Simple Bonsai Beauty

This Brazilian Rain Tree’s lush, perfectly balanced canopy almost shimmers with life. It comes from Photos from Bursa Bonsai Indonesia. It was added by Budi Sulistyo. Budi is a well known Indonesian bonsai artist and author. I don’t know if the tree belongs to Budi or someone else (though I imagine someone will clue us in soon).

Another vacation resurrection (from March 2011). Thanks to our friend Jose Luis Rodriquez, we now know that the tree does in fact belong to Budi Sulistyo and that he grew it from a pencil sized cutting that he got in India, and that two years ago it was 15 to 20 inches tall.

It speaks for itself
This tree is strikes me as a good example of an unselfconscious naturalness that’s not always that easy to find. It looks like it just grew that way, no human hand necessary (except that it’s in a bonsai pot). The overall balance is right on, the trunk is strong and full of texture and movement, and the canopy speaks for itself. Bonsai perfection.

 

I just now (August 4th, 2013), found this Nia Buxifolia by Budi. Though, to my eye, it doesn’t quite express that same simple beauty as the tree above, still…

 

The Art & Science of Watering

b1junwateringThis drawing is from our Masters’ Series book; Junipers, Growing & Styling Juniper Bonsai.

Continuing with our mid-summer archival borrowing program, here’s a post that originally appeared way back in 2009. A perfect complement to this post is a post about summer misting (hamisu) by Michael Hagedorn.

The more you know about watering, the better.
Without timely, intelligent watering, any plant in a container is at risk. The more you know about watering, the better.

But first, a quick word from our sponsor: Check out our big Summer Book Sale at Stone Lantern. 20% to 25% off of our already discounted books.

b1shohingwatering

Photo from Shohin Bonsai by Morten Albek. Published by Stone Lantern.

Over the course of my twelve years as founder and partner of New England Bonsai (now a fading memory), the thing that most amazed me was how little most people knew about watering. Brown thumbs abounded.

This brown thumbed ignorance is, as ignorance does, always looking for easy answers. Don’t confuse me with valuable information, just tell me what to do. Or, in other words “how often do I water?” If this is your question, perhaps the best answer is: “how often do you drink a glass of water?”

Just a little plant science can go a long ways
Plants absorb most of their water and nutrients when the water content of the soil is around 20% to 50% of the available space. Available space is the space in the pot that is not taken up by solid matter. In other words, it is the space that can accommodate water and/or air. This space is found between soil particles and in pockets, holes and cracks within soil particles.

Skip this paragraph if you are easily confused:
Some sources use a percentage of total volume; if the soil takes 50% of the total volume and available space takes 50% (a pretty good ratio for bonsai soil), then you would say optimal water content is 10% to 25% percent of the total volume. This is the same as saying 20% to 50% of the available space.

If you water thoroughly, all the air is driven out of the available space. At that point the water content is 100% of the available space. If your soil drains properly, within a matter of moments, excess water will run out and the available space will contain a mixture of water and air.

Ideally, you want this mixture of water and air to quickly reach around 50% water and then slowly dry down to about 20% water. In other words, you want soil with excellent drainage and with good water retention at the optimal levels.

So, how often do you water?
How long soil holds water at optimal levels depends upon all kinds of things: your soil mix, size and type of pot, sun, heat, wind, temperature, time of year and health of the plant, to name a few. This goes back to the questions “how often do I water?” and “how often do you drink a glass of water?” You water when needed (when the soil is almost dry) and you drink when you’re thirsty.

Soak thoroughly when you water
In order to dispel all the old stale air and to assure the soil is thoroughly watered, make sure you soak the soil when you water.

Then wait until it’s almost dry to water again
To assure that the water/air mixture goes through the optimal range for water and nutrient retention, wait until the soil is almost dry before you water again (there are occasional exceptions, but that’s for another time).

Soil is key
So, for the two of you who have read this far, it should be clear that good soil is one of the keys to bonsai health. Without complicating matters by going into the numerous soils on the market, suffice it to say, if the soil you are using doesn’t allow for good drainage while providing some water retention at optimal levels, then it’s time to try a better soil.

