A Radical Approach to Pruning

hedgeThe Japanese maple that Walter Pall uses to illustrate his 'hedge-cutting method.' This photo was taken four years after Walter started working with this tree. The before photo is below.

I think this is the third time for this post, but it’s a good one. So just in case you missed it…

Walter Pall’s hedge-cutting method. In a post a couple years ago, we featured a radical approach to soil and feeding by Walter Pall. This post features another of Walter’s radical innovations. This time it’s about pruning broad leaf bonsai.

I first learned about hedge shearing bonsai from Jim Smith, a highly respected American Bonsai Artist and grower who works primarily with tropical and sub-tropical bonsai. Because Jim lives in Florida, I figured that hedge shearing was only used in the tropics or sub-tropics, due to rapid rates of growth and recovery.

That was until I began field growing larches here in Vermont and decided that the only way to keep up is to use my sword shears and periodically cut back to the desired silhouettes (after fairly long periods of unrestricted growth). However, until fairly recently, I didn’t know about Walter Pall’s hedge-cutting methods, which as it turns out are considerably more sophisticated than mine.

What follows are some of Walter’s photos (with his captions in italics) and some remarks (also in italics) that I selected from his hedge-cutting article.

 

hedgebeforeBefore. "2008-05: The tree arrived in my garden in this state. The previous owner had kept it in Akadama mush and thought that he would automatically improve the tree by pinching. The crown is much too wide and flat and the leaves hide poorly structured branches. Many branches are dead. The Nebari could be much better and the maple is planted too high in its pot."

“Well, a few decades ago when the first bonsai trees were brought to the West, the purchasers asked how they should care for these trees. The answer was given so that no mistakes could be made. It was assumed that the owners wanted to keep the trees in the state in which they purchased them. The pinching was recommended because it is useful for trees that are ‘finished’ and ready for exhibition or sale. Nobody thought at that time that the Westerners would ever be able to develop bonsai themselves.

In the developmental phase, the goal is clearly to improve the tree. The trunk and the branches must be thickened, pruning wounds must close and the tree is to develop so many new shoots that one has a choice of useful branches. The nebari should also improve significantly. At this stage, the immediate image is secondary to the future beauty. That is why leaves can be large and the tree can look ugly for the longest time. To achieve these goals, the tree needs as much excess energy as possible which it can only obtain through the photosynthetic activity of as many leaves as possible. If exactly those sources of energy are removed too early, then the tree can’t develop. In the worst case, it dies a slow death.”

hedge3As you can tell from the sacrifice branches, Walter's methods involve more than just hedge shearing. "2009-01: A deciduous tree can be much better evaluated without its leaves. It is now apparent that the center tree ought to be much thicker and somewhat higher. The previous owner didn’t achieve much by many years of pinching. It looks rather poorly developed. The pot by Bryan Albright seems over powering."

“The numerous leaves produce lots of energy in the form of carbohydrates that moves downwards through the branches and is deposited in the branches, the trunk, and finally the roots. The result is that branches and trunk thicken, that the surface roots – the nebari – also thicken, and that the roots grow strongly. At the same time, many new visible and dormant buds develop. The entire system “tree” is strengthened and it has good reserves for any setbacks. A radical cutback is such a setback.

In Central European climate about six to eight weeks after the first flush, in our area from the middle of May to the beginning of June, the tree is then cut back with big sheers to its previous silhouette. It is irrelevant where exactly it is being cut, or if any leaves are cut. This actually ought to occur as a partial leave pruning will allow light and air into the crown of the tree. All other growth inside the silhouette is not touched but strengthened with this method. And the tree is strongly encouraged to bud out again.”

hedge4The final photo in Walter's article. "2013-02: The tree was repotted into a very suitable pot by Walter Venne from Germany. The results of the development thus far are quite presentable. But is is by far not the end of the development. Much has changed in five growth periods, yet the work continues as before. In another five years the tree will be better again. The drawback, however, will be that he tree is not really presentable during much of that time."

The above comments and photos are just a sampling from Walter Pall’s ground-breaking article on his hedge-cutting method.

The following photos are not by Walter.

hedge2Podocarpus macrophylla by Jim Smith. My best guess is that Jim used his own hedge shearing method to develop this tree. Photo is from The Art of Bonsai Project.

 

TBK01105-6803Our Sword shears work quite well for the hedge cutting method.

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All orders received by 12:00 noon (U. S. EST) Tuesday, December 22th, will be shipped almost immediately. Orders received after noon on the 22nd will be shipped the week of the 28th.

