A Perfectly Understated Example of Trunk & Nebari Development

katoIn addition a one of the most perfectly developed crowns you'll ever see, with its amazing profusion of tiny leaves; this Zelkova provides an excellent example of trunk and surface root (nebari) development. Neither are overstated; providing a welcome relief from overdeveloped trunk taper and nebari that you sometimes see (especially on maples*). But then, you might expect perfection from this tree, it's from the Grand Master Saburo Kato's collection (Mr Kato is the author of the famous book, Forest, Rock Planting & Ezo Spruce Bonsai).

Off to the big city today (Burlington Vermont) and no time to put together a new post, so we’ll borrow one from our vast archival warehouse. This shorter than usual post (from April, 2012) was originally titled ‘Growing Better Roots and Trunks.’ 

The photo above is from a series of photos on Morten Albek’s Shohin-Europe website, titled Mansei-en 2011. Mansei-en is the name of Saburo Kato’s bonsai garden and Morten Albek is the author of Majesty in Miniature. Mr. Kato died in 2008 (Phoenix Bonsai has an excellent biography). Morten is, as far as I know, alive and well in Denmark .

Morten Albek has posted a practical guide to growing better roots and trunks. It’s for Shohin bonsai, but you can apply the techniques to larger trees as well.

morten1One of a series of photos by Morten Albek on growing better shohin roots and trunk.

 

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Added value. This mixed forest photo did not appear in the original post. It's from Saburo Kato's aforementioned Forest, Rock Planting & Ezo Spruce Bonsai.

 

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The book. Forest, Rock Planting & Ezo Spruce Bonsai. Available at Stone Lantern (the time is right with our 20% to 30% off Site Wide Sale).

 

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Morten Albek's excellent Shohin book. Also Available at Stone Lantern (the time is still right with our 20% to 30% off Site Wide Sale).

* Comparing a broom style Zelkova with heavily tapered and nebaried maples is a bit like comparing apples and oranges.

Tireless Bonsai Warrior

premnaMicrophyla

There's so much that could be said about this wildly expressive tree, but I'll leave that to Robert Steven. Here's what Robert wrote: "Premna microphylla (small leaves) grafted on Premna serratifolia stump to obtain better foliage proportion and ramification structure... Combining different line characters into one integrated design in bonsai is a big challenge to obtain good harmony....If there is anything "disturbing" you, mean I succeed to evoke you... LOL smile emoticon."

It has been a while since we featured Robert Steven’s bonsai. If you are new to bonsai, you may not know Robert. In addition to being one of the world’s most talented and tireless bonsai warriors, Robert is a revered bonsai teacher, author, impresario and friend to countless bonsai lovers around the world.

All four trees shown here are from Robert Steven’s photos on facebook.

Pemphis

Pemphis acidula. Normally, a tree like this would be 'top of the post' worthy, but it's hard to compete with the Premna that occupies that position. Still...

 

Premna Serratifolia?

Premna serratifolia. A slant style tropical bunjin.

 

Streblus asper

Robert applying his experienced eye and skillful hands to a massive Streblus asper rock planting.

 

We are running low on Robert’s opus magnus
Mission of Transformation
and I don’t know if or when Robert plans to reprint, so…

B1MISSION

Mission of Transformation
Robert Steven’s Leonardo da Vinci inspired bonsai book
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Saving a Broken Bonsai Tool & a Proper Understanding of Overlapping Blades

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The header from Adam Lavigne's Adam's Art and Bonsai Blog.

We almost always lean towards the art part of bonsai, but this time we’re breaking with tradition and going with a practical post on repairing a broken bonsai tool.

The four photos shown here are lifted from Adam’s Art and Bonsai Blog. They exist to encourage you to visit Adam’s blog. Even if you never repair your own tools, if you take a moment to see the whole process, chances are you’ll know more about tools and tool repair than you did when you woke up this morning.

And if you only learn one thing about cutting tools, let it be (in Adam’s own words)“…one cutting edge should overlap the other. No, really, they shouldn’t meet but one slides over the other. If they didn’t, the first time you used it, and the edges met, they’d blunt themselves.”

