More Satsuki Flowers & Other Spring Surprises

ezo

The new growth on some Spruce is often a brilliant yellow. Almost like yellow flowers. In this case the spruce is an Ezo (Picea jezoensis). This one resides at the Omiya Bonsai Art Museum (Saitama, Japan) as do the other trees in this post.

We’ve got a few themes running here; spring Satsuki flowers (last post), new spring growth and one of our favorites, the Omiya Bonsai Art Museum.

 

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For a lot of people, Satsuki azaleas are all about the flowers, so it doesn't matter so much that you can't really see the trunk in this photo. You can however see just how massive it is and that this would be a noteworthy bonsai even without the flowers.

 

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Another massive trunk on an altogether very impressive bonsai. It's a Japanese black pine with bright new buds acting as spring accents.

 

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Another Satsuki in full flower. So much so that it's okay that the trunk is obscured.

 

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A magnificent triple-trunked Trident maple full of fresh yellow-green spring leaves.

 

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Raised-root trunks are not uncommon with Satsuki.

Satsuki Azaleas, the Never Ending Quest

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We borrowed this stunning (some might say gaudy) Satsuki photo and the other photos here from Empire Bonsai.

The photos shown here are from a recent Satsuki azalea Bonsai festival at Ueno Park in Tokyo. Satsuki means fifth month (May) in Japanese.In this case late May (the dates on the festival sign below say May 27th to June 1st). You might imagine Satsuki would bloom a little earlier in more southerly environs.

Satsuki, almost more than any other plant, show just how far humans will push nature in the quest for beauty and distinction. Robert Callaham’s benchmark book, Satsuki for Bonsai and Azalea Enthusiasts lists over 1,600 cultivars and no doubt new ones are being developed as you read this.

Too much? After the first moment of simple amazement when you see these spectacular flowers, you might notice just how far from natural these cultivars have come. Some might even say they look gaudy or even synthetic and that the solid mass of flowers is unnatural in itself. This might be one of the reasons Satsuki bonsai have their own shows. They have gone so far in their own direction that comparing them with other more subtle or less colorful trees just doesn’t make sense.

You can see the photos shown here and other photos from the festival in several places on the web. I took the easy route and just borrowed from Empire Bonsai (who as it turned out, borrowed from Do-ria on Reddit and Makoto Tsuji on Facebook).

 

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The English language book for anyone interested in Satsuki azaleas

Surayama – Shimpaku, Spruce & Several Others

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It's a little surprising that there are so few good shots of bonsai in creative settings. Not that they don't exist, just that they don't exist in larger numbers. This one was borrowed from Peter Warren's Surayama, as were all the photos in this post.

We’re merging two themes from recent posts: Rosemary bonsai and Peter Warren’s bonsai. Only one Rosemary actually, but all the bonsai shown here are Peter’s.

This is not the first time we’ve featured Peter Warren’s bonsai and, as we are fond of saying, won’t be the last. Peter is an accomplish bonsai artist and teacher who is well-known in the professional bonsai world, but I’m not sure his fame has spread into the regular bonsai enthusiast crowd. Or maybe it’s just that he’s not all over facebook. Or that he is very well known in England and Europe, but not as well known in this hemisphere. Or maybe I don’t know what I’m talking about and maybe you’re wondering why you’ve read this far…

 

Noelanders-trees_5This photo is one of a series Peter calls Noelanders trees. (Noelanders refers to the Noelanders Trophy, a famous bonsai exhibition that is held in Belgium). He doesn't say what it is, but I'm going to go ahead and guess that it's a Norway spruce (Picea abies). Root-over-rock. In a splendid wavy pot and with a companion with red berries.

 

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This Shimpaku with its delicate, fluid deadwood and its heavy crown is another from Peter's Noelanders trees. I'm guessing that the companion bonsai is root-over-rock Trident maple.

 

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This powerful tree with its brilliant berries must be a Japanese winterberry (Ilex seratta). It's hard to tell what's going on with the companion. Like the previous two, this one is labeled Noelanders tree.

 

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Did a little cropping to get a closer look.

 

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Here's that Rosemary we were talking about. I'm not sure I've ever seen a pot quite like this one. I wonder where it came from.

 

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I was at the 2014 National Exhibition and the excitement in the display area was palpable. The trees were magnificent and, as in the past, the overall quality had improved from the previous Exhibition. Now we have the book… for those of you who couldn’t make it and for those of you who did make it and want to remember what you saw.

Just in case you are new to this and not familiar with our National Exhibitions; every two years, Bill Valavanis and friends put together a U.S. National Bonsai Exhibition in Rochester NY and every two years the trees just get better. 2014 was no exception.

 

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There was a lot of buzz at the show around this tree. No one knew it would turn out to be a major award winner, but I'm sure no one was really surprised.

