Restyling A Stubborn Old Tree

An old RAF Scot’s Pine after restyling by Bill Valavanis. The before photo is below.

Radical measures
This restyling took place at Bill Valavanis’ Open House last weekend. It provides an excellent lesson in dealing with an old tree with defects that require radical measures to correct.

In Bill’s own words
Here’s part of what Bill has to say about this restyling:
“The first two branches are very heavy and needed to be lowered. Before lowering they were wired so they would not be disturbed after lowering. There are several different methods for lowering the heavy branches. I used a sharp Masakuni bonsai chisel and made a cut on the upper part of the branch. After pulling the branch down, several small stones were inserted into the cut to keep it in the desired position. This was instead of using guy wires. Then Japanese Cut Paste was put in the crack filling in the hold and small rocks. Then, small pieces of bark were pressed into the Cut Paste.” Here’s the whole article.

 

Before. Nice trunk and bark, but the branching needs some serious work.

 

This cut will serve two purposes: first, it will make it easier to lower the branch, and second, it will provide a place to insert stones (yes, stones) to keep the branch from popping back up.


After the stone have been inserted, cut paste covers the wound. Bill doesn’t say what the other cut paste (on the right) is for, but you might surmise that it’s for repairing damaged bark (there’s also some on the trunk).


After. You might notice that, in addition to lowering the first branch, the apex has also been lowered. These changes, combined with a general pruning and wiring to better balance and open up the tree, make for a dynamic restyling.

While we’re discussing pines
Our Masters’ Series Pine Book is back in print.

More Than $1,000 In Prizes

This Nick Lenz pot is being donated by Todd Hansen of Sanctuary Bonsai. It is one of many prizes that will be awarded to entrants in our $1,000 (plus) Bonsai from Scratch Contest. Pot dimensions: 16 1/2″ x 13″ x 2″

Donate and your fame will spread like wild fire
If you donate a prize for our Bonsai from Scratch Contest, your name (and your business name) will be listed with links in the following places (at least two times each): Bonsai Bark (average 1,800 over 800 visitors per post) and our Stone Lantern Newsletter (over 8,200 recipients). Please contact me if you are interested: wayne@stonelantern.com.

There’s more
Just to be clear: Stone Lantern is offering $1,000 in gift certificates to the winners. In addition to this, there will be a number of other prizes offered by people like Robert Steven and Todd Hansen (and perhaps you?).

Running out of time
We are still receiving entries to the contest. If you would like to enter, don’t wait. The deadline to submit your final photos of your work is October 15th. This means the photos of your untrained stock plant must be received before that time. The details for entry are here.

 

For you enjoyment (but not exactly from scratch). This larch is by Nick Lenz (so is the pot at the top of this post). It’s from Candy Shirey’s bonsai collection (apologies to Candy for misspelling her name in a previous post).

 

 

From Ordinary To Sublime

Robert Steven’s digital simulation of a tree that was submitted by Josua.

The eye of a master
Sometimes Robert Steven’s simulations are strikingly radical and completely unexpected. In this case, what Robert has presented isn’t so radical. You might even say, his improvements are fairly obvious. Still, obvious or not, Robert’s expert eye and touch always seem to elevate the trees from ordinary to sublime.

 

The tree on the left was submitted by Anthony. The one on the right was submitted by Josua. Both are ficus.

Robert’s Critique

I put these two bonsai together for my critique and as they are both Ficus. My simulation is for Josua’s tree, but I believe Anthony will also learn from it.

Anthony’s tree is still immature; the ramification (branching) needs to be developed. No matter how old or well developed the trunk appears, if the ramification is not ideal, it will never look like a mature tree in nature. From the initial form, I can also tell the “textbook mind set” with the 1-2-3 branching rule and apical crown which does not portray the character of ficus (or a deciduous tree) which should be wide spread. The aerial roots are also messy.

For Josua’s tree, the basic features of the trunk and aerial roots are nice, they show the character of an old ficus, but the crown is too small, too round and too neat. This creates an artificial look. The pot is also too deep which distracts the tree from the overall composition.

In order to portray a large old ficus in nature, the crown should be much wider: with uneven foliage edges. This will give the tree more natural look. The ramification still looks rather messy and too dense, it should be further refined and simplified. This especially applies to the twigs. If you do this, your bonsai will look neat and clean with sufficient spaces which also good for the lights to get through. A shallow pot will improve the tree’s presentation as you can see in the simulation.

