Goyo Matsu, Japanese White Pine, Five Needle Pine, Peace Tree, Million Dollar Tree…

whitepineafter1As you can see, this Japanese white pine has a strong, well-tapered trunk and nice balanced open branching. Most imported Japanese white pine bonsai have been grafted onto Black pine stock.* But this one was grown from seed. It was just wired (in this photo) by Michael Hagedorn (Crataegus Bonsai.) It belongs to a client of Micheal's.

Still on vacation, so it’s archives again. This one is from January 2013 with some value added.

The Japanese white pine (Pinus parviflora) is one of the world’s emblematic bonsai. In Japan, it and the Japanese black pine are the species most associated with the art of bonsai.

The Latin name for Japanese white pine is Pinus parviflora. The Japanese name is Goyo Matsu. Matsu is pine and Goyo means ‘five-needle’ (all white pines have five needles to a cluster). In fact, you will sometimes hear the name Japanese five needle pine used in place of  Japanese white pine.

 

Root-on-rock Japanese white pines are not at all unusual. The more I look at this one, the more I am struck with just how well-balanced and tranquil it seems. This is to take nothing away from its natural and wild side. The photo was taken in Japan at the 2011 Sakufu-ten exhibition by Jonas Dupuich (Bonsai Tonight).

 

Fluidity and muscle combined make for a very strong bonsai. To my eyes this is a near perfect informal upright Japanese white pine bonsai. It's from Mario Komsta's facebook photos. My guess is that it originated in Japan and that Mario has been refining it. He calls it Goyo Kundo and though Goyo matsu is the Japanese name for Japanese white pine (see above). I couldn't find anything about Kundo in my dictionary or online, so your guess is as good as mine.

 

The famous 'Peace Tree.' I like the way this photo captures the lines and color in this famous Japanese white pine's bark. That's the upside. The downside is that there's no way to tell just how magnificently large and powerful this tree is. It resides at the National Bonsai and Penjing Museum. We've featured it before. The photo is from Michael Bonsai.

 

Million dollar bonsai. Here's a mind-bending Japanese white pine that we featured back in 2011 with our original caption: This magnificent White pine was sold at the 11th Asia-Pacific Bonsai and Suiseki Convention & Exhibition in at Takamatsu, Kagawa, Japan, earlier this month. As you can see, the asking price was 100,000,000 yen (that’s close to 1.3 million dollars). I don’t know what the actual sales price was. Photo borrowed from Bonsai Tonight. 
This flowing bunjin Japanese white pine provides a little contrast to the husky tres above. It's from our Masters' Series Pines: Growing and Styling Japanese Black and White Pines.

*  Japanese white pine bonsai are usually grafted onto Japanese black pine stock, and all, or almost all of these grafts come from Japan. The reason for grafting is because black pines are more vigorous than the more delicate and finicky Japanese whites. This is especially true of White pine cultivars, many of which simply won’t thrive on their own roots (here’s more if you are interested).

 

Our Masters Series Pine Book

25% off kilo rolls Bonsai Aesthetics WireWire32-500x159

Random Shots & Gnarly Branches

pine9This powerful Japanese white pine with its lush canopy that's shaped like something you'd see on a deciduous tree, makes little attempt to appear like a pine in nature. Still, it's hard to deny how the power of its trunk and the rich beauty of its canopy complement each other. I found it here. It looks like it's part of a Japanese bonsai nursery, but I couldn't find any verification.

Still on vacation and still working. But just enough to edit (or eliminate) dated information and resize the images on this post from July 2012*.

 

RobinsonHornbeamPRBC20121This wild looking Hornbeam that used to belong to Dan Robinson and now resides at the Pacific Bonsai Museum, provides a little contrast with the tree above. The photo is from Bonsai Otaku (little trees for big geeks).

 

B1GNARLY21

Speaking of Dan Robinson
Gnarly Branches, Ancient Trees
is back in print

 

boonbujin-500x574This sweet bunjin red pine was posted on facebook by Boon Manakitivipart, one of North America's most influential bonsai artists and teachers.

 

quebecA little closer to home.  This old Trident maple clump with it rugged nebari is from Quebec's 2010 Expobonsai.

 

A little piece of the famous Garden at the Adachi Museum of Art.

*The original post featured notices for bonsai events from around the world that are now long past.

