Coming up, Another Great Year for Bonsai

CA16berry

Looks like a Japanese winterberry (Ilex serrata). My apologies for the chopped off pot; our scanner is too small to accommodate the whole bonsai.

2016 starts tomorrow, so you’ll need a good calendar. Both the photos shown here are from our 2016 Bonsai Calendar. Our scanner is too small to fit whole pages, but I suspect these photos are enough to provoke your interest.

If you’ve been paying attention, you’ve noticed the recent evolution of the art of bonsai. It’s a world wide phenomenon and it’s moving very fast. I’ll blame the web among other things; including a surprising youth movement (lots of 20 and 30 somethings have been apprenticing in Japan, for example) and who knows what else? You can look for this trend to continue in 2016.

CA16Pine

This one looks like a Japanese white pine (Pinus parviflora). I like the rough texture, the strange angles, the hollowed trunk, the pot, everything about it.

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May You Enjoy a Happy, Healthy & Prosperous New Year

taxus1

Just couldn’t resist posting yet another yew (there have been several lately). This time it's an English yew (Taxus Baccata) by Stefano Frisoni.

It’s almost 2016 and there are countless loose ends to tie up, so we’ll dig up part of a December 2012 post with some trees that I particularly like.

Meanwhile, may you and yours enjoy a happy, healthy and prosperous New Year! And thank you for helping to make 2015 a happy bonsai year.

Nice tree. Fantastic pot!  Eleven years from stump by Mario Komsta (a regular here on Bark). I originally guessed that it was an Ilex and of course, I was wrong. Fortunately, our old friend Jose Luis set me straight. It's a Silverberry (Elaeagnus).

 

This Shimpaku planting on a slab is also by Mario (aka Mariusz) Komsta. Though I can’t tell for sure, my guess is that this is two separate trees, rather than a twin-trunked bonsai. In any case, I like the way the trunks complement each other with their similar deadwood and live veins. I also like the way the open space between them.

 

I haven’t seen that many real Myrtle bonsai and of the ones I have seen, this one, that belongs to Mauro Stemberger (another regular here), is by far the most impressive. Though the flowers aren’t necessary to appreciate the tree, they add a nice touch.

 

 

2016Calendarmaple

This sumptuous Japanese maple is from our 2016 Bonsai Calendar.

 

CA16jun

Another small piece of our 2016 Bonsai Calendar. It's on special as is our 2016 Japanese Garden Calendar. So are many other bonsai and Japanese garden products including....

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A Full Grown Man Sitting in a Bonsai Tree

wcaptionIt's not that often you see a full grown man sitting in a bonsai tree (why doesn't the tree fall over?). The caption and the photo are from BCI magazine.

Marc Noelanders is an accomplished bonsai artist, though he’s probably best know for his annual Noelanders Trophy Bonsai Exhibition. We’ve featured trees from the Exhibition numerous times over the years, though I can’t find any of Marc’s that we’ve shown. I’d like to redress the situation, but too much to do today, so we’ll settle for the mind stopping photos above. Some other time we’ll do the research and show you some more of Marc’s bonsai.

noel

Though the tree at the top of the post (with and without Marc) is the real show stopper, this one isn't half bad either. It's the tree that appears on the cover of the 10th Noelanders Trophy book. I couldn't find any information on the variety, the artist or the photographer.
focusThis photo is from Bonsai Focus. Here's their caption: "One of the best shows in Europe, The Noelanders Trophy, initiated by Marc Noelanders. Held every year in January, Heusden Zolder Belgium .  Photo's: Willy Evenepoel."

 

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Outstanding Japanese (Korean?) Red Pine Bonsai

redpinesavaob

Cork bark Japanese Red pine? I found this remarkably corked-up pine on the Art of Bonsai Project. It's by Enrico Savini. I've never heard of a Cork bark Red pine (Cork bark Japanese black pines are fairly common), but that's what AoB says. Whatever it is, there's no denying that it's an exceptional tree.

According to Wikipedia, Japanese red pines (Pinus densiflora) should probably be called Korean red pines.
For Korean people, even today, it is considered to represent Korean spirit and mentioned in South Korean national anthem, Aegukga. Since it was introduced to the West by Japanese scholars during the colonial era, it was named “Japanese red pine” in English, and it still hurts Korean people’s pride. Accordingly, they are trying to changed its name into simply “red pine” or “Korean red pine.