 

B1NAT4YEWThis one jumped out at me for a couple reasons. First, I don't think I'd ever seen a literati style Yew, and second, the bonsai artist and the potter are the same person. Sara Rayner. This doesn't happen every day.

 

 B1NAT3-2While they last. The 3rd album is on special at Stone Lantern.

Just Drinking Some Tea and Relaxing

34I guess we can live with the lighter. Several of the trees in Lam Ngoc Vinh's photos also have distracting tags hanging from them. Still, we'll take what we can get and in this case, what we can get is pretty good. And, speaking of pretty good, check out the facial expression on this very relaxed tea-drinker.

I’m a little pressed for time today, so we’ll take a journey back through our archives to 2013.

The quote below is lifted word for word from an old Art of Bonsai Project post. The same goes for the photos.

“Lam Ngoc Vinh is from Vietnam. Born in 1970, his first introduction to Bonsai came from seeing his first bonsai in a newspaper when he was just ten years old. This first view of a bonsai tree led to many years of research and experimentation with native Vietnam tropical species including fruit trees such as Toad, guava, plum, mango, lemon, peppers, and later with less used species such as rose and others.
He works with many forms including Mountain, Stone, and Landscapes, and especially Mame and Shohin bonsai. Lam is well known in his home country of Vietnam and also on international bonsai websites. His work and achievements are highly praised and he has earned many awards in Vietnam.”

viet8I'm not sure what the people under the tree are up to but I imagine they are enjoying themselves. And who wouldn't in such beautiful surroundings? Speaking of tags, you can barely see the tag in this one.

 

viet9A couple questions. Have you ever seen shari (trunk deadwood) quite like this? And, where’s the soil? Not to mention the excellent overall shape of the tree.

 

viet6A Vietnamese strongman surrounded by some very large bonsai (or very small bonsai depending out your perspective).

 

26Though the wire is a little distracting, I like this planting a lot. The trees and especially the rock formation seem completely natural. This natural look seems like it would be easy to achieve, but it actually requires a great deal of skill.

 

Another strongman. I'm not sure what this guy is up to. Maybe he wired the trunks and now he's bending them.

 

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Finding Great Rosemary Bonsai Is Easier Said…

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You've probably never seen a Rosemary bonsai that looks quite like this one. To my eye the deadwood and the way the branching and foliage are styled is reminiscent of an old yamadori Shimpaku from Japan. This remarkable tree belongs to Peter Warren. It originally appeared on Peter's  Saruyama blog (and then in a Bark post from last year). Below, there's another version of the same tree, also from Peter's blog.

We led off our last post with a Rosemary bonsai, so in an effort to keep going in that direction, I just spent about an hour online looking for other worthy Rosemarys. Turns out finding good ones is easier said than done; there just aren’t that many top-tier Rosemary bonsai out there. I did however manage to find three that I like (plus the one from last post makes four).

 

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This Rosemary-on-a-slab bonsai is from Antoni Payeras’ Escuela de Bonsái (Bonsai School) gallery. I don't know if you'd call it great, but it is without doubt unique. We showed it here on Bark back in 2012.

 

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Found this gnarly little fellow on Pinterest. No attribution. The intertwined deadwood and living vein remind me of the little field-grown Shimpaku (designed to mimic yamadori) that we've being seeing a lot lately.

 

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Here's Peter Warren's tree from above (also from his blog). Presumably and earlier version. You might notice the single flower.

A Four Course Bonsai Feast

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Old Rosemary plants abound in Europe, so you’d expect to see some pretty good Rosemary bonsai and this semi-cacade certainly qualifies. It doesn’t hurt that it’s in a very cool pot.

All the photos in this post are from old issues of Bonsai Today. They have all appeared here before, back in 2010 in a post called A Moveable Feast European Style. It’s a long story, but none were attributed then and none are attributed now. My apologies to the artists.

All four trees shown here are from Europe and originally appeared in Bonsai Today issue 85.

 

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This twisty Juniper forest reminds me of Point Lobos on the Central California coast. Like the one above and the ones below, it’s from Bonsai Today issue 85.

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This strange and wonderful little Mugo pine has an unusual shape and might qualify as one of our eccentric bonsai (if you check some of our previous posts, you’ll see that that’s not an insult).

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A multi-hued European hornbeam planting on a slab.



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Bonsai Shape, Texture, Color, Density, Leaves, Trunk, Bark, Deadwood, Size, Pot, Overall Feel & More

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Bjorn's caption for this photo says: Shimpaku Juniper, great day's work in AL. A mystery, but only for a moment. With just a little nosing around, we came up with Brian Van Fleet's Itoigawa shimpaku. This photo and the others in this post are from Bjorn Bjorholm's facebook feed.

One thing you might notice about the three trees shown here is just how different they are. From each other, and in the case of the bottom two, from most other bonsai.