Not only would the edges blunt themselves, but the cuts wouldn’t be complete. Think about how the blades pass on scissors. I mention this because about once a month someone complains that the blades don’t meet on their newly arrived concave cutters. Don’t be one of these people.

 

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Take a close look at the mess Adam started with. Not only is one corner chipped off, but both edges have seen much better days.

 

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One of several photos on the tools used and the process. Here's Adam's caption: "This might be 150 grit. I’m not sure."

 

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A job well done. If you look closely, you can see the slight overlap.

For the whole process, visit Adam’s blog.

Speaking of bonsai tools, I don’t think we’ll let this opportunity pass without mentioning our own bonsai tools and our current site wide sale.Tools

some of our Roshi Bonsai Tools
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Dwarf Kingsville & Other Boxwood Bonsai

 boonkingYou can tell this is a genuine Dwarf Kingsville boxwood by the tight tiny leaves. This planting by Boon Manakitivipart was the winner of the Certre Award at the 2010 U.S. National Bonsai Exhibition.

Let’s touch back in with boxwoods for a moment (see our post from two days ago). This one originally appeared in September of last year.

This post was inspired by an article on boxwoods in Bonsai Mary that sheds some light on the rampant confusion about dwarf boxwoods and particularly, what is and what isn’t a Dwarf Kingsville.

 

boxwood-bonsai-natl-arb-yugi

Here's one of the photos from Bonsai Mary. It's a Buxus harlandii by Yugi Yoshimura that resides in the National Arboretum in Washington, D.C. (If you were to ask me, I'd say those leaves look a lot like Dwarf Kingsville).

 

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Another of Mary’s photos. Here’s her caption: “To add to the confusion (about Dwarf Kingsvilles), there are several similar looking types, such as the Morris midget. All of these small leaf varieties make good bonsai subjects, and are styled very similarly. The bark is usually smooth and often almost white in color.”

 

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We've shown this Japanese Boxwood (Buxus microphylla japonica) by Ryan Neil before (Elevating the Art of Bonsai in the West). It's from his Mirai, American Bonsai.

 

king3Judging by the leaves, I'm not sure I'd call this a Dwarf Kingsville, though I've seen this type called just that over the years. Anybody out there with a deep knowledge of boxwoods? The photo is from Chinese Bonsai Garden.

 

bux_1210Here’s one that appears on Mary’s site (we went to Mary’s source, Internet Bonsai Club for the original photo). It’s a harlandii that belongs to M.Škrabal.

boxwood-bark-close-upHarlandii bark via Mary. I blew this photo up a tad too much, but you get the idea. 

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Simple and sweet. This Dwarf Kingsville originally appeared on the cover of Bonsai Today issue 107. The tree belongs to Michael Persiano (co-editor of our Masters’ Series Pine book). You can see and read about its earlier stages of development in Bonsai Today issue 97.

 

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More Bonsai-San & Deadwood Wizardry

phillipe5

Nice close up. Based on the reddish bark and what you see of the leaves, I think this might be a Yew (how's that for hedging? and no pun intended -  Yews are often used for hedges).

Back to the present. Our last two posts have featured trees from European  Bonsai-San shows. The first from the just completed 2015 show and the second from 2013. Now it’s back to 2015 with some shots by Philippe Massard that I stumbled upon yesterday (we featured Phillippe’s Noelanders Trophy XV photos last year and a couple months ago).

 

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This is the second time we've shown this beauty with its luscious leaves and impressive nebari . No need to guess what it is either.

 

Philippe

I love this shot. Reminds me of François Jeker's deadwood carving and aging wizardry. He's French, so could it be...?

 

philippe4

Nice display. Shimpaku on the right is an easy guess. Hornbeam on the left?

 

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Cropped and enlarged for a better look, but it's too fuzzy to make out the details. We'll stick with Hornbeam anyway.

 

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We showed this tree in its entirety in our first European Bonsai-San 2015 post. Like the deadwood shot above I wonder if it belong to François Jeker. Or maybe one of his students.

 

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Your guess is as good as mine (better than mine?).

All the photos in this post are by Philippe Massard. You can find Philippe at his website and on facebook.

