Not Shimpaku

Dwarf Japanese Garden Juniper by Michael Sullivan. From the 3rd U.S. National Bonsai Exhibition Album (apologies for the fuzzy scan). One thing that stands out is how a combination of small touches soften the long, mostly straight, untapered  trunk. First there’s the irregular pot which helps emphasize the small irregularities in the trunk. Then there’s the shari (deadwood strip) that adds movement and interest all the way up the trunk. Finally there’s the surprising little jin at the top of the trunk that further enhances the sense of movement (and adds a touch of humor).

Japanese Garden Juniper bonsai
Shimpaku junipers rule. You see them everywhere and for good reason; they make excellent bonsai and because they grow wild in the mountains of Japan and have been collected and refined by some of the world’s great masters, they stand as some of the most amazing works of bonsai art on the planet. Still, there are a whole host of other junipers that make great bonsai, so I thought it might be worthwhile to start a Not Shimpaku series on some of these.

The Japanese garden juniper (Juniperus procumbens) and its dwarf cultivar (J procumbens ‘nana’) is a good place to start. In the U.S. at least, the dwarf ‘nana’ has long been the most popular beginner’s tree. For years you’d see young ones in malls (Mallsai) every holiday season and though they are not quite as popular now, you still see more than enough of them around. But you don’t see that many specimen quality Procumbens and you almost never see seldom see specimen Procumbens nana. Part of this is no mystery; Procumbens are slow to develop trunk girth and Procumbens ‘nana’ are even slower. Still, we’ve managed to dig up some worthwhile specimens.

 

This little gem belongs to Thomas J. Mozden. I found it at The Art of Bonsai Project where it’s listed simple as Juniperus procumbens. But, to my eye (though it’s hard to tell in this somewhat fuzzy blow-up) the foliage looks like it might be a Procumbens nana.

 

This Procumbens by Zhao Qingquan is also from the Art of Bonsai Project. A later version in a very interesting pot can be found Zhao excellent book, Penjing: The Chinese Art of Bonsai.

 

This one is from a 2012 Bark post. The tree resides at the National Bonsai and Penjing Museum. It’s listed as a Procumbens nana, though I’ve never seen a ‘nana’ with such a massive trunk. Which begs the question… (the story is here).

 

Et Tu Ken To?

Precision. It’s very small and it’s made of wire, yet it’s clear that it’s a deciduous tree in fall color. I borrowed this photo from Ken To’s home page. It’s cropped for a closer view. The uncropped original with the photographer’s signature is below.

As long as were on the subject of miniature sculptures and not forgetting our mission, it seems like a good time to revisit Ken To and his wondrous wee wire creations.

Rather than going to the trouble of actually thinking and writing, here’s some text that I lifted from Katie Hosmer at My Modern Met. “To’s microsculptures must require incredible patience and a very steady hand. The curls and twists mimic the shape of a living bonsai, each one standing an average of about 2 to 4 inches tall and placed in various bonsai pots created by Jim Barrett. Ken To uses exhibition grade wire, sometimes choosing to blend several tones into one final shape. The elaborately hand-crafted designs are a wonderful interpretation of the classic bonsai art form, and can be purchased on the artist’s website


A semi cascade with a perfect little Jim Barrett pot. All the pots Ken uses are by Jim.

 

Informal upright multi-toned willow.

 

Ken dug this old Shimpaku high in the mountains of Japan (JJ). I’d say the silver wire is deadwood and the gold is living.

 

A yamadori bunjin with deadwood. Sweet pot too.

 

Here’s the uncropped original of the photo at the top.

You can see more of Ken’s majestic miniatures on his website and on facebook.

A Break With a Tradition Over Four Years in the Making

The beginning of the end? Or just a moment’s break with a tradition that’s been well over four years in the making? What I’m trying to say is; we’ve never led a post with a bird (Sand Hill Crane?). In fact you’d be hard presses to find a post that doesn’t start with a bonsai.

