Paying Another Visit to Super Mario, Plus One

marioHere’s a tree by Mario Komsta that we missed. With this exception and a reminder about Free Shipping and our current Book Sale, the rest of the post is the same as yesterday.

 

mario7Not so sure about the background color, but I really like the sparse simplicity and naturalness of this tree. This photo and the others shown here are from Mario Komsta’s facebook photos.

It’s Monday morning, I overslept and now I’m running behind, so we’ll make this post almost purely visual (trusting that you can live without my comments just this once).

All the photos shown here are from Mario Komsta’s facebook photos and as far as I know, all the trees belong to Mario. This is not the first time we’ve featured Mario’s trees (more like the tenth time) but I believe it is the first time for most of the trees shown here.

Here’s the link to our original Super Mario post from way back in 2010.

 

mario8

 

mario5

 

mario4

 

mario3

 

mario2

To enjoy more of Mario Komsta’s impressive bonsai collection, you can visit him on facebook.

 

bookbanner

Here’s a New Book Sale for you
this sale is even sweeter with your extra 10% off for orders 100.00 plus
and FREE Shipping for U.S. orders of 25.00 plus

Paying Another Visit to Super Mario

mario7

Not so sure about the background color, but I really like the sparse simplicity and naturalness of this tree. This photo and the others shown here are from Mario Komsta’s facebook photos.

It’s Monday morning, I overslept and now I’m running behind, so we’ll make this post almost purely visual (trusting that you can live without my comments just this once).

All the photos shown here are from Mario Komsta’s facebook photos and as far as I know, all the trees belong to Mario. This is not the first time we’ve featured Mario’s trees (more like the tenth time) but I believe it is the first time for most of the trees shown here.

Here’s the link to our original Super Mario post from way back in 2010.

 

mario8

 

mario5

 

mario4

 

mario3

 

mario2

To enjoy more of Mario Komsta’s impressive bonsai collection, you can visit him on facebook.

The Truth of Suffering – More Shattered Notions

DD5

It’s quite daring to create a bonsai exhibition full of surprising mixed media bonsai displays that introduce elements never before associated with bonsai (see our last post). It’s quite another thing to leap full force into social-political (even religious) commentary. Not something normally associated with bonsai and gratefully so for many I’m sure.

Still, whether you like this kind of meta-themed supercharged bonsai display or not, there it was for a short while last October, for all to see. And here are some, but by no means all, of the displays that venture into this very virgin territory (some may be more obvious than others, but all of these images struck me as pretty good examples).

All of the images shown here are from Robert Steven’s 2014 International Bonsai Art & Culture Biennale.

D6

 

D10

 

D11

DD

 

B17

 

B16

 

B15

A Revolutionary Tour de Force that Will Shatter Every Notion You Ever Had About Bonsai Display

DDDD

Halloween (the show was in October)? At first glance you might just see the tree and the cobwebs and miss the hands clutching (persenting?) the sculpted wooden pot. All the photos in the post are from Robert Steven’s 2014 International Bonsai Art & Culture Biennale.

Coming up with a title that captures the sheer creative energy of the bonsai displays shown here wasn’t easy (Messing with Bonsai Convention in a Very Big Way was my second choice). Nor is writing about them (way too many hyped up adjectives keep trying to force their way in). I even thought about just showing the photos and not writing anything, but then this is Bonsai Bark where brilliant bonsai photos and not-so-brilliant words have been co-existing for six years now.

Though I’m sure some people will disagreed with my excitement about these images, it’s hard for me to imagine not being blown away (or at least impressed) by what Robert Steven and friends pulled off in Indonesia last October.

Even if you are the ultimate bonsai arch-traditionalist and your emotional response to these images is somewhere between extreme discomfort and overwhelming bewilderment, you’d still have to admit to their raw power and innovation, especially considering their sheer volume (what’s presented here is the tip of iceberg) and the amount of work that must have gone into creating them.

All the photos are from Robert Steven’s first International Bonsai Art & Culture Biennale that took place October 2014 in Yogyakarta, Indonesia. Stay posted for more photos, or visit Robert on facebook.

 

DDD

Halloween again (though I suspect there’s much more going on here than that). There’s something about those ‘severed’ arms that’s just a little ominous.  Is this where the recent ‘Black Scissors’ fad started?

 

DD1

Nice sculpture and great tree make for a sweet display that provides a little relief from the intensity of the first two photos.