Shooting The Magician at Night

Black pine in the black of night. From the collection of Masahiko Kimura (The Magician). All the photos in this post are from an El Tim Bonsai facebook photo album title KIMURA.

It’s still mid-summer vacation time and we’re still digging deep into our archives. This post is from September 2012. Our last post featured The Magician (Masahiko Kimura), so it looks like we’ve got a theme, at least for the moment. To amuse myself I changed the title from simply The Magician at Night to what you see above.

Shooting in the dark
It’s not too often you see bonsai photographed in the dark. In this case the effects are rather magical (no pun intended). If you look at the entire El Tim KIMURA album, you’ll see a bunch of photos of phenomenal bonsai that were shot during the day, followed by a few photos of phenomenal bonsai that were shot at night. The difference is striking, and though I like the day photos a lot, it’s the night photos that really got me.

Whose brilliant idea?
I wonder who came up with the brilliant idea to shoot at night. Kimura? The El Tim people? Someone else? Either way, hats off and thumbs up.

 

 

 

 

A younger version of this famous tree is on the back cover of The Magician.

 

Thanks to El Tim Bonsai for the great photos (and my apologies for some cropping on a couple) and of course The Magician, Masahiko Kimura for the great bonsai.

Kimura on the Rocks

The mature look. It helps to start with well developed trees. I think most of us would be happy to have trees like these Shimpaku as single bonsai, let alone as parts of group plantings.

Time for another summer rerun. Today I’m embarking on a trip to the other coast, so it seems like a good idea to continue our summer vacation series of resurrected oldies but goodies. This one is from last December.

Kimura’s rock plantings. These photos are all from a facebook posting by Alejandro Sartori that he took during a recent visit to Masahiko Kimura’s nursery. I’ve chosen to pick out some rock plantings from a much larger selection of Alejandro’s photographs of Kimura’s trees. I think they represent an aspect of Kimura’s revolutionary bonsai journey that may not be as familiar as some of his other bonsai, particularly his famous dramatic large bonsai that he sculpted using chainsaws and other power tools.

I believe that the rocks in these photos were constructed by human hands. Quite possibly even by Kimura’s famous hands. There is a chapter in The Magician, the Bonsai Art of Kimura 2 (right now all of our books are 20% to 25% off of our regular discounted prices, so the time is ripe) that shows how to construct a layered vertical rock. The second photo down features one of these.

By the way, all of the plantings shown here are root-on-rock style as opposed to root-over-rock style.

 

Are these trees Hinokis? It’s hard to tell for sure, but that’s my best guess. It’s also hard to tell the size of this planting without something to contrast it with, though you might imagine that it’s quite large. My guess is that the pot is somewhere around 30 inches (76cm), which would make the planting about 40 inches (100cm) across, but that’s just a guess.

 

Another Shimpaku planting. The trees aren’t quite as developed in this one, but they’re still pretty good. It’s fairly easy to see that the rock was constructed in layers. There’s an excellent chapter in The Magician, the Bonsai Art of Kimura 2, where he shows how to do this.

 

I like the way the trees (Hinokis again?) grow straight up along the side of rock on this one. This serves to help create a dynamic sense of vertical movement (something like that anyway). This is further enhanced by the way the crown of the rock reaches up to the sky.

 

The eccentric. I think this one is the most unusual of the lot. Perhaps a big part of that unusual feel is the distinctive shape of the rock. In contrast to the planting immediately above, these trees (Hinokis again?) create a whole different feel by growing down and away from the rock.