Henk Fresen’s bronze sculptures (and his bonsai) have been featured on European bonsai blogs for a while, but he doesn’t seem to be that well known in the U.S. bonsai community. We’ll let you decide if this has been an oversight or if bronze miniatures have any place on a blog that’s solely devoted to the art of bonsai. Meanwhile, here are three excellent blogs that feature Henk’s miniatures: Henk Fresen Bronze Sculptures, Sam & KJ’s Suiseki Blog and Yamadori and Bonsai Material fromTony Tickle

 

We can’t drift too far without returning home. This powerful little -looks like a Cedar or a Hinoki- belongs to Henk.

 

Henk seems to have a penchant for birds.

 

And a penchant for bonsai. This undulating, barky old tree is a pear.

 

It’s beautiful and the detail in the wings is beyond outstanding, but don’t fooled. Dragonflies are one of the insect world’s most vicious killers.

 

A piece of Henk’s bonsai garden.

Fall Color & More Bonsai Events

I found this brilliant Rockspray Cotoneaster by searching fall bonsai color. Turns out that, though I must admit that I didn’t recognize it (this doesn’t bode well), it appeared right here on Bonsai Bark way back in 2009. Anyway, not only is it striking with it’s hundreds of multi-hued little leaves, but it just so happens that it’s belongs to Bill Valavanis who is hosting a big event this weekend (see below).

Not to rush things, but for some of us fall has already insinuated its way into our thoughts and conversations (last night it was 36F here). Often these thoughts and conversations turn to bonsai, which isn’t a bad idea; fall is an important time for bonsai care and for bonsai events (see below). We won’t say much about care now, except that you might want to think about doing some fall transplanting and you definitely want to think about fall fertilizing.

Don’t see your event here? That’s either because we already featured it, we forgot it, or you forgot to tell us. If in fact you did tell us and we forgot it, my apologies. Please let us know and we’ll make it up to you.

 

Speaking of color… Even though metaphors and similies make me nervous, still, I’ll take the leap: good suiseki with quality bonsai is like fine wine with a great meal. Okay, ignore me if you like, but, if you happen to be driving distance from Rochester, don’t ignore Bill Valavanis’ Open House this weekend. You’ll see some great bonsai and demos and you can enjoy some excellent suiseki too (the great meal and fine wine are up to you).

Sept 7-8: International Bonsai Arboretum Open House.

 

Oct 26 – 27: Hamilton Bonsai Club’s Annual Bonsai Exhibition at the famous Hamilton Gardens in Hamilton New Zealand. Okay, you’ve always wanted an excuse to visit New Zealand, so don’t say we’re not doing our bit to help you along.

 

Even though New England Bonsai Gardens doesn’t bother to send us notices about their events, still deep personal history dictates that we give them a pass. This painting is by Jan Zaremba who is returning to NEBG soon.

Nov 30th: New England Bonsai Gardens Winterfest. The following is lifted straight from NEBG’s website: “Back by popular demand! The people have spoken and Jan Zaremba returns. Mr. Zaremba is a master of Sumi-e (Japanese brush painting) and so much more. A bon vivant, zen practitioner and wicked good painter in both the Chinese and Japanese styles. He will be painting here at New England Bonsai Gardens on November 30 as part of our Bonsai Winterfest. The demonstration and acerbic wit are free. Starting around noon.”


Two trunks, two tones. This bright Japanese maple makes its home at the Brooklyn Botanic Gardens, though the photo turned up here. BTW: the BBG Growing Bonsai Indoors is on special at Stone Lantern.

Robert Steven, 2 Trunks & 3 Moose

A simulation by Robert Steven based on two Siberian larch submitted by Kristin Wood. Robert’s handiwork combined with the rough, richly colored bark, sweet little cones, brilliant moss and just right container, makes for a very attractive naturalistic bonsai.

If you have two trees, neither of which has too much promise as a single bonsai, sometimes the best solution is to combine them. Of course some vision and skill never hurts, but really, with just a little patience and willingness to experiment, you might be surprised at the results.

In this case, the person doing the combining (simulated) has more than just a little vision and skill.

The two Siberian larch photos that were submitted by Kristin.