 

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I found this muscular old Red pine at Michael Bonsai. The photo is from the famous Kokufu Exhibition, number 87.

 

redpinekoku

Here's another that Michael Bonsai posted. Also from Kokufu 87.

 

redpinemarioaob

Nice tree. It's by Mario Komsta, who we featured just the other day. You don't see such distinctive shari on pines that often (Junipers yes, pines not as much). The photo is from the Art of Bonsai Project.

 

redpinemario

Another by Mario from the Art of Bonsai Project (I think we've shown this tree once or twice). The bark does have a hint of cork, but nothing like the tree at the top of the post.

 

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Brilliant Bonsai & Bougainvillea Bracts

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This cheerfully bright Bougainvillea illustrates the principle that, when it comes to flowering bonsai, the tree should be designed and displayed in a way that, first and foremost, shows off the flowers (bracts in this case - see below). Success!

For reasons that are easy to understand, we like to show flowering bonsai during these darkest days. The photo shown here is from Bonsaimania; Bonsái del álbum de Virgie Bambilla. We originally featured it in August, 2010.

boug2

Cropped for a closer look. Did you know that Bougainvillea flowers are really colorful leaves (bracts)?

 

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A Bonsai Lesson in Perception

marioafter

After. This wildly flowing Shimpaku (Shin) expresses pure movement. It also presents a lesson in perception. It's by Mario Komsta (aka Mariusz Komsta).

If you have a moment, take a close look at this tree and see if you can figure out why, with almost noting on the left and almost everything on the right, this tree has an overall sense of balance.

To my eye it looks like Mario did several things to make this tree appear to be balanced, and they all have to do with suggesting that you look to the left. Which is another way of saying that the sense of balance is purely psychological.

At the risk of stating the obvious… I’ll mention four features that stand out.

  1. The three strong jins at the top of the tree that all point left.
  2. The second branch (back branch) that flows behind the trunk and then to the left. This leftward movement is accentuated by the pointing tips.
  3. The branch coming off the crown that crosses the trunk and also points left.
  4. Finally, there’s that deadwood root at base of the trunk which also points left.

All these (and maybe others I don’t see) help create a sense of balance in spite of all the ‘weight’ on the right.

All the photos in this post are from a Mario Komsta photo album titled Angelito’s Shin.

 

mariobefore

Before. What a difference.

 

mario2

I love this photo because it shows the recovery stage after the initial heavy pruning and peeling. I don't know how long it took for the tree to recover its full strength, but I do know that this stage is sometimes skipped due to impatience. Not a good idea.

 

mario3

Now Michelangelo has simply removed all the rock (...foliage) that is not David (...the bonsai). Now to fill out a bit and a few finishing touches.

 

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Happy Bonsai Holidays – Merry Bonsai Christmas

sat3

Though it's usually considered bad form to lop off part of the pot, in this case it's all about the color (and the wildly expressive trunk). The variety is listed as Issho-no-haru. This and the rest of the photos in this post are from the Omiya Bonsai Art Museum

Happy Holidays! Merry Christmas! No matter what you celebrate (or don’t celebrate), may you and your loved ones enjoy the Season and have a happy, healthy and prosperous New Year.

The photos here are from the Omiya Bonsai Art Museum. In particular, a part of their collection of Satsuki azalea bonsai (at least I think these are all Satsuki). We originally featured these last year.

sat9

This variety is labeled Osakazuki. You might notice the massive trunk. Many varieties of Satsuki trunk up very well. So much so that some are shown out of blooming season.

sat2

No name is listed for this delicate beauty.

sat4

A triple trunk Megumi. Normally you don't find trunks so evenly spaced in Japanese bonsai, but when it comes to flowers all bets are off.

sat7

This one is a Date-murasaki. Like some of the others photos the trunk is deep in the shadows. It's more about the art of the photograph and beauty of the flowers.

sat

No visible trunk at all on this Chiyo-nishiki. More than a fair share of luscious multi-toned flowers however.

 

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Is This Pot Legal?

415Would you plant a Crabapple in this pot? Or a Cherry tree? Winterberry? Persimmon? Pyracantha? Anything? Or maybe Horst was picturing Christmas tree ornaments.

We’ve been going archival a lot lately. But then it’s that time of year. This one (from December 24th, 2013) was originally titled ‘Off the Deep End with Horst (Is This Pot Legal?).’ Horst is ceramic artist Horst Heinzlreiter.

If you’ve been following Bark for a while you know that this is not the first time we’ve featured Horst Heinzlreiter‘s magical pots, and it won’t be the last.