Summer Book & DVD Sale

Our Summer Book Sale even includes our already discounted sets like this recently back in print
SET OF 3 HASKILL CREEK BONSAI BOOKS

SUMMER BOOKS SALE 20% TO 25% OFF ALL BOOKS & DVDs

(off of our already discounted prices)

sets count as 1 book

final discounts will show up when you check out

 

Sale includes all of our books including our most popular book
MASTERS’ SERIES JUNIPER BOOK

list price 29.95, our regular discounted price only 19.95
with our 20% discount YOU PAY ONLY 15.96
only 14.96 if you buy 6 books  (sets count as 1 book)

 

SET OF 5 STONE LANTERN BONSAI CLASSICS

The total retail price is 144.75. Our current deeply discounted price is only 59.00 for the set.
with our 20% discount YOU PAY ONLY 46.40,
only 44.25 if you buy 6 books (sets count as 1 book)

 

Set of three Bonsai DVDs
Retail 79.85. Our current discounted price is only 48.00 for the set

with our 20% discount YOU PAY ONLY 38.40
only 36.00 if you buy 6 books (including DVDs – sets count as 1 item)

Fall Transplanting: Pros & Cons

Time to repot. Morten Albek intentionally broke the pot to show this Cork bark Japanese black pine’s dense root mass. From Morten’s book, Shohin Bonsai (Stone Lantern Publishing).

This post originally appeared in August 2009 (Bonsai Bark’s first year, which means we are now in year 4 going on year 5). I’m still in the midst of mid-summer semi vacation time, so we’ll continue to dig through some old posts to see if we can find anything useful. In this case, fall is just around the corner for some of us (sadly), so why not discuss fall transplanting? BTW: I’ve done a little editing and added a few words to the original.

Why transplant in the fall?
Most plants experience strong root growth in the fall. Soil retains some of the day’s warmth at night, so root growth may continue well beyond what you might expect.

Also, when you transplant in the fall your trees can take full advantage of the next growing season. If you transplant in the spring (that’s when most people do it), by the time the tree recovers, you’ve lost part of the growing season.

Why not transplant in the fall?
If you have an early winter and your bonsai haven’t fully recovered from transplanting, then you risk serious damage (or worse). If you rootprune heavily, the risk goes up. If you live in a cold climate and you want to play it safe, fall transplant only those trees that need light to moderate root pruning.

 

B1SATrootprune

Doing some light rootpruning. From Robert Callaham’s Satsuki Azaleas, for Bonsai and Azalea Enthusiasts (Stone Lantern Publishing).

When?
When to transplant depends mostly upon where you live. There are other considerations too, like the type of tree, the health of the tree, your experience and confidence, and how much you need to prune the roots.

A rule of thumb
Six weeks before you might expect an early hard frost, is a pretty good rule of thumb for fall transplanting. However, you can’t be too literal about this. Prolonged late hot spells need to be considered (here in northern Vermont, where summers are often quite mild, this is usually not a problem). How much you need to rootprune and the type of tree also need to be considered.


BT17washroots

If the soil is old and compacted you may need to remove it all (Bonsai Today and other sources are full of examples of this, but some very knowledgeable people say that this can be a very high-risk procedure). If you do embark on this path, a hard steam of water and the right roots tools are the best way to get it all off. Because the roots are so compacted, you’ll need to do some serious rootpruning. Unless you are an old pro, you might be better off saving heavy rootpruning for spring transplanting. The photo is from Bonsai Today issue 17.

The type of tree matters
Deciduous trees need special consideration as you don’t want to rootprune when they have a full canopy of leaves. Conifers, especially junipers, and broad leaf evergreens are usually safest for fall transplanting, though there are variables here too. If you need more information, try to talk to someone knowledgeable who lives in your area.

Don’t forget aftercare
After transplanting your margin of error goes down, especially with watering.

 

Great Bonsai Events & Only 2 More Days for Your FREE Bonsai Items

This remarkable old pine is from Exhibitons and Awards on Bjorn Bjorholm’s Bjorvala Bonsai Studio website. Bjorn is the headliner at the 36th Annual Mid-America Bonsai Exhibit (see below).

FREE! Only two more days (today and tomorrow) for your FREE Bonsai Items

 

FREE! Three of the seven FREE items that we are offering. All you have to do is place an order with Stone Lantern for at least 25.00 AND put FREE in the comments box when you check out. Details are here.

FREE ADVERTISING! Would you like to see your bonsai event featured here? If so, just send me a notice with a link to the event. That’s it. But remember, no link, no show. My email is wayne@stonelantern.com. You might also want to mention the event (with or without a link) in the comments below.