 

François Jeker’s essential bonsai books

B1-SET3JEKER

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That Relaxed, In-Synch Feeling

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Aside from being a phenomenal tree and a great pot, there's a relaxed in-synch feeling, like the pot and tree are old friends. This might have something to do with the color, texture, soft lines and aged look of each. The color and texture of the stand fits right in too, while contrast is provided by its sharp rectangular lines. All together a masterpiece. The artist is François Gau (pot by Greg Ceramics). All three photos in this post are from Parlons Bonsai (I took the liberty to crop all three to bring the trees closer).

Yesterday we featured some shots from last weekend’s 2015 European Bonsai San show in Saulieu, France. I’m running way behind schedule today so we’ll save some time and dig up a Bark post on the 2013 show. It was titled “Have There Ever Been So Many Great Boxwood Bonsai in One Place?”

The three trees shown here all have at least three things in common: They are all Boxwood bonsai (Buxus sempervirens). They all appeared in a 2013 bonsai show in Saulieu France (European Bonsai San Show). And, they all have powerful trunks.

Aside from the powerful part, what caught my attention is the fact that these three trees and several others in the aforementioned show are Boxwoods. Have there ever been so many great boxwood bonsai in one place? If there have been, my guess would be in China or Taiwan. In fact, I would be surprised if these trees didn’t originally come from there (looks like another one of my bad guesses; see the comments to the original post).

 

box4This wild old tree is little more rugged and rough than the one above. That ruggedness and the long stretch of trunk without foliage, leans a little toward literati, though the lush foliage and deep pot betray that definition. If this were your tree, would you remove the strange branch on the left? Or maybe eliminate the inward growing foliage and create a jin? The artist is Raymond Claerr (pot by Isabelia).

 

box5

When I first saw this tree, my eye went straight to the large hole at the base of the trunk and the jagged wood that frames it. It took a few moments and a more relaxed gaze to take in and appreciate the power of the whole tree. The pot is great though I wonder if it's a little too strong. The artist is once again François Gau (the pot is Chinese and looks like it might be Yixing).

 

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Bonsai-San

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Two powerful trees from the European Bonsai-San 2015 Show.

We lifted all the photos shown here* from Bonsai Empire (something we’ve been doing for a long time). They are from the just completed European Bonsai-San 2015 Show in Saulieu France.

Oscar at Bonsai Empire wrote the following: “We thank Stephanie and Frederic Chenal for organizing and allowing us to film the exhibit. Visit their website here. Feel free to share these photos, but please mention the source. Thanks!”

We don’t have any information on the artists or the owners of any of the trees shown here, though Oscar offers an excellent video from the show that provides information on some of the winners.

 

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san

 

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Look familiar? We feature a photo of the whole tree in a recent post about the 2015 Crespi Bonsai Cup.

 

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Ryan Neil of Artisans Cup and Bonsai Mirai fame, was a headliner at the show.

*I took the liberty to crop some of the photos above and to brighten some that came across a little too dark on my screen.

 

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The Sargent

algunos3

This dynamic tree with its unusual trunk shaped liked the number 3 (this effect is enhanced by the fluid, brush stroke like movement that runs up and down the length of the trunk) belongs to Marcelo Michelotti. He calls it Il Sergente (see below).

Yesterday I stumbled upon the bonsai of Marcelo Michelotti, yet another of the talented bonsai artists that seem to be popping up everywhere lately. Marcelo lives and works in Alta Gracia, Argentina. All the photos shown here are from his facebook feed.

A lovely confusion of names. Marcelo calls the tree above Il Sergente (the Sargent). You don’t see Shimpaku (Juniperus chinensis var. Shimpaku) referred to as Sargents juniper  (Juniperus chinensis var. Sargenti) that often in bonsai circles, but I think that’s what happening here (we’ll leave the rest to you).

algunosCypressI like this powerful compact little tree, though I suspect there is more carving in its future. And of course, a real bonsai pot. Marcelo calls it Cipresso (Cyprus) though it looks a lot like a Juniper from here. Perhaps the Cipresso is in reference to the Juniperus genus being in the Cypress family (Cupressaceae).

