang from the tree's ancient bones (though I'm not sure I've ever seen a stand so in need of refinishing). This strikingly unique bonsai is one of many excellent trees at Taiwan Bonsai World.

Ayyyy! Chaos. We upgraded our OS recently and it has been all downhill since. If I owe you an email or phone call, thank you for your patience! Things should be back to normal soon (not that normal isn’t chaotic enough).

The good news is, so far our website and our warehouse are functioning quite well. This mostly has to with dumb luck and smart Ric (our warehouse manager).

Due to the above mentioned chaos there’s little time to put together new posts right now, so most of what you see here was borrowed from a post we did back in 2012.

 

Winter Cold & Tree Roots on Crataegus Bonsai. This is from 2012, but the best bonsai wisdom is never really dated.

 

Golden Statements magazine. This one is Jan/Feb 2011, but no matter; all issues of Golden Statements are good.

 

A preview of our 2017 calendar? Actually it's a very old calendar that you can see along with a bunch of other fascinating old images and photos of bonsai (and related stuff) on the World Bonsai Friendship Federation site. It's a bit like visiting an art museum.

 

Tropical Bonsai Riches. This powerful bonsai logo is from Jose Rivera's Bonsai en el Tropico. You don't need to understand Spanish to enjoy the vast store of riches contained in this website, but it helps.

 

Little delicacies. These tasty little delicacies are from Horie Bikoh kiln in Japan. I found them on Morten Albek's Shohin Bonsai Europe (Morten is the author of Shohin Bonsai). In case you're feeling generous, I'm accepting early birthday gifts.

“That’s one thing about intellectuals — they’ve proved that you can be absolutely brilliant and have no idea what’s going on.” – Annie Hall

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