NEW Book: Keshiki Bonsai – Or Is It?

Not all Keshiki look so much like what we call bonsai. Photo from Keshiki Bonsai.

Keshiki Bonsai, The Easy, Modern Way to Create Miniature Landscapes by Kenji Kobayashi
Here’s some of what whoever wrote the copy on the inside cover has to say about Keshiki Bonsai: In this dazzling book, Kenji Kobayashi – the modern master who invented keshiki bonsai – presents projects that range from utterly simple domes of emerald – green moss to subtle combinations of small trees, perennials, and stones. The materials are basic and easy to find, and each project can be interpreted to suit your own tastes.

 

I think it’s safe to say that this is a book for people who want to enjoy some of the pleasures of bonsai without going to too much trouble. As I thumb through the pages, here’s a few thoughts that come to mind by way of description: part insta-bonsai, part companion plants, part saikei, part beginner bonsai, part folk art and part a simple craft almost anyone can do (it looks like a natural for children). No real training in bonsai is necessary. Nor is much knowledge of plants or artistic sophistication for that matter. Though just as with bonsai, it certainly doesn’t hurt.

Beyond all that, it looks like fun. The kind of fun that might be easy to dismiss for those of us who are serious practitioners of the art of bonsai, but still fun, nevertheless. Beyond simply fun, I suspect that, just like with other creative endeavors, the more you do it and the longer you look into it, the more possibility for genuine expression you’ll discover.

Keshiki Bonsai
by Kenji Kobayashi
Paperback, 7″ x 9.5″ (240 x 180 mm)
176  pages,  536 color photos

list price 19.95
Special 13.95 at Stone Lantern

 

Visit Stone Lantern for a complete selection of Bonsai Books

Luminous Fruit

Is this a persimmon with exotically shaped fruit? Aside from the luminous fruit, beautiful antique looking little pot and distinctively twisted trunk, it’s also hard not to notice the spots on the leaves. No matter, I still love it.

Katsumi Komiya. I found these images by Katsumi Komiya on facebook. I’m traveling right now, so I can’t verify this, but I believe Mr. Komiya appears in an old Bonsai Today issue. I’ll check out my back issues when I get home and let you know.

If you’ve ever tried to grow fruiting bonsai, you know that getting such perfectly healthy, beautiful fruit to grow and stay on your little trees is no mean feat (birds, wind, insects and other problems will surely conspire against you). Especially on such small trees (Shohin bonsai) like the ones shown here.

 

Another very sweet little tree with luminous fruit and a great pot. I think I can say with complete confidence that it’s a crabapple.

 

Another little gem in a great pot. Looks like a quince. The size of fruit brings up an interesting point; you can dwarf leaves by defoliating, allowing the roots to become pot bound, etc, but you cannot dwarf fruit on an individual tree (you can dwarf fruit genetically, but that’s another story). Thus the very large fruit on a very small tree.

 

Another quince? At a glance I though those little red things were fruit, but now, on closer examination, I’d say they look a lot like little quince flowers.

 

Most def another crabapple in yet another great pot. The tiny tree makes the two little apples seem huge.

 

Getting It Right This Time

Is it just me, or does this spectacular tree feel like it’s just barely clinging to the pot? My eye keeps returning the highest point on the right where the trunk and soil meet and questioning whether it will hold. I guess that tension is one of the many things that distinguishes this remarkable bonsai.

Getting things right the first time is better, but… Two days ago I posted some trees I found at Bonsai Center Sopelana and  titled the post ‘Bonsai from the Basque Country.’ Had I paid more attention I would have noticed that the trees are from the bonsai exhibit at the Museo Bonsai de Alcobendas in Madrid. Bonsai Center Sopelana is in Basque country, but that’s a poor excuse for getting things so wrong.

Here’s what Nuno Encarnação (the gentleman who so kindly pointed out my error) said in the post’s comments:
“These are all from the bonsai exhibit in Museo Bonsai de Alcobendas in Madrid. This exhibit is the most important bonsai exposition in Spain and one of the three main exhibits in Europe along with Noelanders trophy in Belgium and UBI in Italy.”

The Museum has also an amazing permanent exposition with some impressive Mediterranean species and imported Japanese trees, some of which were previously worked on by such masters as Kobayashi and Kimura. The beech shown in this post is from the permanent exhibit.”

Getting it right this time. The trees shown in this post are from the Museo Bonsai de Alcobendas in Madrid. The photos are all courtesy of Bonsai Center Sopelana.

Great nebari, great trunk, good branching and phenomenal color. It’s a Japanese maple. I won’t bother to guess the variety.

 

I think this is the third Hinoki cypress we’ve featured in the last week or so. Unfortunately, you can’t see the trunks and much of the rock in this photo, but you can see the lovely Hinoki foliage and the tree’s well balanced, dynamic flow.

 

I guess this is a Zelkova (leaf size) though the color of the bark looks beech. I suppose I could do some research, but I’ll settle for the usual flimsy excuse about being too busy.

