Bonsai from the Wild

Nicksyellowlarch1

This famous American larch by Nick Lenz gives you a pretty good idea of why larches are valued for their yellow-golden fall foliage. The photo is from Nick's book, Bonsai from the Wild, as are all the photos in this post.

One more day on the road and one more post lifted from our archives (2009 in this case), though with serious editing and the addition of one photo and more text.

Here in northern Vermont the common name for the American larch is Tamarack, though it has several other names along its entire coast to coast North American range, including: Hackmatack, Eastern larch, Black larch and Red larch. It is one of three North American larch species and one of approximately one dozen total larch species worldwide (together they form an almost continuous band around the far northern reaches of the globe).

Of all the trees that grow here in northern New England, American larches are the most prized bonsai candidates. They are easy to grow, flexible, take to pruning and root pruning, have small bright green needles, excellent fall color, the wood is easy to carve and the resulting deadwood is attractive, the bark develops real character with age and so forth…

Lenzwildlarch1

This rugged old naturally dwarfed larch is makes its home in the middle of a somewhat barren and boggy, larch-friendly field. Nick Lenz says that trees like this one with plenty of deadwood are often riddled with borers and that they are usually found in the smaller mounded forms (if you look close, you can see some).

Larches are abundant in these parts, especially in the boggy lowlands. However, because they are conifers that happen to be deciduous, they are unique among the world’s trees (there are only three deciduous conifer genera in the world). This gives larches a special cache, as well as their bright yellow fall color.

lenz044

Nick Lenz calls this rugged heavily scarred old larch a 'super hack back job' (performed with a chainsaw). It's noteworthy for its excellent taper and nebari (among other things), things that doesn't come naturally with most larches. I guess you could say that the Halloween carving is also noteworthy.
tankLarch forest with tank. Like the other photos in this post, this one is from Nick's Bonsai from the Wild.

 

NEW Wire Sales
Wire32-500x15925% off 500 gram rolls of Bonsai Aesthetics Wire
and
25% off 1 lb rolls of Copper Bonsai Wire

plus FREE Shipping on U.S. orders 49.00 or more

 

Three Bonsai (Two Cedars & a Hornbeam)

carpinus-coreanaGreat tree, great pot. It belongs to Wolfgang Putz. The pot is by Ingrid Kralovec. The tree is a Korean hornbeam. The botanical name is Carpinus turczaninowii, though you’ll sometimes see them referred to as Carpinus coreana.

This post didn’t start out to be mostly about Cedars. The three photos and the text you see here are borrowed from a much longer post we did back in March 2013. After eliminating the out of date content, what’s left are a Hornbeam and two Cedars.

Boreal Bonsai. This White cedar (Thuja occidentalis) belongs to Paul Chong of the Toronto Bonsai Society and the Lakeshore Bonsai blog. White cedars grace much of northern New England, though the best ones for bonsai are usually found further north and west in Ontario, along the escarpments and near the northern tree line, where sparse rocky soil and cold winds provide just the right degrees of difficulty for spectacular wild bonsai like this one.

Just in case you are interested, Thuja occidentalis must have more common names than almost any other tree species on this planet. Ten that you might stumble upon, are: Cedar, White cedar, Northern white cedar, Eastern white cedar, Atlantic white cedar, Swamp cedar, False white cedar, American arborvitae, Eastern arborvitae and Arborvitae.

 

This White cedar seems like it’s getting ready to go somewhere. The Lakeshore Bonsai caption just says by David J. Nice tree anyway. 

Due to a very long day of travel today (SF to Boston to northern Vermont), I’ve decided to put off ending the two sales below until tomorrow morning.

25% off Bonsai Fertilizers & Tonics
ORMIX3-2Sale ends tomorrow (Wednesday) morning at 8:oo, EST

25% off Bonsai Aesthetics Tools
TC-SET5-AESTHETICS-680Sale ends tomorrow (Wednesday) morning at 8:oo, EST

plus FREE Shipping on U.S. orders 49.00 or more

“The Most Complete & Understandable Bonsai…”

Oki-HackberryThis has got to be one of the most magnificent Chinese hackberry (Celtis sinensis) bonsai anywhere. Though the distinctive split trunk needs no comment, you might also notice the highly developed ramification (fine branching). The tree was donated to the Pacific Rim Bonsai Collection (now the Pacific Bonsai Museum) by Ben Oki.