 

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This photo and the one at the top were cropped from our 2016 Bonsai Calendar.

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250 Million Year Old Bonsai?

ginkgo

This is the same tree we showed yesterday. Same pot too. Just a few months earlier. I borrowed the photo from Bill Valavanis' blog, Welcome to My Bonsai World.

You don’t see that many Ginkgo bonsai. My guess is that this is because they are limited in terms of what you can do with them. For the most part the branches grow more or less straight up and tightly bunched and trunks typically lack movement and grace; staying more or less short and squat as they age.

Still, once you accept that Ginkgos are unique and unlike most other bonsai, you might begin to notice what they have to offer; not the least of which are the fan shaped leaves; soft green and then brilliant yellow in the fall.

Then there’s the rough bark and overall ruggedness as they age, which only serves to enhance their unique beauty. And the simple fact that Ginkgos have been around for 250 million years lends a little extra cachet.

bill

Same tree again. Different pot, different time (fall 2010).
B1CLASSGinkgoThis one has to be one of the best Ginkgo bonsai ever. It's from Classic Bonsai of Japan (unfortunately, out of print). 50 years old, 33 inches (82cm). We featured it way back in 2009.

 

B1CRESPICU

A close up of the cover tree from the Crespi Bonsai Museum gallery book.

 

H51-1We featured this twin trunk Ginkgo last year. It belongs to Alex Probst. The pot is by Horst Heinzlreiter, a Bark regular.

 

Bonsai.jpg

Here's that Crespi Bonsai book we referenced above. As you might suspect, it's available at Stone Lantern and, best of all, it and everything else is currently 20% to 30% off it's already discounted price.

BILLGINKGO

Bill's Ginkgo once again. This is the photo we showed yesterday and the same tree you see above (twice). From this fall.

 

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Bonsai You Just Can’t Resist

BILLGINKGO

It's not just the color. Once the vivid yellow leaves grab you, you might notice there's a lot going on here. This Ginkgo, like all the other bonsai shown here, belongs to Bill Valavanis.

Good Ginkgos aren’t all that common. They have strange shapes and don’t conform to bonsai conventions. The branches tend to grow straight up and the trunks usually lack movement and grace. But sometimes, in spite of all this (or because of all this) you’ll find a Ginkgo that you just can’t resist. Like the one above.

All the photos shown here were posted by Bill Valavanis on facebook. Bill also has an excellent blog and is the owner of International Bonsai.

BILLMAPLE

More color and a beautiful pot that serves to enhance. This is one of Bill's many magnificent Japanese maples.

BILL

Still more color and a strong trunk with a perfect nebari and great taper. Though it's hard to make out the individual leaves, I think this might be one of Bill's famous Kotohime Japanese maples.

BILLTOKONOMA

Bill's Tokonoma.

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Before & After – Spectacular & Even More Spectacular

NAOMAINThat's a Japanese yew that this spectacular piece of deadwood is clinging to. It was styled by Naoki Meaoka.

The first thought that came to mind when I saw this tree was Yes! The second thought was; ‘is that piece of deadwood for real, or was it just stuck onto an otherwise unspectacular tree? But of course it’s for real. Naoki Meaoka wouldn’t do that.

Anyway, it’s that time of year so we’ll keep this short and simple. If you want more photos of this tree, you can find them on facebook. You can also visit Naoki’s website.

2NAOBEFORE

Before

NAOBCU

Before. Close up of the deadwood

NAOTOPCU

The top after wiring and trimming by the hand of a skilled bonsai artist

 

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Flowering Bonsai Brighten the Darkest Days

prunus

A peach. We'll call this 'flowering peach perched on a rock with small pond.' According to our source (see below), it's a Prunus persica (Peach tree). No cultivar is given, but it looks to me like it may be a variety that was developed for flowers rather than fruit. Even without the flowers it would be a sweet planting with lots of character. With the flowers... well, you can see for yourself.

This one is short and sweet. Just two colorful trees to brighten the darkest days of the year.

I found both of these trees here. Looks like just another person posting nice photos they find online. When I tried to trace the source I ended up in a big loop. However, due to time limitations I gave up after about fifteen minutes. Maybe one of you will have better luck and let us know.

yellowtree

No information is given with this one. Just Truyen Dang, a Vietnamese name. The rest is up to you.

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*By agreements with our sources, there are two products that are not discounted; but we are offering FREE Shipping on both of these (U.S. only). They are our new Green T turntable and the book Gnarly Branches, Ancient Trees

Mugo Pines & Bonsai Pirates

Mugo-Bonsai-Creativo-School

This wild and wonderful mugo pine was posted by Sandro Segneri of the Bonsai Creativo School and Academy.