 

Roshi2

30% off Roshi Bonsai Tools
plus 10% off all orders 100.00 or more

Revisiting a Great Shohin Display & More

shohinsuthinThis Shohin display is from Suthin Sukosolvisit's Bonsai Gallery. Every National Bonsai Exhibition has featured at least one these by Suthin. This year I challenged myself to pick out Suthin's display as I walked into the Shohin section of the Exhibition. It was easy. Taking nothing away from some other wonderful displays, still, Suthin's caught my attention from across the room.

Leaving for short vacation today and pressed for time so we’ll dip back into our archives. This one originally appeared just over a year ago, right after the 4th U.S. National Bonsai Exhibition. Before any winners were announced.

Though word is trickling out, we’ll wait for the official announcement (and photos) of the winners of the 4th U.S. National Bonsai Exhibition before we say anything.

Meanwhile, here’s a collection of bonsai that belong to some of the people I ran into at the exhibition.These are not necessarily trees that appeared at the exhibition. Just trees I like.

colinponderThough Colin Lewis did show a tree at the Exhibition, this gnarly old Ponderosa pine isn't it. I think Colin would be the first to tell you that most of the rugged character of this remarkable tree was already present when it was dug. Still, it takes a sure hand and good eye to bring out the best in any worthy yamadori.

 

100_0954

Here's a tree that was in the show. It's an Englemann spruce that belongs to Andy Smith (Golden Arrow Bonsai). It was dug by Andy in the Wyoming Rockies and is one of several trees in the show that, to my eye at least, evokes rugged western North American terrains. There's much that can be said about the topic of bonsai styles that reflect local terrains, but that's enough for now... except to say that the pot is by Sara Rayner, who was also at the show, displaying an impressive large selection of her impressively large (and other sizes) bonsai pots. Sara also exhibited a very impressive tree at the show (you can find it and all the rest of the bonsai at the Exhibition in the album).

 

OLYMPUS DIGITAL CAMERAThis elegant, fluid Japanese black pine belongs to Michael Levin (Bonsai West). Turns out Michael is the person who got me started with bonsai. Thirty years ago and I finally got around to thanking him.
Note from the present: Yesterday's post was on Michael's impressive and now somewhat famous 'Hatanaka' Prostrata juniper.

 

candyOkay, this waterfall garden is clearly not a bonsai. But any beautiful Japanese influenced garden is a close cousin. It belongs to Candy Shirey, long time student of Larch Master Nick Lenz, and gardener as well (I guess that's obvious).

 

New Sales at Stone Lantern

Roshi Banner

30% off Roshi Bonsai Tools
We have several other sales running right now including
25% off Bonsai Wire Kilo rolls

plus an additional 10% off all orders 100.00 or more

An American Classic

HatanakaAfterReady

Michael Levin's 'Hatanaka' Prostrata juniper, 2014 June 2015. Even though the foliage hasn't filled out yet, this shot clearly shows the structure (the bones) of the tree and seems like a good place to start.

Here’s what Michael Levin, owner of Bonsai West and long time bonsai enthusiast, artist and entrepreneur wrote about this spectacular tree…

“The Juniper as you know was originally styled by Mrs Hatanaka of Anaheim California and is a true american classic started from a cutting in the 1950’s, I purchased it in the mid 1980’s . I’ve tended it for 30 years and most recently it was wired by Uchida yusuki “Crazy” from Japan. It is a  mufti generational collaboration between the first generation American Japanese to my generation and now a third new contemporary generation of bonsai wizardry….
More below.

HatanakaArtisansCup

At this fall's Artisans Cup and in full foliage. Photo by Julien Dussaix. The stand is by Howard Chittenden.

Michael, continued from above…
“In 2012 Istarted to prepare this tree for Bill’s 2014 Rochester show.
As you know Prostrata juniper have very loose and hard to control foliage, made up of both juvenile and mature growth. This tree was very shaggy and I started tip pruning it in the way that Mr Hatanaka taught me way back when.

“I repotted the tree in the Spring of 2013 and continued to prune all during that year. I have found that most of my trees respond well to regular pruning in small amounts of frequent cuts rather than a full hair cut all at once. For instance my pruning regimen would be to visit the tree everyday and prune back the elongated growth as needed over the whole growing season…

Hatanaka20092009. This is the oldest photo of the tree Michael sent. He bought it in the mid-eighties, so plenty of time had elapsed by the time this photo was taken.