General comments
There is more than one way to design any bonsai and my critiques and recommended solutions might not always fit your taste and personal preferences, but I always try to give my opinion based on artistic and horticultural principles.

To understand my concepts better, please read my books Vision of My Soul and Mission of Transformation which are available at Stone Lantern.

Playing with Shadows & Light

Boon Manakitivipart. Western juniper debut with Jalaluddin Din.

Bonsai Boon
All the photos shown here were posted on facebook by Boon Manakitivipart
. Boon is a well-known American bonsai artist and influential bonsai teacher. You can find more about Boon here.

Shadows and light
I like these photos. Not only are the bonsai quite intriguing, but the photos offer something you don’t see that often; bonsai photography with an artistic flair. The one possible downside is that the play of shadow and light sometimes makes it a little harder to see some of the details on the trees. On balance though, I think it’s worth it.

Sierra juniper. Boon Manakitivipart with Jalaluddin Din. Western juniper and Sierra juniper are sub-species of Juniperus occidentalis.


Boon Manakitivipart, Ume (Flowering apricot).


Stepping back a bit.


Boon Manakitivipart. Taiwan juniper with Jalaluddin Din.


Boon Manakitivipart. Members’ choice award – large conifer with Jalaluddin Din (I guess the ‘large conifer’ is in reference to the award, as the tree is clearly a juniper of some sort).

 

Mystery Bonsai Contest

Tree number 1. This one’s a mystery to me.

Win a $100 gift certificate
The first person to identify the artist and the species of all 6 trees will win a $100 gift certificate to Stone Lantern. If no one identifies all six, then the first person to identify five of the six will win an $80 gift certificate to Stone Lantern. If the winner identifies only 4, then the prize is a $60 gift certificate to Stone Lantern (and so forth).

Email you answers to me!
wayne@stonelantern.com. Answers posted in comments below WILL NOT BE CONSIDERED!

Contest end September 30th, 2011
No entries will accepted after Sept 30. If someone properly identifies all six before the 30th, the contest will end at that time.

 

Tree number 2. I know this one.


Tree number 3.  No clue on this one.


Tree number 4. Think archives.


Tree number 5. Hint: it’s a shohin.


Tree number 6. Tropical beauty.


 

 

At Bonsai’s Edge

Mosses etc in a stone container. All the photos in this post are from Moss and Stone Gardens.

If it’s in a bonsai pot
You can plant almost anything in a bonsai pot. If it’s woody, you can call it a bonsai. If it’s not, you can call it a companion or accent plant; a planting that’s designed to enhance a bonsai display. Or it could be designed to stand on its own, in which case you can call it a kusamono (for more on this, you can check out Willi Benz’ Bonsai, Kusamono, Suiseki, or this earlier post). No matter what you call it, you might come to the conclusion that, if it’s in a bonsai pot and it’s alive, it’s either bonsai or it’s related to bonsai.

Moss and Stone Gardens
When I recently stumbled upon the Moss and Stone Gardens website, I immediately recognized a kindred spirit. Not only are moss and stones are often incorporated into bonsai, but moss and stone gardens seem to fit with bonsai in more general, aesthetic ways. This is especially true when they are arranged in bonsai pots, but even beyond that, well-done moss and stone landscape gardens seem to have a natural connection with our bonsai sensibilities.

I this a type of bonsai? It’s in a bonsai pot (a cheap unattractive bonsai pot at that) and it even sports a little juniper. Or would you call it a type of penjing? Or saikei? Or…?

 

This bonsai pot suits this lichen, fern and moss planting very well.

 

A cornucopia of mosses in undulating, free form pot that may or may not have been designed for bonsai.

 

Moss and lichens (and maybe something else) in a well-chosen bonsai pot.

 

A seductive piece of an outdoor moss and stone garden.

Moss milkshake
Got moss? If not, you might want to try a Moss Milkshake.

Some discounted books on the subject
Moss Gardening (retail 34.95, Stone Lantern’s deeply discounted price 17.97)
The classic Bonsai, Kusamono, Suiseki by Willi Benz (retail 29.95, our low price 17.97)
Saikei and Art (retail 39.95, our deeply discounted price 7.99)

Attractive bonsai pots at attractive prices
Stone Lantern now offers a quality selection of attractive bonsai pots.