Robert Steven’s Critique
Bonsai design is all about composition. How to arrange the design elements to suggest a mature and beautiful tree growing in nature. Among the design elements are trunk, branches, foliage and the container.

Although these two trees have similar trunk lines and branching, their differing branch character, in both line and form, suggests two different bonsai styles.

Tree number 1 has a more irregular formed crown and downward sloping branches, which give a more mature feeling to the tree and also lends the illusion of height.

For such a simple tree, you shouldn’t use a deep container because it tends to take over and bias the focal point. Instead, a simple shallow container will fit better and suggest a more natural nuanced feeling. Only minor refinements are needed for the branching.

Tree number 2 has a more symmetrical and shorter form, with a rounder shape and a horizontal branch line that imparts a younger feel to the tree.

Since the two trees have similar features, instead of just making number 2 similar to number 1, I suggest combining the two into one design, as you can see in my simulation above.

I don’t know what the actual size difference is between the two, but you can always play around to make it work. One of the ways to do this, is by cutting the height of the apex and by creating jin. You can also change heights by creating soil contour. For the best effect, the two trees should be over-lapping.

Robert’s General Comments
There is more than one way to design any bonsai and my critiques and recommended solutions might not always fit your taste and personal preferences, but I always try to give my opinion based on artistic and horticultural principles.

To understand my concepts better, please read my books Vision of My Soul and Mission of Transformation which are available at Stone Lantern (individually or by the set).

Your are also welcome to visit my facebook pages and my bonsai blog: http://robert-steven.ofbonsai.org

Kristin sent this along too. Bet you don’t have a moose family meandering through your bonsai.

360 Degree Bonsai (Second Try)

This front view of a root-over-rock Trident maple is one of a whole series of views you can enjoy on the Northern Ireland Bonsai Society website.

We had some problems with links to the version of this when we posted it yesterday. My guess is that the degree mark in 360° Bonsai is the issue, so we change the title to 360 Degree Bonsai. We won’t know if it works until we actually post it, so please don’t panic if you see what looks like the same post twice.

Back in pioneering days of this blog, we posted an image of a Satsuki azalea that was taken from a site that showed it in a way that seemed unique at the time; 360 degrees of spinning bonsai splendor. We couldn’t and still can’t show that here (WordPress is pretty basic), so we showed a couple still shots, offered a link (unfortunately no longer live) and moved on.

Four and one half years later, 360° spinning bonsai is a little more common, though quality bonsai featured in the 360° mode still aren’t that easy to find, so my interest was piqued when I came across the tree shown above (it’s listed as belonging to Ian Y) and some other spinners on the Northern Ireland Bonsai Society website (thanks to Bonsai Eejit for the lead).

One advantage to 360° bonsai is that you get to enjoy views that are almost never shown in photos.

Another uncommon view.

Another spinner. This sweet, promising little Deshojo Japanese maple belongs to Stephen (no last names given).

 

360 Degree Bonsai

This front view of a root-over-rock Trident maple is one of a whole series of views you can enjoy on the Northern Ireland Bonsai Society website.

Back in pioneering days of this blog, we posted an image of a Satsuki azalea that was taken from a site that showed it in a way that seemed unique at the time; 360 degrees of spinning bonsai splendor. We couldn’t and still can’t show that here (WordPress is pretty basic), so we showed a couple still shots, offered a link (unfortunately no longer live) and moved on.

Four and one half years later, 360° spinning bonsai is a little more common, though quality bonsai featured in the 360° mode still aren’t that easy to find, so my interest was piqued when I came across the tree shown above (it’s listed as belonging to Ian Y) and some other spinners on the Northern Ireland Bonsai Society website (thanks to Bonsai Eejit for the lead).

One advantage to 360° bonsai is that you get to enjoy views that are almost never shown in photos.

Another uncommon view.

Another spinner. This sweet, promising little Deshojo Japanese maple belongs to Stephen (no last names given).

 

Cutting Corners: Fall Transplanting

A freshly transplanted Black pine. The photo is from our Masters’ Series Pine book.