Continued from above…
“So it went like this through the summer and fall of 2013 into the spring of 2014. After the tree got accepted to Rochester for the fall show I wired every branch in the spring of 2014. As the year progressed I fed the tree high nitrogen fertilizer to push it along but it never grew to my expectations and in August of 2014 I pulled the tree from the show. It was a huge disappointment for me after all the work I had done, but it wasn’t up to my standard.

“In the Spring of 2015 it was looking great and I hadn’t even thought about the Artisans cup, If I had  I was still reluctant to ship a tree all the way to the west coast…

Mrs Hatanaka

Mrs Hatanaka with part of the Hatanaka bonsai collection. I don't know when Michael took this photo, but can guess it was in the 1980s or 90s. Oops, date is on the photo. 1997.

Continued from above
“As the Deadline approached for entering a tree in the Artisans Cup “Crazy” (
Uchi-san aka Bonsai Crazy Uchi asks to be called Crazy) was in town working with me and I thought it would be a great opportunity to finish this project. He did a great job as you could see from this picture.

“As the summer progressed I decided to fertilize with only organic food but still used high nitrogen until July at which time I stopped fertilizing completely. I did however use my pruning technique which I feel is unique to me, in that I pruned almost every day for 2 months straight.

“When I am pruning like this I feel as if I am rocking a car out of a snow bank-the tree seemed to build strength(momentum) and continue to grow all season. My last cuts were made the end of July.

“By the way Ryan did an amazing job of making sure that the tree and its stand made it across the country perfectly, not a scratch on the stand or a twig out of place on the tree.

“The pot is an old commercial Chinese 28 inch oval, They really don’t make them like that anymore. I asked Ron Lang to custom build me one for the tree and he said save your money; the pot is perfect and that he didn’t think he could do better.”

 

HatanakewithMichael

Michael and his American classic at the Cup.

Just a gentle reminder
Our 20% to 30% off Site Wide Sale
Ends tonight at 11:59pm EST

All Products

Site Wide Sale Ends Tonight – 20% to 30% off

Tools & Wire x3

Today is the last day of our Big Site Wide Sale
including hundreds of items that are already discounted

Sale Ends tonight at 11:59pm EST
Monday, November 2nd

20% off orders 1.00 to 74.99
25% off orders 75.00 to 149.99
30% off orders 150.00 or more

Roshi Banner

Bonsai Tools

B1-NEWBooks

Bonsai Books

Wire32-500x159Bonsai Wire

OR-SET4FERTS-2

Bonsai Fertilizers & Bonsai Soil

Watering Cans

Watering Cans

NEW POTS

Bonsai Pots

3 BTs

Bonsai Today Back Issues

EMCAPS

Embroidered Bonsai Clothing

 

OKATSUNEset4

Japanese Gardening Tools

 

All Products

And much more…

Site Wide Sale ends tonight at 11:59pm EST
don’t miss this great opportunity to save on everything we offer

Clipping and Growing

tridentmedia

This massive Trident maple most likely started in a field somewhere and was allowed to grow quite tall (the fastest way to thicken the trunk) before it was cut back. This first cut was the beginning of clip and grow styling (see below). The owner/artist of this outstanding bonsai is German Gomez.

Most large Trident maples (and some other deciduous trees) are started in the field and developed using the clip and grow technique. The result is usually a heavy trunked tree with gentle curves, often in a more or less S shape. You can see this basic shape in the Trident maple in old field growing post here on Bark. A variation of this S curve also shows up in the pine that is shown in the same post, though it was created by other means (trimming and wiring), as pines and other conifers don’t usually take to the clip and grow technique.

Stone Lantern’s 20% to 30% off Site Wide Sale
ends tomorrow (Monday) night at 11:59pm EST

Tools & Wire x3

A little experiment. I think this is only the second time in almost seven years of posting that we’ve stuck an ad in the center of a post.
No promises, but I don’t think you’ll see this very often
(twice every seven years is about right)

clip&growThese simple illustrations of the clip and grow technique are from a website called The Bonsai Primer. The left image shows the first cut, the next one shows the second cut, and so forth. If you go to the comments in our previous field growing post, Brian Van Fleet gives an excellent description of exactly what these illustrations are all about.