612Roman ruins? This is the photo that inspired the 'off the deep end' title.

 

130Day after tomorrow is Christmas. It's probably too late to ask for this pot.

 

512I originally wrote Cucumber? But now I'm thinking Watermelon.

 

224A little more subtle. But strong.

313

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Heads Up! & Deck the Bonsai

n7Though most Christmas trees have their charm and some are genuine works of art, still, this has to be one of the best I've ever seen. 

Happy Holidays! This tree by Nacho Marin is one of the best, if not the best, bonsai Christmas tree I’ve seen yet. It’s not the first time we’ve shown it (2013 was first) and it may not be the last.

Heads Up! Today is our last day shipping day this week. Orders received by noon Eastern Standard Time will be shipped today. Orders received after noon will be shipped next week.

The good news is, our 20% to 30% off Sale will continue for a few more days.

n4Just before and just after.

 

n6Evolution with striking red Bottlebrush flowers.

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A Radical Approach to Bonsai Soil

115

This sturdy, barely tamed beast of a tree is a perfect example of Walter Pall's naturalistic style. The photo is from Walter's website. The tree is a European spruce.

Yesterday we resurrected Walter Pall’s unique hedge pruning method. Today we’re resurrecting (for the second time) his equally unique take on bonsai soil. It originally appeared here on Bark in June of 2013.

Walter Pall, world famous bonsai artist and much more… We’ve feature Walter’s bonsai numerous times here on Bark (and in Bonsai Today) and will continue to feature them for as long as we continue posting. I won’t say much more, except that Walter produces quality trees by the hundreds (seemingly at least) and he also sometimes produces worthwhile and even provocative ideas about bonsai. What follows may be his most fascinating and provocative idea yet.

The first few paragraphs of Walter’s article begin just below the photo… (note, Walter uses substrate where most of us use soil). I look forward to your comments.

 

281This Hawthorn in bloom is from Walter 's Bonsai Adventures, as is the article below. The rest of the photos in this post are from Walter's online gallery.

Feeding, Substrate and Watering
Methods of Walter Pall (edited by Victrinia Ridgeway)

“First, I set aside everything that has been written in most bonsai literature about the subject. As technology grants us access to new and more effective methods and products, the way we care for our trees has progressed beyond the boundaries of tradition. It has been a new and modern world for some time, but many have not realized this. Even if some measure of success is achieved with the old methods it can be dangerous if used with modern substrates and practices, or even deadly.

Substrates (soil): Good substrate material must: be of equal particle size, have the ability to absorb water and release it back, have no fine particle organic material, must not decompose easily, be as lightweight as possible when dry, preferably inexpensive and should have an aesthetically pleasing appearance. This would then be: lava, pumice (note: lava and pumice are the two ingredients in our Masters Bonsai Soil), baked loam, Turface, zeolite, Chabasai (a type of zeolite), coconut pieces, bark pieces, Styrofoam pieces (no joke) and a few more which you can find yourself if you have understood the principles. Please note: Some of these materials may not be available in your area…” (continued after the photo and caption)

45Another naturalistic European spruce. Naturalistic doesn't mean 'left just the way you found it.' This and others in Walter's collection may have spent numerous hours being transformed from raw stock to what you see. But what you see, is a tree that looks like it has barely been touched by human hands.

“Normal akadama is questionable as a good substrate as it inevitably decomposes, especially when exposed to winter frost. It can become deadly loam in the pot, choking the flow of water and air into the soil. This is especially true for trees which are only rarely repotted, like collected conifers and old bonsai in general.

Substrates which are not useful: soil, compost, stones, sand etc. Trees grow in sand and flower soil, of course, but it is not an optimal growing medium for health in bonsai culture.
All substrates can be mixed according to your liking and it makes almost no difference. They can also be recycled and used again, but make certain to sift and clean any recycled materials as needed.

There is no such thing as an ‘ideal bonsai substrate’. There are in fact thousands of ideal substrates. I believe that IT DOES NOT MATTER WHAT YOU USE AND IN WHAT MIXTURE as long as it is a modern substrate…”

This should be enough to stimulate your interest. Here’s the rest.

65The clean, elegant lines and simple crown give on this bunjin style Scot's pine a more refined look that the two trees just above.

 

Here's what our Masters Bonsai Soil looks like through the lens of an iPhone. It's 50% - 50% lava and pumice. 

 

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