Staying on Theme, Only this Time with a Little More Color

pear

The color on this flowering pear was a bit ahead of most of the other trees at the Pacific Bonsai Museum. This and the other photos in this post were shot in late September by Kurt Simonson.

pearplaque

pearcloseup3

Close up so you can see some of the leaves, the base of the trunk and the moss a little better.

Were going to keep going with our the Pacific Bonsai Museum theme. This time with a bit more color. Even though late September was a little early for full force fall foliage (sorry) in the Pacific Northwest, some of the trees were well on their way.

As was the case in yesterday’s post, all the photos shown here are courtesy of Kurt Simonson (I cropped some for closer looks).

koreanhornbeam

Not bad, but I think this Korean hornbeam will get a little more intense before it's over.

hornbeamplaque

hornbeamcloseup

 

sumac

Here in Northern Vermont Sumac provides some of the most brilliant reds in our spectacular fall foliage feast. I suspect they do the same in the Pacific Northwest, and this one has a pretty good start.

sumacplaque

sumaccloseup

The shadow is playing tricks with the trunk.

Liquid

Only the first hints of fall on this Sweet gum. It's too bad too, as Sweet gums (Liquidamber) can be a fall foliage winner once they really get going.

liquidplaque

 

Liquidclose

 A few leaves always drop a little early.

 

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A Strong Statement in Favor of the Wild Look

blackPine

A strong statement in favor of the wild unmanicured look. It's a Cork bark Japanese black pine that lives at the Pacific Bonsai Museum. This photo and all the other photos shown here, were taken by Kurt Simonson.

Here’s its plaque:
PinePlaqueLast month, while at the Artisans Cup, I and a large group of fellow bonsai lovers took a Cup sponsored tour to the Pacific Bonsai Museum.

While there, I had the good fortune to meet Kurt Simonson who came ready and willing to shoot every tree at the museum, which he did (with the exception of the trees in the tropical greenhouse). Including the plaques that accompanied each tree. This turned out to be very fortunate, as there is no way I could begin to remember each and every tree, let alone the artists.* All the photos shown here are the result of Kurt’s diligence.

The six trees shown here represent a small fraction of the total photos by Kurt. We’ll post some more tomorrow.

 

SawadaWisteria

wisteriaPlaque

There are two types of plaques at the Pacific Bonsai Museum. The simple type you see with the Japanese black pine above and more detailed plaques like the others shown here.

BCypressBanting

baldplaque

 

NakaCatlin

NakaCatlinPlaque

 

AzCunningham

AzaleaPlaque

 

OliveHisayasu

OlivePlaque

*You sometimes hear and see the opinion that there’s no need to know who the artist is when it comes to bonsai. The tree speaks loud and clear on its own and that’s all we need to know.

This argument make sense until you stop and think about the last time you visited an art museum. Or viewed art online for that matter. It’s customary to list the artist with paintings, sculpture and other arts, so what’s the  problem with listing bonsai artists?

But even if you don’t buy this argument, many or perhaps most of the best bonsai you see belong to bonsai professionals who are trying to make an honest living. In this light, making sure to attribute (and link) is simple way to help an artist, and the art of bonsai, prosper.

Bunjin Wizard

tripleafter

Triple trunk bunjin. I've long had a soft spot for trees with long straight trunks, topped with dynamic flowing curves. Exactly like this one. Which, along with the other two trees shown here, was styled by Naoki Maeoka.

triplecloseup

After close up. A good view of how the flowing lines at the top of each trunk are carried over onto the branches.

triplebefore

Before. Triple trunk bunjin.

You don’t see that many triple trunk bunjin (literati) bonsai. Especially ones as elegant as the one above. It, and the others shown here, belong to Naoki Maeoka.