 

b1natexp931-300x292

You can see the large scar from the first cut on this powerful old Chinese elm (Ulmus parviflora) . If you follow the trunk up a ways, you can see the change of direction where the second cut took place, though you can't see a scar from this view. This tree appears in the 1st U.S. National Bonsai Exhibition Album (2008). It was started from a large collected tree in China. The owner/artist is Melvyn Goldstein.

 

B1-SET2ALBUMS2

The 1st & 2nd U.S. National Bonsai Exhibition Albums (books)
 are out of print
 but we still have the 3rd and 4th Albums
 our Site Wide 20% to 30% off Sale ends tomorrow night
 so now is the time

Monsters

DDDDHalloween? The show was in October (last year). At first glance you might just see the tree and the cobwebs and miss the hands clutching (persenting?) the sculpted wooden pot. This photo and the one just below are from Robert Steven’s 2014 International Bonsai Art & Culture Biennale.

Apropos of nothing…
When I moved east from the left coast I was surprised to see what a big deal Halloween is out here. Almost like the Christmas, Hanukkah & other shortest-days-of-the-year-Holidays, only different with garden witches, ghosts and the rest. A full month or more before the actual day. Strange…

 

DDDHalloween again (though I suspect there’s much more going on here than that). There’s something about those ‘severed’ arms that’s just a little ominous.  Is this where the recent ‘Black Scissors’ rage started?

 

I think this contorted little gem makes for a suitable Halloween bonsai. The photo (by Michael Hagedorn) was taken in Peter Wilson's backyard on Vancouver Island. Here's what Michael has to say about this gnarly little monster "Very nice bunjin shore pine, Pinus contorta contorta, in Peter’s yard… I thought this specimen was very successful in living up to its scientific name. Contorted to heck by something in the wilds of Canada."
 You might notice how small the pot is relative to the tree. I imagine this is because it was growing in very little soil when Peter collected it (I'm guessing that it was collected by Peter) and so it's perfectly happy to continue growing with very little soil.

 

I often find the monster nebari that appear on some bonsai (especially Japanese bonsai) to be quite strange (and quite impressive). This photo of this almost grotesque Stewartia nebari was taken by Jonas Dupuich (Bonsai Tonight) during his 2011 trip to Japan. The tree belongs to a Mr. Ishii. I'm not sure why we don't see more Stewartia bonsai in the West. Though most are native to Asia, there are two varieties that are from our North American southeast.

If you think you’ve seen all four of these photos before, it could be because you’ve been a loyal Bark reader since at least 2012.

 

Our 20% to 30% off Site Wide Sale
ends Monday night at 11:59pm EST

All Products

Only three more days (counting today) for you to enjoy
 our 20% to 30% off Site Wide Sale
 and even though I am not a big proponent of
 the commercialization of the upcoming Holidays, still...

Satsuki & Other Bonsai, Doug Paul’s Doug Fir & Famous Bonsai Artist in Baggy Pants

ken

Part of the large Satsuki (and maybe other Azaleas?) at the Kennett Collection. There's no doubt this photo was taken in the spring (Satsuki means 5th month), but we just discovered it and the other shown here yesterday.

We haven’t featured the Kennett Collection for a while now, though we did feature a Doug Paul tree that was at the Artisans Cup (see below). These photos (with the exception of the last one) are all from facebook.

 

ken2

A different angle and a lot closer.

 

ken7

More Satsuki.

ken3

No label but no doubt it's a root-over-rock Trident maple in fall color.

 

ken4

Based on the leaves and the twisty trunk, I'm going with Pomegranate.

 

ken5

Famous Bonsai artist/dog walker. No label here either, but that smiling face and baggy pants could only be Suthin's. BTW: Suthin has been selling trees from his personal collection lately. This is a great opportunity to own a superb bonsai at a reasonable price.

 

lead1

Doug Paul's Doug fir was one of my favorites at the Artisans Cup. Doug is the man behind the Kennett Collection. Photo taken with my iPhone.

 

Satsuki Bonsai Shears are now 20% to 30% off at Stone Lantern
Just like everything else

T014-2

Satsuki shears are designed for working on Satsuki azaleas though they can be used on a whole range of other trees for fine to medium precision cuts. They are particularly good for small hands, though my hands are man's medium size and they work fine for me.
We have five different Satsuki shears in stock
all now 20% to 30% off
as is everything else we offer

b1satsuki

And while we're at it
the same goes for our Satsuki book

Brilliant Bonsai Color Combinations

haru9You don't see that many bright yellow pots. The glaze is expensive and hard to come by and the brilliance of the color can be overwhelming. But in this case the little tree holds its own. In fact, it's hard to imagine a better choice of pots to set off the the richly hued Trident maple leaves.