Three’s a charm
Much of what follows originally appeared in 2010 and much of that reappeared in 2012. Normally that would be enough, but because this one is so seasonally pertinent and because we have so many new readers, it’s worth at least one more shot. It’s also worth mentioning that we’ve added some new text and done some editing.

Fall transplanting
It’s the beginning of fall transplanting season here in the north country. One advantage to transplanting in the early fall is that when the spring season starts, little or no top-growth time is lost. The reason this works is that roots experience strong growth in the fall while the soil is still warm, long after the top has shut down. So by the time the tree wakes up in the spring, the roots are either fully recovered or well on their way to full recovery.

There’s one caveat however; in cold weather climates, very heavy root pruning is best saved for the spring. If cold weather sets in too soon before the roots have recovered, winter survival can be threatened. Better stick to light to moderate root pruning in the fall if you live where the winters are very cold.

Don’t wait too long however
Because our summer to fall to winter changes can happens quickly here in northern Vermont, timing is essential. In the past I’ve had the best results (mostly with larches) from the last few days of August to the around the 10th of September. For reference, our first hard frost can happen any time from mid-September to early October though there’s almost always some mild weather after our first hard frost. This mild weather, which often lasts into early November, keeps the soil warm enough for roots to grow and recover.

Top pruning in the fall
It can be a good idea to top prune a little when you transplant, especially if the roots have been severely disturbed (less foliage for the compromised roots to support). However, too much top pruning when transplanting, especially in the fall, can stress a tree. Beyond that, I am still experimenting with the right mix of root-versus-top pruning on my larches, and the jury is still out on just how much I can get away with. In general, much depends on variables like the type tree, where you live, when in fall you transplant, what transplanting aids you use, aftercare, etc.

 

Daddy’s little helpers. These three items are indispensable when it comes to transplanting. Surperthrive is a vitamin and hormone plant tonic, Myconox helps replace the all-important mycorrhizal fungi, and Dyna-Gro K-L-N is a rooting compound that is formulated to reduce stress and encourage growth.

Recycling
The photos and text from here down are from an 2010 Bonsai Bark post titled Transplanting Tips: An Uncommon Technique.

 

Pieces of the pie. From Bonsai Today issue 39.

Keeping some roots undisturbed
The technique shown here is particularly good if you want to replenish the soil while leaving some of the roots undisturbed. Doing this lessens stress and hastens recovery.

Pot sizes and shapes
This technique is useful when you want to move a tree from a larger to a smaller pot, or into a pot that has a different shape. It also works when you want to replenish some of the soil and then put the tree back into the same pot and is particularly useful for repotting forest plantings.

Potbound trees
If the roots aren’t well enough established to hold the soil together when you take the tree out of the pot, then this technique won’t work. Ergo, this technique is particularly good when dealing with potbound trees.

Before. A well developed Satsuki azalea in the wrong pot.

Cutting corners. Because you’re going from a rectangular pot to a round pot, you start by cutting off the corners.

Removing the bottom roots. In almost all cases, you want to remove the lower roots. This encourages roots to spread out rather than grow down; because the tree mirrors the roots, it encourage the above ground growth to spread, which is want you usually want with bonsai. Another reason to remove the bottom roots is to make more space to replenish the soil.

Want more?
Here’s the original post in its entirety.

A Steady Stream of Good Bonsai to Choose From…

A little ‘after’ effect from a David Benavente ‘before and after’ on facebook. My only comment is that we don’t normally feature lead trees with an unfinished ‘wrapped in rafia’ look, but this little tree is so sweet, so why not?

I just spent approximately 3 hours trying to decide on a post for today. Facebook, blogs, websites the whole e-catastrophe. Given that there’s a steady stream of good bonsai to choose from, sooner or later you have to surrender and just pick something. In this case, it’s David Benavente. He’s an old favorite and one of the very best.

 

A little challenge (don’t scroll down!). Any ideas about what to do with this one?

 

Another of David’s before and after series. Interesting how a simple (well, not so simple for most of us) reshaping of the crown has such a profound effect on the rest of the tree.

 

Here’s the tree above with its ‘before’ included. As you can see, some serious bending was in order.

 

Bunjin Scots pine. David’s answer to the challenge (above).