I know we just posted this last August, but I’m enjoying the tail end of a short vacation so rather than go to the trouble to work up a new post,  it seems like a good time to remind you about Dave DeGroot’s  Principles of Bonsai Design. BTW, it was Dave who originally sent us the four bonsai photos you see here (from the Pacific Bonsai Museum), along with his observations.

The title of this post is taken from the following quote by Rick Marsh:
Got my copy of DeGroot’s new book this weekend … I have been devouring it for two days now and must say this is the most complete and understandable Design book on Bonsai ever! I had his first book and this is just a HUGE expansion on that. You will be wasting years before you gain the knowledge in this work. Of course this is all in my most humble opinion ;)

 

B1PRINspread

Principles of Bonsai Design. Here’s a spread out of Dave’s chapter on branch structure. “This book is an absolute must for any serious bonsai grower. I heartily recommend it.” Jerry Meislik, author of Ficus, the Exotic Bonsai.

 

Lee-juniper-smallThis Formosan juniper (Juniperus formosana) by Mr. Kuo An Lee is from Taiwan. Amy Liang Chang donated it to the Pacific Bonsai Museum. 
Dave DeGroot wrote: "This Chinese juniper was nursery grown and trained in Taipei, Taiwan. The basic shape was created by bending the juvenile tree around a bamboo stake. Field growing enlarged the trunk, which was then topped to obtain the correct height. The illusion of great age was supported by stripping the bark from certain branches and parts of the trunk. Carved grooves and channels in the stripped trunk suggest a long period of weathering and decay, further enhancing the illusion of age and powerful natural forces.
 The artist has created a feeling of gracefulness with the gently curving, slanted trunk, while the dropped branch on the right adds tension and interest by making the tree just slightly unbalanced."
B1PRINpage You might notice this page from Dave's Principles of Bonsai Design includes the trunk of the tree just above.

 

Liang-Black-Pine-smallAmy Liang Chang (you might know her as just Amy Liang) of Taiwan is the artist and donor of this gnarly old (over 400 years!) Japanese black pine (Pinus thunbergii).
Dave wrote this about this magnificent old tree: "The black pine is a coastal tree of southern Japan, strong, vigorous, long lived and possessed of many attractive qualities. For all the above reasons, it is known as “The King of Bonsai."
This tree was quite tall when it was collected. In order to create a bonsai of pleasing proportions, the entire upper trunk was cut off, leaving only the lower trunk and the first four branches. Taipei bonsai artist Amy Liang Chang purchased the tree from a Japanese nurseryman in 1971 and styled into in its present form. The tree was totally cleansed of soil to permit its importation to the U.S. in 1989. Although badly stressed by that experience, it lived up to its reputation as a strong, vigorous tree and recovered fully."

B1PRINpage2

One more page from Principles of Bonsai Design. Just to whet your appetite.

 

Gray-Maple-smallThe artist and donor was of this brilliant Japanese maple was  George Gray of Dallas, Texas. It's date of origin is 1963 and it has been a bonsai since 1968.
Here's what Dave DeGroot wrote about this colorful tree: "Certainly, the Japanese maple is one of the most beautiful trees in any landscape, and one of the most beautiful for bonsai as well. Artist George Gray developed this maple from a cutting over a period of more than 30 years. Such a long time in a shallow pot has given the tree excellent surface roots and delicate, well-proportioned branches, so that it projects a sense of both strength and softness. A low, upswept branch on the right side of the tree adds interest by suggesting a secondary trunk.
The shape of the Tokoname-ware container is oval to harmonize with the softly rounded shape of the crown of the tree. The beautiful blue-green color of the container is a perfect foil for orange and red autumn foliage."

 

B1PRIN

Principles of Bonsai Design. The most thorough and useful Bonsai Design book since John Naka's famous Bonsai Techniques 1 & 2, both of which no doubt greatly influenced Dave (at the risk of bonsai heresy, Dave's book may be as thorough and useful as John Naka's famous books - you can decide for yourself if you can get your hands on Techniques 1 and 2).

Related books that might interest you…
John Naka’s Bonsai Sketchbook
Our Masters’ Series Juniper Bonsai book.
Our Masters’ Series Pine Bonsai book.
Amy Liang’s The Living Art of Bonsai.
Bonsai with Japanese Maples by Peter Adams.