Yesterday one of the trees we featured was by Haruyosi, when reminded me how much I like his seemingly endless collection of Shohin bonsai. This post originally appeared November 2014. 

I think you could spend a lifetime browsing bonsai images and never find another bonsai artist that has a more sophisticated grasp of color combinations than Haruyosi. Not to offend other great bonsai artists, but just saying that the pot-tree choices that Haruyosi consistently comes up with are brilliant (in at least two senses of the word).

By the way…. Haruyosi makes his own pots. It’s one thing to be a highly talented bonsai artist and another thing to be a highly talented potter. And yet another thing to be both.

haru8

Here's another Trident with some fall color. In this case, with more green and less brilliant red foliage (than the tree above), the more subdued yellowish pot works perfectly.

 

haru6

Another undeniably yellow pot. In this case, I think it's the bright yellow-green moss along with the rich green, yellow-gold and reddish-rust hues of leaves (Pyracantha leaves) that allows for such a strong pot.

 

haru3

This tiny pot and tiny tree present a more subtle combination of colors. The three little berries along with the look of the leaves, leave no doubt that this is another Pyracantha.

 

haru4

Another daring choice. The luminous red leaves set off by the purple pot with strong red undertones, works its magic to perfection. The tree is an aptly named Burning bush euonymus (Euonymus alatus form ciliatodentatus).
 

 

haru2

A little change of pace. There's a lot that could be said about this unique planting but I've said enough (accept that the tree is a wild rose). You can draw your own conclusions.

 

 

All of our books
and everything else are now
20% to 30% off at Stone Lantern

B1-SET4STONEBOOKS

Including this popular set of four of the books we publish
with this post our Shohin book is particularly pertinent

Savage Bonsai Beauty

AW

One of the many excellent trees at the just completed 2015 Heathrow Bonsai Show. Heathrow is in the U.K (I just read somewhere that many Americans don't know what the U.K. is. I'm not sure if I should be embarrassed or just resigned; though I'm pretty sure this doesn't apply any of you). Photo by Ann White

All the photos in this post are from the 2015 Heathrow Bonsai Show. Some are by Harry Harrington and some are by Ann White. Neither identify the varieties or the owners. This is par at bonsai shows and based on my experience at the Artisans Cup, easy to see why (so many trees, so many people including friends to greet, the push of the crowd; just taking decent photos is a challenge).

HH3

Even though it's a little dark, I like the way this photo hones in on the nebari and lower trunk (trunks). Judging by the bark and the leaves I'm going to guess it's a Beech. Going a little futher out on a limb, we'll try European beech. Photo by Harry Harrington.

 

HH

I feel like we've seen this savage beauty before, but gave up finding it after a futile fifteen minute search. I also felt like I knew the pot, or at least the style pot, and after a more fruitful fifteen minute search, Erik Križovenský turned up. Photo by Harry Harrington.

 

HH4A

Trident maple and friends. Photo by Harry Harrington.

 

HHTRIDENT

I cropped the photo above for a closer look at the nebari. It's a good one, even all around but not too even, with all the little roots around the edge adding character.

 

AW4

Photo by Ann White.

 

AW3

Another photo a little on the dark said, but a nice old Japanese white pine (most likely from Japan where it was grafted onto Japanese black stock). Photo by Ann White.

 

HH2

Great shot of ramification on a pine. This is what you can get when you take the trouble to wire all the way out to the tips. Photo by Harry Harrington.

 

AW2

Photo by Ann White.

 

AW5

Lovely (Brit). Sweet (Amer). Photo by Ann White.

 

We recently lowered the prices on all of our
Bonsai Today back issues
and now they are even lower with our

3 Bonsai Today magazines

every issue contains clear, insightful extensively illustrated instructionsby Japanese masters and western bonsai artistsBonsai Today is truly an invaluable resource for the bonsai enthusiast
we are low on many issues
 and we're not sure how much longer we'll run
 our 20% to 30% off Site Wide Sale
 so don't wait too long