Bunjin wizard. Naoki Maeoka is a resident at Kouka-en nursery and teacher at the Fujikawa Bonsai School. This is the third time we’ve featured his bonsai here on Bark (here and here are the previous two). You might notice that all three posts feature bunjin style bonsai.

singleafter

Single trunk bunjin. It's somewhat unusual to see such a low branch on a bunjin style tree and it's easy to imagine the tree without it (and even without the second branch as well). Still, who's to argue with such an elegant tree?

singlebefore

Before. Single trunk bunjin.

single2after

Single trunk bunjin #2. No lower branches on this one. More in keeping with tradition.

single2before

Before. Single trunk bunjin #2

 

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Power, Movement & Texture

crespimain

Power, movement and texture. This astounding Itoigawa shimpaku juniper (Juniperus chinensis Itoigawa) received an Honorable Mention at the 2015 Crespi Bonsai Cup which was held at the Crespi Bonsai Museum. It belongs to Gino Costa.

The photos shown here are from the 2015 Crespi Bonsai Cup. I cropped them all to bring the trees closer and to eliminate background noise. You can see the uncropped photos of all 65 entries here.

 

crespiHere's the First Prize tree and I can't say I disagree. It's a Mugo pine that belongs to Paolo Riboli. I like the natural grey of the deadwood, contrasted with the whiter finish you often see (above).

 

crespi5

Great bark among other compelling features. It's an Honorable mention Scot's pine (Pinus sylvestris) that belongs to Carlo Riva.

 

crespi2

Stupendous wild Olive (Olea oleaster) bonsai seem to be the norm in southern Europe. This one belongs to Luca Bragazzi. The height is given as 70cm (almost 28"). According to my reckoning, that would make the trunk diameter at the base about 28cm (11").

 

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Freeze Damage in Bonsai (& other woody plants)

NCsnowThis luscious planting resides at the North Carolina Arboretum. The photo was put up on the Internet Bonsai Club forum by Arthur Joura. The caption reads "This planting is one of a small handful in our bonsai collection that consists entirely of plant material that can tolerate the extremes of winter, and so it remains on the bench, on display in the Bonsai Exhibition Garden all through the year." The statement 'can tolerate the extremes of winter' makes sense if you live someplace like North Carolina, but not if you live someplace like Vermont.

Our Vermont fall foliage extravaganza is winding down. Most of the leaf peepers headed home yesterday. I’ve already moved some of my smaller trees onto a covered porch. Another month or so most of them will be winter storage.

This post is from last December (edited some now). It’s important enough to repost every year about this time, so we’ll do just that.

Thanks to a tip from Elandan Gardens, I recently came across an Evergreen Gardenworks’ article by Andy Walsh that was adapted from an Internet Bonsai Club post. It’s titled ‘Freeze Damage in Woody Plants.’

We’ll just show you the beginning of the article and encourage you to visit Evergreen Gardenworks for the rest.

Freeze Damage in Woody Plants
by Andy Walsh

Evergreen Gardenworks’ Introduction

This article is adapted from an Internet Bonsai Club post. In it, Andy discusses the physical and chemical changes involved when plant stems and roots freeze. This kind of information is crucial to constructing cold weather protection for many areas of the country. Some slight editing has been done to make it more readable in this context.

The Three Stages of Freezing

First off, several times here writers have stated that their trees are frozen in the winter and survive. It’s clear to me that there is great misunderstanding around what some people think when they say a plant is frozen. If a plant truly freezes it dies. The formation of ice within the cells of a plant is invariably fatal. What I think many people see in winter is the soil of their trees frozen and they equate this with the plant being frozen. This is not the case.
From my readings, there are basically three stages of freezing that can be observed with, and have significance to, a Bonsai:

The freezing of the water in the Bonsai’s soil.
The freezing of “inter”-cellular water in the plant’s tissues.
The freezing of “intra”-cellular water in the plant’s tissues.

Here’s your link to the rest of the article.

 

Goshinsnow

John Naka's famous Goshin, fully adorned. The Needle junipers are plenty hardy in Washington DC where the tree resides at U.S. National Bonsai & Penjing Museum.

 

snow31

You can leave hardy bonsai out in the open here in northern Vermont for quite a while, but sooner or later they'll need some serious protection.