FREE & Almost Free

An earlier version of this gnarly little Honeysuckle appears in Morten Albek’s excellent book, Shohin Bonsai, Majesty in Miniature and on the cover of Bonsai Today issue 105.

FREE Shohin Bonsai Book
Morten Albek’s famous Shohin Bonsai, Majesty in Miniature is now free if you place an order for at least 40 dollars at Stone Lantern (if, and only if you put the word FREE in the comments box when you check out). As far as the ordering part goes, that’s easy and a good idea. Not only will you find one of the largest selection of bonsai books, quality bonsai tools, and related items including a slew of bonsai wire at Stone Lantern, you’ll find them at the very best prices anywhere. Really.

FREE Magician, The Bonsai Art of Kimura volume 2 and Shohin Bonsai books
If you place an order for at least 100 dollars you’ll receive The Magician and Shohin Bonsai completely free (if, and only if you put the word FREE in the comments box when you check out). We won’t even charge you for the extra shipping costs.

ALMOST FREE Bonsai Magazines
Bonsai Today back issues are now 75% off. This may not be completely free, but it’s three quarters of the way there.

Don’t forget to put FREE in the comments when you check out! FREE giveaway ends Sunday November 25th.

Bonsai from the Basque Country

Rather than focus on the more obvious features on this magnificent two headed pine, it might be interesting to take a look at the low foliage that reaches down and touches in front of the base of the trunk. Though you might be tempted to remove it and show better show the base of the trunk and the line to the right, still, I think it serves to help bring the eye back to the tree’s balance point, rather than jumping back and forth between the two very strong competing halves of the tree. Another way of approaching this is, if your place your eye at the center of the tree and then you relax your vision (look out from the back of your eyeballs) then you can clearly see the whole tree at once.

Bonsai Center Sopelana. The four trees in this post are all from Bonsai Center Sopelana in the Spanish Basque country (from their website and their facebook photos). Most appeared quite dark on my screen, so I took the liberty of lightening them up a bit. Either way, they are all excellent bonsai. So excellent in fact, that I downloaded several others that we’ll feature soon.

Update! “These (bonsai) are all from the bonsai exhibit in Museo Bonsai de Alcobendas in Madrid.” Courtesy of Nuno Encarnação.

The whole bottom part of this bonsai; the pot, the moss, the nebari and the scar in the trunk make for a beautiful picture and provide a nice contrast with the colorful top of the tree.

 

If you hike up to near the tree line in certain places in New Hampshire’s White Mountains, you might see much larger trees that look a lot like this; windswept with lots of deadwood, though they’re mostly Red spruce and Balsam firs, while this one looks like it might be a yew (it’s hard to tell for sure).

 

This bunjin style tree has a number of idiosyncratic feature that come together into a surprisingly balanced, dynamic tree. A couple things that caught my eye right away; the little deadwood curlycue that’s stacked up where the trunk turns right, the branch that performs a full loop and then appears to split into the two branches that hang down to just above the curlycue and the distinctively patterned deadwood (shari) that runs most of the length of the trunk (this includes the curlyque). There’s more, but enough said for now.

Thematic Incoherence & Embarrassed Apologies

Continuing with Bonsai Today, this gorgeous, sinewy New Zealand tea tree (Leptospermum scoparium) appeared on the cover of issue 96 (still available and 75% off). Not much more needs to be said about this one (it speaks for itself), except maybe to comment on the variety. Though you may occasionally see a New Zealand tea bonsai, in general they are not that common, at least here in the Northern Hemisphere. But, even if you have seen them before, I’ll take a wild guess and venture that you have never seen one quite like this.

Thematic incoherence. This post is a bit of a grab-bag with a marked thematic incoherence. Usually, I’ll have a theme in mind or one will emerge as things unfold, but no such luck this time. Now it’s time to move on to the next task, so I guess we’ll just have to take this one as is.

 

Embarrassed apologies. Do you think that this tree would be more natural looking (and less unusual) without the jin at the top? Either way, I think its clean simple lines combined with the feeling of age imparted by the bark and the taper of the trunk, make for a very lovely tree. The bad news is that I seem to have forgotten where I found it. This is particularly embarrassing as I often make a bit of a deal about the importance of attribution. So my apologies to the bonsai artist that it belongs to. I hope someone recognizes it and sets the record straight. Got it! Thanks to Rasto Moravik (see comments below) we now know that the artist is Piotr Czerniachowski and the tree is a European larch (Larix decidua).

 

Suddenly it’s Hinoki time. We posted another (much larger) Hinoki cypress (Chamaecyparis obtusa) recently. This one is a Shohin from John Romano’s facebook. Aside from being a little over-potted (for show at least), it has the right stuff, especially its time-tested look and the fluid line of the trunk. Shohin (small bonsai) usually can’t compete with larger bonsai when it come to development, but this one does a pretty good job.