Two Sales End Tonight

TC-SET5-AESTHETICS-680

25% off Bonsai Aesthetics Tools Sale
ends tonight, Feb 8th, at 11:59pm EST

ORMIX3-2

25% off Bonsai Fertilizer & Tonic Sale
ends tonight, Feb 8th, at 11:59pm EST

plus FREE Shipping on U.S.orders 49.00 or more
remember to select FREE Shipping when you check out

Two Handed Bonsai

shim

It's not unusual to see a photo of someone holding a small bonsai in one hand. However, you almost never see a photo with someone holding a bonsai with two hands. Until now that is. This two handed approach gives the feeling that the tree (a rather spectacular Shimpaku juniper) is being offered. This photo and the others in this post are from Japan Shohin Bonsai.

One of the problems with photographing bonsai is conveying size. The easiest and perhaps best way is to provide something familiar for contrast.

It used to be fairly common to see bonsai with cigarette packs before smoking fell out of favor. You also sometimes see soft drink cans, though soft drinks are also starting to fall out of favor and both cigarette packs and soft drink cans distract from the natural beauty of the bonsai.

Which brings us to hands. One of the great things about hands is they are always available (close at hand) and there’s a natural relationship between hands and the art of bonsai, so they tend not to distract.

Before I shut up, just want to say how happy I am to have discovered Japan Shohin Bonsai. Not only are their trees top notch, but they are so well photographed. There are few things better in our online bonsai world than well-photographed top notch bonsai.

needle

Another two handed offering. This one looks like a Needle juniper (Juniperus rigida).

maple

 This little Japanese maple only needs one hand. I like the trunk a lot and of course, there's that sweet little pot.

maple2

We've shown this lovely maple before, but a two minute search for the original came up blank.

pot

No hands here, but I couldn't resist.

Two important Sales end Monday night

ORMIX3-2

25% off Bonsai Fertilizers & Tonics
ends Monday night at 11:59pm EST

TC-SET5-AESTHETICS-68025% off Bonsai Aesthetics Tools
ends Monday night at 11:59pm EST

plus FREE Shipping on U.S. orders 49.00 or more

 

Flowering Bonsai & some other Good News

fuciaThis is the first and only Fuchsia bonsai we've shown. Until now, that is (see below). It's from a post we did two years ago. We originally found it at Aus Bonsai.

Tropical and semi-tropical flowering plants are common and abundant, though not all are suitable for bonsai. This has a lot to do with leaf size, as many have leaves that are too large for bonsai (you can reduce leaf size to some degree, but in most cases it’s best to start out with plants that have small leaves and short internodes).

Two good warm climate flowering plants that are suitable for bonsai are Fuchsia and Lantana. Both are common patio plants here in the Bay Area (my home away from home) and the transition from patio container to bonsai is an easy one.

It’s about the flowers. If these attractive little trees weren’t in flower, they might be consigned to back benches somewhere. However, when they are in flower… well, you can see for yourself.

lantanacascade

This cascading Lantana belongs to Ed Trout. Once you get beyond the brilliant and abundant flowers, you might notice the elegant pot (are those holes?).

 

lantana

Another Lantana by Ed Trout. The elongated crown is perfectly designed for showing off the flowers.

 

f3

Fuchsia in full flower. I found this one and the one below on Pinterest (usually a dead end when it comes to attribution).

 

F2

This Fuchsia looks like it was styled using the clip-and-grow method.

 

Two Bonsai Tool Sales & one Wire Sale

Tools & Wire x3

25% off Koyo Japanese Bonsai Tools
25% off Bonsai Aesthetics Novice Grade Bonsai Tools
25% off Yoshiaki Japanese Bonsai Wire

plus FREE Shipping on U.S. orders 49.00 or more

Two Masterpiece Bonsai Forests & an Inspired Imitation

kim

This famous masterpiece Hinoki forest is by Masahiko Kimura and is one of his favorites. The photo is by Morten Albek (author of Shohin Bonsai). It appears in The Magician: The Bonsai Art of Kimura 2.

Though comparisons are often odious (and unfair, especially when it’s with Kimura), still, older trees make for more interesting forests. In this case, Kimura’s hinokis (above and at the bottom) are not only mature, but also expertly styled; each one in accord with its size and position in the forest.