Not different in terms of the five main traditional styles (two of them fall into the informal upright style), but different from each other in most of the features which make up a bonsai: shape, texture, color, density, leaves, trunk, bark, deadwood, size, pot, overall feel and more. And these three trees only scratch the surface of the range of possibilities when it comes to bonsai.

We would be remiss if we didn’t say something about the artist, Bjorn Bjorholm and his bonsai skills. But then, if you’ve been around the bonsai world lately, you already know who Bjorn is. He’s all over the web and seemingly almost everywhere in the world, teaching and demo-ing bonsai. He has also been featured several times here on Bark and will no doubt be featured in the future.

 

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A little change of pace. Here's Bjorn's caption: Chuuhin Mugo after major work at Minoru Bonsai. Deadwood will be refined in the future.

 

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Another example of contrasting bonsai types. Bjorn's caption: Dwarf Star Jasmine after seasonal pruning. This tree is a registered important bonsai masterpiece. Like the others here, you can find it on Bjorn's facebook feed and at the Kouka-en Nursery.

Judging Bonsai & a Propensity for Understatement

jbpThis powerful kuromatsu (Japanese black pine) won the Culture Minister's Prize at the 20th Green Festa Kokubunji bonsai fair. It is 19" (48cm) high and about 55 years old. It is owned by Toyoyuki Hamabata from Takamatsu's Mure town in Shikoku. It appears at Bonsai World, a Japanese English language website.

Out of town acting as nanny (remember Suthin?) for my grand kids, so we’ll sneak back into our archives. This time we’re borrowing from two posts: one from way back in 2009 and one from last year. Both feature Japanese black pines with very stout trunks.

Here’s what the judges have to say about the tree above (I edited their clumsy English this time): This kuromatsu (Japanese black pine) is relatively young. Its nebari (visible root spread at the base of the trunk) is good and it stands up dynamically. Its trunk form clears the conditions for a good bonsai -it’s thick and tapers off toward the top. The No. 1, No. 2 and No. 3 branches come out superbly. It is a promising kuromatsu. It is well-potted and attention has been paid even to minute details. The more care it receives, the better it will be. It is a well qualified bonsai and should grow into a wonderful moyogi (informal upright) tree with pronounced bends and curves.

Japanese sometimes have a propensity for understatement, so we’ll take that into consideration. But fifty five years is relatively young? It’s a promising tree? Makes you wonder why they gave it best in show. Wouldn’t honorable mention do for a young promising tree?

Below is another Japanese black pine I borrowed from a 2014 Bark post.

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This trunk is so heavy that you could imagine it supporting a huge mass of foliage, yet this humble crown works to perfection.* There’s a lot more that could be said about this great old tree, but I’ll stop at pointing out the luminous color and texture of the trunk (not that you could miss it). The tree is around 50-years-old and was grown from seed. It belongs to Kiyoshi Hiramatsu (great name for someone who grows pines) owner of the Hiramatsu Seijuen bonsai garden in Takamatsu’s Kokubunji area in Japan.

*Reflections from now. I no longer think this humble crown works to perfection. I still love the powerful trunk but think it would be better served by a more developed crown. As it stands, the trunk shows great age while the crown appears immature. Not a good combination (you might also say this about the tree at the top, and that might be what the judges were referring to when they said it was promising and young – the branches and crown were not yet fully developed; still, the overall balance is much better than the second pine’s).

 

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How to Take an Exceptional Old Bonsai & Make It Extraordinary

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This Ezo spruce (Picea jezoenis) belongs to Walter Pall. The hand built tray accentuates its untouched natural look. The tree was originally collected in Hokkaido, Japan sometime before 1950 and is over 100 years old. The tray (Walter calls it a stone) is by Dietmar Popp. This photo and the rest in this post are from Walter's facebook photos.

In addition to his excellent bonsai, I like Walter Pall’s instructive step-by-step presentations (you can find them on facebook and on his Bonsai Adventures blog). It’s like you’re standing right there looking over his shoulder. Or in this case, Thomas’s shoulder (In Walter’s own words Thomas helped to get this on it’s way.).

Walter put up 28 photos in all showing the work and results on this tree. We are presenting only a small fraction here and encourage you to visit Walter on facebook to view the whole process.

 

ezotrunkcuA close up of the large sabamiki (hollow in the trunk) taken before the work shown here.

 

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Thomas working deadwood at the edge of the sabamiki with what looks like a Bosch diegrinder.

 

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Working the deadwood in the back with a Dremel type tool.

 

ezoburnYou might notice the blackened wood. If we assume that it got that way by burning, can we also assume that this is a small blow torch?

 

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Time to spring for a new wire brush?

 

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Treating the deadwood with lime sulfur.

 

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Wiring it down into it's new tray.

 

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Finished for now. Walter usually presents both black (at the top) and light grey backgrounds. Which do you prefer?