Still too busy, so we’ll dip down into our archives again. Most of what you see here originally appeared here in February, 2010. The exceptions are the tree at the bottom (from a Feb, 2011 post) and comments added today.

There are at least two things that come to mind when I look at the wild Mugo pine above. First, it represents a break with traditional bonsai styles, particularly traditional Japanese bonsai. It just doesn’t look like what bonsai looked like not that long ago.

The second thing is, it’s a Mugo pine. It wasn’t too long ago that the only pine bonsai you’d see were Japanese whites and blacks. Especially in Japan. Gradually, as bonsai spread to the west, other varieties started showing up. Now, mugos are becoming quite common, and for good reason; their needles are small, they are tough, and, over time they show a lot of character (most of the best mugos you see these days were collected in the mountains of Europe).

Note from the present (December, 2015): Another break with tradition is pines dominated by deadwood. Most of the earlier deadwood dominated trees were Junipers. One good reason for this is Juniper deadwood lasts longer (rots slower) than deadwood on pines and most other trees. Now however, with all the great yamadori (bonsai collected from wild) in both Europe and North America, you see lots of deadwood on pines and other types of trees (Yews are a favorite).

Pirates
At least one blog has been pirating our posts, lock stock and barrel; but without our links and without any attribution to bonsai bark, or Stone Lantern. If you are reading this on any website or blog that is not ours, and is not attributed to us, then it has been pirated. Please visit us at bonsaibark.com. Thank you (this was written almost six years ago and they are still at it).

mugo680

This powerful, well groomed yet craggy Mugo pine is reminiscent of the revolutionary Japanese bonsai (mostly junipers) back in the 80s and 90s. It belonged to Carlos van der Vaart when we originally posted it back in February 2011. Like the one above, it was most likely collected in the mountain of Europe (probably the Alps).

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Eccentric Bonsai?

eccen2The compressed quality (like a very large foot stepped on it) make for a somewhat unusual but natural looking bonsai. Then there's that wonderful trunk. The image is from Joko Sulistianto's facebook photos, as are all the images in this post. I don't know who the tree belongs too (ditto on the others).

Busy time of year and running behind so once again we’ll dig into our archives. This one is from April 2012. It was titled ‘Eccentric Bonsai: Pushing Invisible Boundaries.’

Way back in the recesses of time (2009 & 2010) we featured a whole series of posts titled ‘Eccentric Bonsai.’ Lately, we’ve backed off a bit. I think this is partly because unusual bonsai are more common as people from around the world are breaking away from more formulaic approaches and pushing the invisible boundaries (and using the internet to share what they and others are doing).

eccen5There was a time twenty years ago or so, when this bujin would have been considered unusual, even eccentric. Now trees that are this wildly expressive are popping up all over the place.

 

eccenJust like the tree above, bonsai like this are no longer that unusual. The question that this one begs, is the issue of naturalistic versus more stylized bonsai (this was written when this issue was popping up a lot; since then, things have moved along and it doesn't come up so much)
eccen31Too eccentric? Ugly? I'll let you be the judge.

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Unusual Bonsai and a Human Tendency to Orthodoxy

Taisho

This magnificent old yamadori Shimpaku, with its self framing deadwood just might be one of the most outrageously unusual bonsai you'll ever ever see. It's from Taisho-en in Japan. I originally found this image here.

Today is catch up day after a hectic week, so once again it’s archive time. This one is from August 2014. It was titled ‘A Magnificent Affront to Bonsai Orthodoxy.’

Trees as unusual as the one above are often controversial. I think some of this controversy is a human tendency to orthodoxy. We get used to things a certain way and next thing you know we’re defending that way as the correct way.

All three photos shown here are of trees that live at Taisho-en. Here’s a short discription I lifted from Bonsai in Japan: “Taisho-en is a working nursery in Shizuoka (the foot of Mt. Fuji). It is run by Mr. Nobuichi Urushibata and specialises in Shohin bonsai. That being said there were numerous examples of fine medium and large bonsai as well.”

taisho3

Another magnificent old Shimpaku. Unlike the tree above, it has a classical bonsai shape. Still the deadwood is magnificent. One thing that is unusual about this tree is how the live vein is (almost?) completely hidden (at least in this view). This photo is from Bonsai in Japan.

taisho2

Another classical bonsai shape, but if you look at the negative space you'll see something unusual going on (I'm not sure what I was referring to, though the branching and way the apex is constructed are unusual). This photo is from the Taisho-en website.

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