Another distinctive feature on the Kimura forest above is the use of deadwood. It adds a touch of age and a sense of the struggle you might expect on a steep rocky mountain side.

The spacing on the forest just below is pretty good considering how many trees there are, but it is still a little crowded. Perhaps with time and a little jinning and pruning, it will open up a bit. You can see the advantage to a more open look on the Kimura forests.

Another distinction is the the maturity and power of the individual trees and also the varying sizes (ages) in the Kimura plantings, as contrasted with the almost uniformly younger looking trees in the planting just below.

hinoki

I found this striking forest-on-a-cliff on facebook (six years ago). It caught my attention for two reasons: first it stands on its own as a very good bonsai with plenty of potential for further development, and second, it was clearly influenced by the famous Hinoki forests by Kimura (above & below). Though I can't find any information on image search or anywhere else, I'd wager that the trees are also Hinokis.

 

2sweet21I borrowed this photo from a post we did in 2013. It's also by Kimura and my best guess is that it's also a Hinoki planting.

Today is the first day of a short mid-winter vacation, so rather than spend much time working, we dug this post up from our archives (November, 2010). With quite a few changes and one more photo, to bring it up to date.

 

Two Big Sales end soon
ORMIX3-225% off Bonsai Fertilizers and Tonics
this sale ends Monday night

TC-SET5-AESTHETICS-680

25% off Bonsai Aesthetics Tools
also ends Monday night

plus FREE Shipping on U.S. orders 49.00 more
this special will end someday, but not just yet

A Humble Bonsai Artist’s Ordinary House on an Ordinary Street, Somewhere…

night

Night shot out the back door of a humble bonsai artist's ordinary house on an ordinary street, somewhere in the Pacific Northwest.

There are lots of good bonsai blogs these days. I’ve got three or four favorites, but there’s one that keeps bringing me back. The photos are plentiful and very good (even exciting), with shots of some of the best bonsai in North America (and people having entirely too much fun). These alone are worth the price of admission (there isn’t a price, but if there were…). But it’s the writing and the value of the content that really gets me (insight, subtlety, humor; you name what you’d like to see in bonsai blog).

Figured it out yet? Here’s a hint.

Iris

Not a bonsai, but a perfect Iris in a bonsai pot. Typical of a humble bonsai artist.

 

tallclumpA very tall Hemlock clump (7 feet 4 inches tall - 224 cm). Here's some of that writing I mentioned...  "This is all one tree, a natural, root-connected clump. For inspiration on how to handle this styling, I thought of the trees in that curious and expressive mountain zone just below the small and stunted krummholz zone, where the trees still have some height and make up small forest groups. The bottom branches of the trees in this zone often have environmental stability, while the apexes are sometimes windblown. So this tree was suggestively treated that way. This clump continues an exploration of our Northwestern forests in bonsai, the first being another Hemlock group designed some time back."

 

ticketAnother hint

 

itoigawa

Itiogawa shimpaku grafted onto a needle juniper

 

manwhat

I don't know either of these courteous gentlemen. But I'll guess that the photo was taken in a famous rose garden somewhere in the Pacific Northwest.

 

juniper veins

A juniper and something you probably don't know about living veins.

 

michael

Another hint

 

laughing

 

wisdom

 

B1POST for web

Post Dated
still the best bonsai read

 

NEW SALE
25% off Koyo Japanese Bonsai Tools

Tools-Koyo1-500x303

Koyo Tools
have long been a favorite of serious bonsai enthusiasts
includes Master Stainless tools
and professional grade high carbon steel tools

plus FREE Shipping for U.S. orders 49.00 or more

How Not to Fertilize Your Bonsai

black2Japanese black pine (Pinus thunbergii) just after trimming and wiring (the before photo is below). From our Masters' Series Pine Book.

Whenever Michael Hagedorn writes, I read. What follows is part of a post by Michael from his Crataegus Bonsai blog:

“For fertilizing bonsai, we can make this one basic distinction: Begin fertilizing a young, unrefined tree when it begins growing early in the spring. Wait a bit with an older, refined tree—usually begin fertilizing when it’s just hardening off it’s spring growth…

Quiz: If we were to fertilize everything the same, strongly, starting early in the year, what would happen?
The young trees would stay forever young
The old, developed trees would become young again.” Here’s the rest of Michael’s post.