 

NCRoan Mountain landscape again. Fortunately, winter will end someday.

 

b1satsukiSpeaking of Azaleas (the little flowering trees in the planting just above), this definitive Satsuki Azalea book will soon be gone and there are no plans to reprint.

A Bonsai Artist’s Legacy

Blanton

Look familiar? It's Amy Blanton's Rocky Mountain Juniper (with Mike Blanton in memoriam). The same tree that was the 3rd place finisher at the Artisans Cup. This photo* was taken at the 2015 North Carolina Bonsai Expo after a quick cross country trip.

This post was going to be about the recently completed 2015 North Carolina Bonsai Expo, but somewhere in the process, a story about a particular tree, a bonsai artist’s legacy and his wife’s devotion took over. We’ll get to the Expo another time, meanwhile I would like to invite you to visit a post on Ryan Neil’s Artisans Cup blog titled Patron of American Bonsai: Amy Blanton.

Continued below…

3rd

Amy Blanton's (with Mike Blanton in memoriam) Artisans Cup 3rd place Rocky mountain juniper. The photo is from Ryan Neil's blog.

The follow is part of Ryan Neil’s tribute from his blog:
“Mike (Blanton) believed it’s time to take American Bonsai to the next level as the greatest trees in the world are right here in our back yard. Mike’s favorite tree to work on was any kind of Juniper and he had many varieties in his collection. He especially liked Yamadori and was successful in sustaining these collected trees in the South. He used Bonsai for twenty-five years as a form of stress relief from his duties as a firefighter… You can visit Ryan’s blog for the whole story.

 

nashville

The same tree at the Nashville Bonsai Society Regional Show in 2013, shot from a radically different angle. The photo is from Owen Reich's Bonsai Unearthed blog.

 

Blanton2This photo is from Ryan Bell's Japanese Bonsai Pots Blog. Here's Ryan's caption: "And last, but certainly not least, a Rocky Mountain Juniper from the late Mike Blanton, entered by his wife Amy and detail wired for the show by Michael Fedducia. Named “Bucket List”, this tree took best in show, deservedly so. Mike was a dear part of the Nashville community and the bonsai community at large and is greatly missed. Awesome to see his legacy living on, in both his bonsai, as well as in all the enthusiasts and professionals he inspired who were at this event."

*You can find the photo at the top of the post and more Expo photos here.

Bonsai Meets Pop Music Again

OThis old triple trunk Japanese white pine resides at the Omiya Bonsai Art Musem in Saitama Japan.

Busy weekend, so we’ll dip back into our archives. This one is from January 2014.

First a confession. The title of this post ‘Bonsai Meets Pop Music’ has little if anything to do with the bonsai shown here. However, if you scroll down, you’ll see that it wasn’t made up out of thin air, and if you read Japanese, some light may be shed.

All the trees shown here are from the Omiya Bonsai Art Museum, which houses one of the best bonsai collections anywhere. Here’s their website and here they are on facebook.

 

O6Crabapple. There nothing quite like viewing deciduous trees in the winter when the entire structure down to the tiniest detail is revealed. And then there's the fruit, which adds color just when we need it the most.

 

O5If you can ignore the background noise for just a minute, you'll see one of the finest and most powerful Chinese quince (Karin) in the world. In all its naked splendor and with just one fruit.

 

O4

This elegant Japanese Maple is named Musashigaoka. Turns out several of the trees at the Omiya Bonsai Art Museum have names.

 

Now you know where the title comes from.

 

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A Skinny Lone Tree, a Large Empty Space…

CAjunSeiji

California Juniper (Juniperus californica) at the Cup. It belongs to Seiji Shiba. Estimated age: 1000-1600 years old, trained for 15 years. All the photos in this post are by Hoe Chuah.

I just rediscovered* an exceptional bonsai blog. It’s titled Bonsai Penjing & More and it belongs to Hoe Chuah. Most of the best bonsai blogs have good photos, but blogs like Bonsai Penjing & More that combine quality photos with thoughtful, well written comments are lot less common.