 

D4

One corner of one of many rooms at the Biennale (there were also outdoor displays and live theater as well). 

 

DD3

It’s the bonsai, not the display, that’s mind bending in this case. Though I guess the unusual tree and the way it’s perched on an equally unusual rock, does make for an dramatic display.

 

DD7

 

DD6

Bonsai is in the eye of the beholder.

 

R8

Sense of humor helps.

 

D2

Impermanence.

 

D16

 

DD2

 

D9

 

DD4

Your guess is as good as mine.

 

B1MISSION

Robert’s famous book. Now on special at Stone Lantern.

Masters of Bonsai Technique

44When I first saw this tree I thought it might be a Yew. But, the bark isn’t right, and even the foliage, though close, isn’t quite right either. Fortunately, Peter Tea solved the problem in his 2011 Taikan-ten Exhibition post. Peter’s caption reads: “This Yew Hemlock caught many peoples attention. It made sense that it took the prize for medium conifer. We don’t have any Yews here at Aichien because they don’t do well in the hot weather that we have in Nagoya.”
As for the species, it turns out that there are two Hemlocks that are native to Japan (Tsuga sieboldii & Tsuga diversifolia). My guess is that this powerful and distinctive tree is one of these two. All the photos in this post are from Empire Bonsai.

Busy today, so we’ll dip into our archives once again. This post originally appeared almost two years ago (Febuary, 2013). I chose it because it leads with a Hemlock and our last post was about a Hemlock. Any other similarities are purely coincidental.

For now, it’s still Japan
In spite of reports to the contrary, Japan is still the world leader when it comes to bonsai (taking nothing away from Taiwan, Indonesia, Europe or the rest of the world). Not that the situation is not in flux, but all you need to do is take a look at a selection of trees from the major Japanese exhibitions (in the case it’s the 2011 Taikan-ten), and if your eyes are not clouded by chauvinism, you can see for yourself.

One of the raps on Japanese bonsai that you might hear is how it’s become too predictable, even conventional, and that the trees are overly stylized. The problem with this view is that it’s not true. When you look at the best of Japanese bonsai, what you see instead, is a diverse and exciting range of trees, some more stylized, some more traditional, some very innovative and daring, some all of the above, and all marked by a mastery of technique (more on technique at the bottom of this post).

 

92Trident maple. Among a thousand other things, I like that the lowest branch on the main trunk is in the front and is smaller than branches that are higher on the tree. How many of us would have cut this branch off because convention tells us to?

 

74I’m going to guess that this strange and wonderful tree is a Needle juniper (Juniperus rigida). Like all the tree in this post, it’s from the 2011 Taikan-ten.


63Something a little different. It’s mostly about the berries with this Firethorn (Pyracantha). When they’re gone, this rock planting will be consigned to a back bench.


53Looks like a Japanese beech (Fagus creanta). No need to say much more.

 

19Azalea’s are usually shown with flowers. However, with trees of this magnitude…


BTbanner3Want to learn how they do it? Some say that it’s 90% technique and 10% artistry. Bonsai Today magazine is filled with detailed instructions technique from the old masters. These benchmark back issues, are now 50% off at Stone Lantern.

A Perfect Example of What Great Ramification Looks Like & a Series of Excellent How-to Illustrations

wbff2You have your own eyes so there’s no need for me to say much. Except that this photo appeared here on Bark last spring in a post titled The One Percent (.001 percent would be more accurate). It’s a Japanese beech (Fagus crenata) that received the coveted Kokufu prize at the 88th Kokufu Bonsai Exhibition (the oldest and most prestigious bonsai exhibition in the world). Aside from its overall magnificence, this tree provides a perfect example of what great ramification looks like (made even more obvious by the bright rusty-red leaf buds). The photo is from the World Bonsai Friendship Federation. Identification and other details were provided by Bill Valavanis.

We’re on a ramification roll so we might as well keep going and clue you in to series of how-to posts that we did way back in 2010.

BT66decid

This illustration (originally from Bonsai Today magazine) is one of many that we featured in a three part series of posts from 2010 (links provided below). The following text is from the first post in the series…

Ramification literally means branch development, or how branches grow. However, when it comes to the art of bonsai, it has come to mean branch development that displays a couple key features: taper and fine branching. These features are critical when it comes to developing quality deciduous (and other) bonsai.