Michael doesn’t talk about which fertilizers he uses, so… in my experience, and in the Japanese tradition, well-balanced, mild organic slow-release fertilizers are the best. Slow release means steady nourishment to the roots and fairly mild means no risk of root burn and no damage to beneficial microbes. When it comes to well-balanced, mixing (or alternating) two or three types of fertilizers works best.

 

ORMIX3-2Three fertilizers we use. Green Dream pellets and Rape Seed cakes are slow release. Bonsai Pro is a mild liquid fertilizer, for an extra boost. All of our fertilizers are now 25% off at Stone Lantern.

 

blackleadWell fed and at the peak of health. Now it's ready for trimming and wiring. Both photos of this tree are from our Masters' Series Pine book. BTW, it's not that often you see the base of a trunk almost completely fill the mouth of the pot.

Look familier? Though I’ve added some words and changed things around a bit, the photos and much of the text in this post are from our archives.

NEW Sale
25% off Koyo Japanese Bonsai Tools
Tools-Koyo1-500x303plus FREE Shipping on U.S. orders 49.00 or more

 

The Artisans Cup – Bonsai Past Present & Future

first

Look familiar? As an encouragement for you to visit the Artisans Cup website and see for yourself, we'll break with our tradition and not identify the trees or their owners in this post.

We just received a press release from Ryan Neil. It’s about the Artisans Cup, one of the most exciting and innovative bonsai events yet. Anywhere. But Ryan’s press release is not just about what has already happened, it’s also about the future of the Cup and of bonsai.

But rather than me telling you about it, we’ll let Ryan speak for himself…

The Artisans Cup, the premier showcase of American bonsai that took place at the Portland Art Museum September 25-27, 2015, today launches a new site experience offering a comprehensive look back at the event. The site will feature facts, photos, and audio & video content highlighting the concept and creation of the show, as well as details and audio critiques of every tree exhibited.
Continued below…

secondCropped

The second place tree. I cropped this one and the two just below for closer looks.

Ryan Neil continued from above:
Visitors of the new website will get a detailed look behind the scenes at the immense community effort that brought the exhibition to life. The countless hours of planning and hard work by the show’s dozens of collaborators and participants will be displayed through photos, videos, and notes from the organizers. In addition, for a one-time fee of $65, users will be able to purchase access to special in-depth content with insights into the competition and how it was run. This content includes audio from all three panel discussions held during the event: “The Future of Bonsai,” a forecast of the art of Bonsai with founders Ryan & Chelsea Neil; “Ask The Judges,” a chance to get inside the minds of the professionals who judged the exhibition; and the “Collaborators Panel,” a look at how the principles of Bonsai translate into art, design, and culture, featuring key creative collaborators that helped to bring The Artisans Cup to life. Subscription content will also include studio portraits of all 71 trees, along with detailed audio critiques of each tree from all five of the event’s judges.
Continued below…

third.CU

One of two third place trees.

As an organization, The Artisans Cup is dedicated to celebrating the beauty of time and the balance of nature, showing American Bonsai for the art form it truly is. A steadily growing subset of the millenia-old tradition, American Bonsai honors the past while pushing the artistic boundaries of what is possible. The Artisans Cup seeks to highlight the artists who are leading the way, while simultaneously inspiring a new generation of Bonsai enthusiasts to join the movement. On the heels of an overwhelmingly positive reception to its inaugural event, The Artisans Cup is looking ahead to its next event in 2020, and laying the groundwork for a show in one of New York’s finest art museums in 2025.
More from Ryan below…

third2CU

The other third place tree.

About The Artisans Cup: The Artisans Cup is the premier exhibition of American Bonsai, located in the heart of Portland, Oregon. The Artisans Cup is led by Ryan and Chelsea Neil, founders of the groundbreaking Bonsai incubator Bonsai Mirai, located just 25 miles outside of Portland. 3,200 people attended the group’s first exhibition during the 17 hours it was open in late September 2015, making it one of the best-attended temporary exhibitions in the history of the Portland Art Museum.

Retrospective Teaser:

 

25% off Roshi Bonsai Tool Sale ends tonight
Roshi2We love our Roshi Bonsai Tools
You can feel the craftsmanship when you hold them in your hands
and the price is right
25% off Sale ends tonight (Monday) at 11:59pm EST

FREE Shipping on U.S. orders 49.00 or more