 

Aug 16 – 17: 36th Annual Mid-America Bonsai Exhibit by the Midwest Bonsai Society. The  guest artist is Bjorn Bjorholm a talented American apprentice at Keiichi Fujikawa’s Kouka-en bonsai nursery.

 

Sept 7 – 8: Bonsai Bash at Greenwood Bonsai Studio. It’s hard to argue with a free large yamadori demo by Corin. BTW: Greenwood is, among other things, one of three places in the UK that offers our Stone Lantern Bonsai Books.

 

 

Sept 12-15: For the Love of Bonsai. This looks like a good one. It features, among other things, an excellent group of bonsai teachers and demonstrators including Enrique Castaño and Andy Smith (we have a ulterior motive for mentioning these two).


A collected Black Mangrove (Avicennia germinans) that happens to be the cover tree Botany for Bonsai by Enrique Castaño. Enrique is one of the headliners at For the Love of Bonsai (above).


This Mountain hemlock with fern is by Michael Hagedorn, one of North America’s premier bonsai artists. Michael is a headliner at the South Africa Bonsai Association Convention.

Oct 24 – 27: South Africa Bonsai Association Convention 2013 is being hosted by Eastern Bonsai Societies (EBS) and features our Michael Hagedorn, the inimitable Walter Pall and Rob Kepinski.

 

Oct 31 – Nov 2: Golden State Bonsai Federation Convention XXXVI—Bonsai Artist Studio: OUTSIDE THE BOX. I think you’ll kick yourself if you miss this one. Especially if you live within a few thousand miles of Los Angeles (most def if you live within a few hundred miles). A very big part of the reason why is the impressive list of headliners: Dave DeGroot, Suthin Sukosolvisit, Peter Warren, Mauro Stemberger, Kathy Shaner, Tom Elias and Sean Smith.

 

Nov 30 – Dec 1: Eda Uchi Kai Bonsai-Ten 2013 in Belgium. I know most of you can read Flemish, but just in case, here’s something in English about what promises to be a great bonsai event. The headliners are Kevin Willson (UK), Enrico Savini (IT), François Jeker (FR), Márcio Meruje and Viriato Oliveira from Portugal.

 

August 2014: Sunrise on Australian Bonsai. Planning ahead just a bit. This looks like a good one with some world-class headliners. We’ll say more when it gets a little closer

 

October 2014: Planning even further ahead. I’m already excited about next year’s International Bonsai & Culture Biennale. I’ve long wanted to visit Indonesia and now I have no excuse. As an extra plus, our friend Robert Steven is the driving force behind this one (his show website is under construction, but meanwhile you can visit the Internet Bonsai Club for details).

Highly Unusual & Strikingly Beautiful

 

This Hinoki forest is from the Redwood Empire Bonsai Society’s 2009 Annual Show. It’s a very unusual planting and quite compelling in its naturalness. I’ve come across spruce groves while hiking in Vermont and New Hampshire that look something like this. You find them near the mountain tops, where the harsh climate causes the trees to dwarf and huddle together. These little forests of dwarf trees with their lush moss carpets and time worn rocks, can evoke a peaceful almost other worldly feeling when you stumble across them.

The photo and caption above are from a Bark post way back in 2010. A couple things I didn’t mention at the time are the canopy and the pot (the artist’s name also wasn’t mentioned, but that’s because it wasn’t on Redwood Empire’s site).

It’s hard to miss the canopy’s lush luminous emerald green color. This is characteristic of Hinoki foliage in general, but this variety (I suspect it’s a Chamaecyparis obtusa nana compacta) is particularly luminous. And then there’s the soft rolling texture and shapes that are also characteristic of the species and particularly this variety. All this comes together to create an overall effect that is both highly unusual and strikingly beautiful. Finally, there are the small holes that provide glimpses into the trees. Maybe a few more of these would have been better, but who’s to complain?