 

You can do this. In our last post I said this about ramification: “…detailed development is still somewhat rare in Western deciduous bonsai, but quite common in Japan.” Just in case you need another example, this Trident maple from Peter Tea Bonsai blog will do nicely. In Peter’s own words: “Here’s an example of a Trident Maple that has been grown and developed at Aichien. This tree is about 50 years old. The main branches took several years to develop and the densely ramified branches took over 10 years to develop.”

He thinks not. Speaking of Peter Tea, his latest post is titled The End? I Think Not! No spoiler here, you have to see for yourself.

 

Francois Jeker visited Rosade Bonsai Studio right after Hurricane Sandy dropped by. Though it has been a while since we featured Francois, I’m a big fan of his bonsai (especially his carving) and his excellent one-of-a-kind book.

Selling Out & Going Fast

This gracefully flowing Hornbeam is from Bonsai Today issue 94. It seems to me that deciduous bonsai are somewhat under-appreciated and under-explored in the west. Along those lines (so to speak) you might notice the near perfect taper from the base of the trunk out to tip of each twig. This level of detailed development is still somewhat rare in Western deciduous bonsai, but quite common in Japan.

Bonsai Today issues are now 75% off. We just increased the discount to 75% off on Bonsai Today back issues. In case you’re not familiar with the wonders of Bonsai Today, each issue is a treasure trove of gorgeous world-class bonsai and detail bonsai instruction by the old and not-so-old bonsai masters.

They’re going fast. We just sold out issue 55 and 61. Of the original 108 issues we now have only 39 left. Once these are gone, that’s it. Don’t wait to get yours.

A piece of a how-to article from issue 99. This level of graphic detail is typical of Bonsai Today.

A magnificent Flowering apricot graces the cover of Bonsai Today issue 94, one of the 39 issues still in stock. One of the many great things about Flowering apricots (aka Ume and Prunus mume) is how rapidly they develop aged-looking bark. Though it’s difficult to say how old this tree is, I wouldn’t be surprised if it’s much younger than it looks.

A Man With a Mission (and a Vision)

This calligraphic bonsai seems perfectly balanced between stasis and movement (something like that anyway). The relationship of bonsai to calligraphy goes way back to the old Chinese masters. Not only is Robert Steven an artistic heir to this tradition, but he is also an expert on the tradition and its history.

This post features five trees that I grabbed from a Robert Steven gallery on facebook. Two things immediately jumped to mind when I first saw them: one, Robert just keeps producing top-notch bonsai, and two, these are undeniably Robert’s trees. If you’re familiar with his distinctive touch and vision, you’ll recognize his bonsai from a mile away.

I’d like to apologize for my failure to identify the species of the trees shown here. Robert didn’t list them with the photos and I’m a little pressed for that valuable and elusive non-thing we call time, so won’t bother to do the research. I could guess on most, but if you’ve been paying attention you may have noticed the limits of my talent for plant identification. If you are inclined, you’re more than welcome to bug Robert (in the comments below). He seems to have near limitless patience and an uncanny ability to find the time, so he will reply.

 

A perfect truce between nature and a talented human (you could say that nature’s lack of concern for formality is expressed by the untamed deadwood, and the human sense of order is expressed by the well-balanced flow of the foliage… or you could ignore my overly active imagination and just enjoy the photo).

 

Broken pot and uninteresting tree? No problem in the hands of the right person.

 

Oh so wild at the top and oh so tame at the bottom. In case you’re in a hurry and haven’t noticed… this is a truly magnificent cascading bonsai. A tree well worth a long slow look.

 

So much is expressed here: twin trunks in two different styles (informal upright and slanting), root-over-rock and a wonderful sense of balance, age and elegance. Another masterpiece by Robert Steven.

The Vision and the Mission. Want to create more dynamic and beautiful bonsai? Robert’s wisdom and skill as expressed in these two classic books have inspired thousand of bonsai enthusiasts around the world. Now on special at Stone Lantern.

 

Finally! A Very Good Start

Shimpaku juniper by Suthin Sukosolvisit.

I’ve been waiting for years for Suthin Sukosolvisit to update his website and finally the wait has paid off. Well, sort of… Suthin’s classy looking new site is a very good start, but only two of Suthin’s world-class bonsai are featured so far (the two shown here). I’m hoping we don’t have to wait much longer to enjoy more of Suthin’s magnificent trees.

Just in case you don’t know who Suthin (pronounced Su tin, BTW) is, well… in no uncertain terms, he is one of the world’s foremost Shohin bonsai artists (and a foremost bonsai artist altogether) and no doubt North America’s foremost shohin artist. If you don’t believe me, check out his Shohin displays in the U.S. National Bonsai Expedition Albums.

This heafty gem by Suthin is a Hinoki cypress (Chamaecyaris obtusa). One of the relatively few world class Hinokis in existence, at least as far as I know (Hinoki must be one of the very best, least-used trees for bonsai). As you can see (sort of) in this photo, its elegant fan-shaped foliage is a vivid emerald green.