The following by Hoe Chuah is from yesterday’s Bark comments. The tree he references is just below.

“I like Michael Pollack’s hinoki cypress at the Artisans Cup very much. I put this tree as one of my favorites from the show in my new blog, Bonsai Penjing & More.

After seeing so many big collected conifers with carved shari and jins, this display stood out. It evokes a feeling of an expansive American prairie; a skinny lone tree, a large empty space, a journal and a compass, they accentuate an American pioneering spirit. Ron Lang’s wide lip pot also compliment the tree very well.”

Hoe Chuah’s comments are continued below the photo…

pollockhinoki

Michael Pollock's Hinoki from yesterday's post, but this time it's at the Cup. This photo, like the others shown here, was taken by Hoe Chuah.

Hoe Chuah continued:
“In music, Aaron Copland created the American sound in his compositions such as Rodeo, Appalachian Spring etc. The sound is unmistakably American to listeners. To me those big collected conifers, though very impressive and awe inspiring, are still bound very much by Japanese aesthetics except they are American native trees.”

 

danDan Robinson had two exceptional Mountain hemlocks at the Artisans Cup. We featured the other one a few posts ago. 

dougdoug

Doug Paul's Doug fir. We've shown this one already, but a different photo.

 

gremel

Jim Gremel's sweet Shimpaku. Another one we've already shown, but again a different photo.

 

JWPshogold

This small but powerful Shohin Japanese white pine belongs to Dr Melvin Goldstein.

 

shogold

Part of Melvin Goldstein's Shohin display. There was a separate stand with another tree on the left that got left out of the photo.

All the photos in this post belong to Hoe Chuah (Bonsai Penjing & More).

* We borrowed some Pacific Bonsai Museum photos from Mr Chuah last year.

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A Famous Hinoki in a Famous Pot

hinokitall

This stately distinctive Hinoki is from Michael Pollock’s blog Bonsai Shinshei as are the other two bonsai shown here. Here’s Michael’s caption: “My lone Hinoli cypress after a quick fall cleanup. Falling deeper in love with this pot that Ron Lang and I collaborated on.”

Got Artisans Cup photos with species and artist labels? I wanted to show Ron Lang’s (and Sharon Edwards-Russell’s) pots that held seven of the remarkable trees at the Artisans Cup. Problem is, my photos are spotty and mostly unlabeled and the same goes for other Cup photos I’ve been able to dig up. So we’ll have to wait.

Meanwhile, I borrowed this post from our archives. The now famous Hinoki bonsai above was displayed at the Artisans Cup, looking pretty much like what you see here (though all the trees were surrounded by darkness and highlighted with spot lights at the Cup). The pot is by Ron Lang.

There was a time not too long ago when most of the bonsai you saw conformed to Japanese standards. True, there has long been a wealth of bonsai in other east Asian countries, but it was mostly Japanese bonsai that first found its way West (this is especially true in North America).

Now, since bonsai has caught fire around the world, there’s a creative revolution taking place. Bonsai artists and enthusiasts are feeding off of each other and experimentation has become the norm. The results are often trees that amaze and inspire. And, as in the case of the Hinoki above (and its pot), trees that are so distinctive that they stick in your mind long after you see them.

 

Thuja+5-31-13

A Northern white cedar (a variety local to Canada and parts of the northern U.S. including right here on my land in Vermont). Like the other two trees shown here, it belongs to Michael Pollock who had just wired it when he posted it, so it has a bit of that waiting-for-the-foliage-to-fill-in look. He also mentioned that it needed a new pot. Still, freshly wired and in need of a new pot or not, I don't know many people who wouldn't want this bonsai in their collection.

 

Procumbens+multi-trunk+cascade

Unfinished, but still a sweet bonsai. It's a Juniper procumbens from nursery stock. The pot (by Dale Cochoy).

All the bonsai in this post are from Michael Pollock’s Bonsai Shinshei blog.

 

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