 

 

http://www.mossandstonegardens.com/blog/dish-gardens/

http://www.usna.usda.gov/Gardens/faqs/Kusamono.html

 

A Bonsai Snapshot in Time

One of the famous old ’Chabo-hiba’Hinoki cypress (Chamaecyparis obtusa, Chabo-hiba) at Boston’s Arnold Arboretum. This one was dates back to 1787 and it looks like it’s still in the original pot.

Snapshot in time
The Larz Anderson Bonsai Collection (the first bonsai collection in North America that is still living), resides in Boston at Harvard’s Arnold Arboretum. Aside from the fact that it’s very old and the trees (some of them, at least) are still alive, this collection represents something quite unique; a living snapshot of Japanese bonsai from 100 years ago. Well almost; nothing living is static and the trees shown here are no exception. Over time, they continued to grown and mature and were pruned and repotted by a long line of curators. Still, as far as I know, no major restyling has taken place since the collection arrived in Boston in 1913, and much of the original look and feel of the trees remains from that time.

The Remarkable Journey of the Oldest Bonsai in America
If you’d like to dig into the history of the Larz Andersen collection, I heartily recommend this excellent article by Peter Del Tredici, former curator of the collection. You could also check out this Bonsai Bark post from last year, or, best of all, you could visit the Arnold Arboretum. It’s a trip worth making for anyone who loves trees, large or small.

 

Another old ’Chabo-hiba’Hinoki cypress in a well-chosen modern pot. Some of the pots have survived to this day, but many were lost due to freezing.


Japanese maple cultivar in fall color (though I like the choice of pots on the other trees shown here, I’m not so sure about this one).


Japanese white pine.


A piece of one of the original Hinokis that was saved after an uninvited split in the trunk. For the whole story see Peter Del Tredici’s article.

 

Slanting Hinoki cypress.

 

Stolen Bonsai

This Shimpaku juniper was stolen recently from New England Bonsai.

Bonsai theft
There’s a long list of businesses and individuals who have had prize bonsai stolen. The other day it was New England Bonsai Gardens in Bellingham Mass. Fortunately, they have photos of all four of their missing trees and a local TV station featured them on a news program. Unfortunately, the chances of survival of stolen bonsai is low. Unless they are recovered soon, odds are whoever ends up with them won’t be able to keep them healthy. Years ago a friend (and customer of New England Bonsai) had some prize bonsai stolen from his back yard. The good news was the police found the bonsai during a drug bust. The bad news was, they found them dead in a closet.

Stolen bonsai registries
Strangely, we were just discussing stolen bonsai in the comments of a post the other day (turns out the lead tree in the post, a prize Buttonwood by Ed Trout, was stolen). This led to checking out stolen bonsai registries on the web. I don’t know how much good they do, but I do appreciate the effort. Here a few that came up in a quick search.  Facebook, Stolen Bonsai, the National Bonsai Foundation, and American Bonsai Society. If you know of others, please let us know.

 

This rare and wonderful old California juniper was one of the trees taken from New England Bonsai.


The thieves (thief?), also got this redwood.


This Ezo spruce forest also went walking.



 

Bonsai for You

Close up of a Tamarix bonsai by Harry Harrington (bonsai4me.com).  This tree started as a taperless stump (see below).

Four pretty good reasons
I can think of at least four reasons why I enjoy visiting Harry Harrington’s bonsai4me.com. First, his style is distinctive; I’m pretty sure I could pick Harry’s trees out of selection of random bonsai. Second, Harry uses a wider range of species for bonsai than almost anyone and many of these are seldom seen in quality bonsai galleries (Spirea, Downy birch, Fuchsia, Tamarix, Little leaf linden…). Third, Harry’s choice of pots is excellent (all of the pots in this post are from Erin pottery). Fouth, bonsai4me.com is huge. You could spend days exploring a very rich range of excellent beginners to advanced bonsai articles by famous (and not-so-famous) bonsai artists.

 

Raft style privet. Originally collected from an old hedge.

 

Hetzii juniper. Pot by Erin pottery.

 

Downy birch (Betula pubescens). This one was over 20 feet (over 6 meters) tall when Harry collected it. Not it 21″ (53 cm).

 

Simplicity. Squamata juniper.


Great pot (Erin pottery), nice tree. European beech.

 

Earlier stages of the Tamarix at the top of the page.