 

algunos2

Another tree in need of the right pot. Like the tree at the top of the post, this is also resting on a horizontal base that's a bit like a large foot. As you can see, it's a pine. Beyond that, your guess is as good as mine.

 

algunosItoigawa

I like the twisty living veins on this Itoigawa shimpaku. I wonder if the foliage could be reduced a bit, though perhaps Marcelo was so taken with its lush beauty, that he couldn't bear taking any more off.

 

algunos5Sabina

Marcelo calls this full cascade Sabina, which happens to be a variety of Juniper native to Europe. Given its powerful deadwood and striking movement (especially toward the tip), I suspect that it will be a show stopper once it's in the right pot.

 

algunos

You can see more of Marcelo's bonsai on facebook.

 

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This is a spread from Dave De Groot’s Principles of Bonsai Design
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Bonsai Brilliance at the Brooklyn Botanic Garden

BBG

Cork bark Chinese elm in full fall brilliance at the Brooklyn Botanic Garden. You don't see that many good Chinese elm bonsai. I like this one a lot; its color, the heavy trunk with its corky bark, the handsome Tokoname pot. This photo and the others in this post are from the bonsai collection on the Brooklyn Botanic Gardens website.

With the exception of the Trident maple root-over-rock just below, and some re-writing to bring things up to date, the rest of this post appeared back in December 2013.

Though I haven’t been there for a long time, I think the quality of the Brooklyn Botanic bonsai collection has been improving for a while now. Based on their website and what I saw for myself, it’s not a world class collection, but a notable U.S. collection.

I bring this up because their website says “Brooklyn Botanic Garden’s extensive bonsai collection is one of the finest in the world.No matter, it’s still a great place, both the gardens and the bonsai collection. A trip worth making.

Acer buergerianum roots over rock

This large root-over-rock bonsai is a Trident maple; the most popular non-tropical variety for root-over-rock bonsai.

 

BBG3Nice Crabapple. I particularly like the tree's movement and the bark. And of course the beautiful flower buds. Maybe the apex could use a little work, but still, a sweet bonsai.

 

BBG41Wisteria bonsai are about the flowers and this one is no exception. Great old gnarly trunk too.

 

BBG2Nice old Shimpaku. The crown seems a bit heavy for the trunk and could be reduced a bit, but still, who wouldn't want a tree like this in their collection?

 

BBG6Here's the tree at the top, sans leaves. Not only does this photo allow you to see the fine ramification, but the gnarled old bark stands out more without the large canopy of bright leaves.

 

BBG5This Prunus mume variety is aptly name 'Bonita.' I took the liberty to do some radical cropping. Here's the original.

All the photos in this post are from the Brooklyn Botanic Garden bonsai collection. Here’s their website and here they are on facebook.

 

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Breaking the Bonsai Mold

kokuredpine

For every highly stylized Japanese bonsai, there's one like this that breaks the mold. It's a Japanese red pine from Japan's 80th Kokufu Bonsai Exhibition (2006).

The other Japanese pine. Japanese black and white pines comprise some of the most famous bonsai in the world. And thousands that aren’t so famous. Japanese Red pines (Pinus densiflora) are much less common in bonsai circles, but judging by the ones shown here and some others we’ve seen along the way, they have no problem holding their own.

All the photos shown here are Japanese red pines from Japan’s famous Kokufu-ten Bonsai Exhibition. We found them on Michael Bonsai. Michael (aka Michael Mehrmann) has been posting excellent photos from Japan for some time now.*

 

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kokuredpine3

 

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It's easy to see how the Red pine got its name.

kokuredpine5

Another crazy trunk. Though, if you look at the branching, this one is even less stylized than the one at the top of the post.

 

kokuredpine6

Saving the best for last. If I had to play favorites, I'd chose this one and the one at the top of the post. BTW: Have you noticed how almost all the trees in this post are in reddish pots? I suspect that's no coincidence.

* I don’t know where Michael got these photos (perhaps from the Kokufu 80 album?). Which brings up the question of attribution. Not only is it a good idea to attribute artists (or owners) of posted bonsai whenever possible, but the same goes for the photographer. And, with or without all that information, it never hurts to post your source as well.

 

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