Then there’s the pot. Briefly, it’s expensive, beautiful and perfect for this planting. If I had to guess I’d say it’s unglazed with a burnished finish that is characteristic of at least one of the Tokoname kilns.

 

This photo is also from the Redwood Empire Bonsai Society’s 2009 Annual Show. It’s Jim Gremel’s now famous Blue Atlas cedar. Not surprisingly, it too has previously appeared here on Bark (though not with this scroll and stand).


A Penjing Pioneer

Windswept Japanese white pine tray planting by Zhao Qingquan. I think the wind in this case, is a gentle but persistent on shore breeze.

I think the two best known Penjing artists in the world are Zhao Qingquan and Robert Steven (Robert refers to what he does as bonsai rather than penjing, but to my eye many, if not most, of his bonsai show strong penjing qualities and he is certainly one of the world’s authorities on the art and history of penjing). We’ve featured Robert numerous times here on Bark (his critiques are quite famous by now) but we’ve seldom featured Zhou (here’s a post that features his wonderful book, Penjing, The Chinese Art of Bonsai), so it’s time to give him his due.

All but one of the photos shown here are borrowed from The Art of Bonsai Project (it’s easier than scanning them from Zhou’s book). We’ve included a quote (below the next photo) that I think captures something about Zhou’s plantings.

 

This photo is by Robert Steven. It was taken at the recent BCI Convention in China appears in Bark post from a couple months ago. There’s a photo of this tree with leaves in Zhou’s Penjing, The Chinese Art of Bonsai.

The following quote (lightly edited) is from The Art of Bonsai Project

“Qingquan ‘Brook’ Zhao is one of the best known penjing artists to Western audiences, and rightly so. Zhao has pioneered the land-and-water form of penjing, in which quiet microcosms of the natural world are sculpted from rock, soil, and trees, usually on a marble slab. Bringing together a staggering talent for placing stones, a sensitive eye for natural beauty, and a mastery of tree penjing, Zhao creates marvelous plantings that capture the imagination of young children as deftly as they win the admiration of experienced penjing artists. Zhao does not restrict himself to land-water penjing; he also creates expansive landscape penjing that are dominated by natural rock formations, and graceful tree penjing. Zhao’s book, Penjing: The Chinese Art of Bonsai, shows additional examples from all three styles.”

 

This remarkable Japanese maple planting shows a refined yet natural sensibility. It’s just a little fuzzy, but still, it’s hard to miss Zhou’s sure eye and deft touch.

 

This Chinese elm tray planting with its contrast in the size and apparent age of the trees, creates a powerful connection with both time and space.

 

This Japanese white pine looks as though it might have been done a bunjin artist from Japan. Still, there’s something Penjing about it.

 

Penjing, The Chinese Art of Bonsai is, without a doubt, the best English language penjing book (in or out of print).

 

Hot Bonsai – Mid Summer Year Round

I like the fluidity of two main trunks and the contrast and depth that the third trunk provides. I also like the way the deadwood (shari) has been darkened to contrast with the light colored live wood. My only question is; why such a deep pot? We’ve shown this tree before, but for some reason I can’t find it right now. I looks a lot like a tree that Lam Ngoc Vinh would do.

Here’s another rerun (from August 2011) for your enjoyment. There are two good reasons for this; first, it’s about tropical bonsai and so far this summer feels a lot like the tropics here in Vermont and in much of the U.S. – at least those humid parts east of the mighty Mississippi. The second reason is related to the first. It’s hot, there’s no air conditioning in our office and I’d like to get out of here soon rather than sit here and work up a brand new post. But don’t worry, as soon the temps drop down to the low 80s (F), I’ll get back to it.

Vietnam anyone?
All the photos in this post are from a Vietnam Bonsai Tour site. I’m not sure that these photos reflect the most cutting edge (so to speak) bonsai in Vietnam, but they do provide a little glimpse into the art of a tropical hotspot.

 

Massive trunk, great taper. Looks like a Ficus. Do you think it would look better in rounded pot?

 

Shadow dancing.

 

A fairly ordinary tropical bonsai in an unusual (and shallow) pot. Another Ficus?