Deciduous trees develop rapidly, but they also lose their shape rapidly. With precise pruning and pinching, you can create excellent fine branching in just a few years. But it’s an on going process that requires continued pruning and pinching to maintain… (there’s more here, here and here).

satsukiRamification is not just about deciduous trees. A lot of skilled pinching and pruning is behind this Satsuki azalea’s wild profusion of flowers. The photo, which we featured in another 2010 post on ramification, is from Robert Callaham’s benchmark Satsuki Bonsai book (published by Stone Lantern).

Bonsai Ramification and a Leap of Convoluted Logic

horn

This Japanese hornbeam (Carpinus laxiflora) is from Bonsai Art’s facebook photos (from issue 129 of their magazine). I’ll let you provide your own superlatives. No artist’s name is provided on facebook or in the magazine for either of the trees shown here, but I’d bet they’re Japanese.

Last week we did a post on ramification which states the following: “the thing that most separates Japanese bonsai from much of the bonsai in the West is refinement. With deciduous trees this is most obvious when you look at ramification (branch structure and particularly fine branch structure).”

Based on the source (Bonsai Art magazine) and other hints (including refinement) I’m guessing that the two trees shown here are from Japan, and in a leap of convoluted logic, I’m using this guess to buttress my case about Japanese bonsai and refinement (there must be a name for this type of twisted logic). We’ll leave the rest to you.

 

malus

This superlative Crabapple (Malus toringo) is also from facebook and Bonsai Art issue 129. If you squint just a bit, you can see a profusion of little apples.

 

hornCU

In spite of the fuzz, this cropped version of the Hornbeam above gives you a little closer look at the fine branching.

 

malusCU

Ditto with the Crabapple.

 

BA

The cover of Bonsai Art issue 129.

What’s Eccentric?

eccjun

This wildly elaborate juniper bonsai is from Bjorn Bjornholm’s facebook photos. It’s a case where a darker background would work better, but borrowers can’t be choosey. Here Bjorn’s caption: “Procumbens wired and ready for its trip to Tokyo.”

When I saw the photo above my first thought was… it’s been a while since we did a post on eccentric bonsai, so why not?

On reflection however, the whole notion of eccentric is called into question. This has a lot to do with the sudden spread of bonsai throughout the world and the cross pollination made possible by easy travel and the internet, resulting in experimental approaches and outcomes that may have been highly unusual a few years ago, but not so much any more.

So you can call these trees whatever you like; eccentric, unusual, exciting, compelling, daring, or just bonsai as usual in the 21st century.

Bjorn Bjornholm has been studying under contemporary Japanese bonsai master Keiichi Fujikawa in Ikeda City just north of Osaka, Japan since 2008. He is also the co-founder and co-instructor of the Fujikawa International School of Bonsai. Bjorn’s trees have been featured several times here on Bonsai Bark.

 

ecc2

An eccentric base and trunk combined with a highly stylized crown. Based on the long narrow trunk you might be tempted to call this tree a literati, but I think the thick robust crown belies the notion of rugged survivor hanging onto to life on some remote mountainside.

 

ecc4

This rather unusual ‘3 trees in one’ Shimpaku has a loose relaxed, unfinished feel that helps make it accessible to us ordinary people.

 

10360188_10102602856536525_5695235750814467855_n

Here’s Bjorn’s caption: One of my favorite shimpaku I’ve wired thus far. We named it ‘ganmen hiji uchi.’ Any guesses on the translation?

 

ecc3

Kimura’s legacy?

 

kimura-border

Kimura….

While Waiting for Spring – $100 Bonsai Detective Contest

crab

Bonsai #1

Here’s a simple contest to amuse yourself with while waiting for spring.

What you have to do to win
Identify the variety and the owner of each tree shown here and provide a link to your source (Bonsai Bark does not qualify as a source, with one exception).

What you’ll win
The first person to get them all right (with links) will win a $100 gift certificate to Stone Lantern. If no one gets them all right, then the person to get the most right before the deadline wins.

The Deadline
The contest will run for one week (until Saturday January 17th at 11:59pm EST), unless someone gets them all correct before that time.

Email me
Your answers must be sent to me wayne@stonelantern.com (DON’T PUT YOUR ANSWERS IN THE COMMENTS BELOW!). The subject line should say $100 Contest.

Good luck!

persimmon

#2

 

 

caltree

#3

 

96modoki1#4

 

berriesdragonpot

#5

 

berry7

#6

 

berry7

#7

 

berries9

#8