
Windswept bonsai are few and far between. Especially really good ones like this. It's not just a question of pointing everything in one direction. It must be done in a way that's convincing. This involves keen observation and considerable skill
We haven’t seen many bonsai from India, but if these trees are representative, I’m impressed. Beyond impressed really, they are that good. They were posted by Sanjay Dham. No varieties are given.
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On the surface, literati (bunjin) bonsai seem simple enough. But it's really about feeling and subtlety. Like the windswept tree above, a literati has to be convincing in its naturalness

Strength, balance, taper (all the way out to the twigs) are a big part of what makes this tree so compelling. And then there are those uro (holes in the trunk) that add age and character

Three trunk or one? Either way, it's a monster with its massive base. The twisted twigs look like they were wired, but I suspect they grow that way (you don't often see wiring on tropical bonsai)
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Defying convention and coming out with flying colors. Walter Pall repotted this maple during the heat of mid-summer and it didn't even blink
As long as we’re on Walter and Japanese maples, here one of my favorites from a post we did back in October, 2016. It’s also about repotting, so 











The man is famous so I don't have to tell you his name (Bill Valavanis). I don't know who the girl is, but I like her hair
Barbados cherry (Malpigia glabra) by Hsieh, Cheng-Hua
Ficus microcarpa by Huang,Ching-Chi.
Variety unlisted. By Tung, Wen Chi


Before and after Shimpaku Juniper by Masahiko Kimura. No wonder they call him the Magician. The tree's height started at 15" (38cm) and ended up at 28" (71cm)
Before. Not a bad tree. I wonder how many people would think to stretch it to almost twice this height
Rebar, bamboo sticks and a generous serving of creative genius are a big part of Kimura's bag of tricks. For a detailed photo journey showing how these trick are employed, check out
This'll give you some idea of at least a part of the process. That's the Master, Masahiko Kimura holding the rebar.

