Flowering Bonsai, Fleeting Bliss

Satsuki azalea displaying a perfect blend of white with a touch of pink and soft green. The flowers dominate right now, but it’s no accident that the color of the pot enhances the not-so-shabby trunk and nebari. An earlier shot of the same tree appears below.

Mis Arboles by Andres Alvarez Iglesias
The first three photos in this post are part of a photo album by Andres Alvarez Iglesias that appears on facebook. The title of the photo album is ‘Mis Arboles’ (my trees). The forth photo appears on Andres’ website.

All too fleeting
It’s flower time here in northern Vermont. Azaleas, Rhodies, Lilacs, tulips, early lillies, crabapples, you name it, it’s either busy flowering, getting ready to flower, or just finished flowering. It’s a blissful time, but touched with sadness…. here today, gone tomorrow and before you know it, snow. And then there’s the real big picture…

 

Another azalea showing off. It’s hard to tell the exact size of the tree, but judging by the flowers, I’d say it’s a shohin bonsai.


The fleeting flowers are gone. With a little luck (and diligence) the birds will spare the fruit. Looks like shohin crabapple.

 

Here’s the same tree that’s at the top of the post. A little earlier in the season, before the flowers completely take over. This one is from Andres’ website.


Have you seen our Satsuki Azalea book?

 

Our Pine Book: Better Late…?

A good way to check out new planting angles. Photo is from our Masters’ Series book, Growing and Styling Japanese Black and White Pines. You can still pre-order and pre-pay for a $5 discount. If the ship sinks, we’ll send you a full refund.

New ETA for what it’s worth
Our star-crossed second printing of our famous pine book has a new ETA: If the ship doesn’t sink, or isn’t ambushed by pirates, it should arrive in harbor about July 4th. Normally, red tape, plus delivery time, takes another 10 to 12 days. So, if the gods give us a break, you should have yours a week or so after that (around the 20th, give or take) if you are in the US and a little later if you are somewhere else. But no promises this time!

Thank you and the buck stops here
Once again, we would like to thank you for your patience and understanding. We’re embarrassed about all the delays. We thought it would be easy; after all it’s just a reprint. I won’t bother you with the details, just rest assured that whatever went wrong is my fault (the buck stops here).

Illustrations from our Pine book.

Warehouse closed early July for summer vacation
Our warehouse will be closed from July 1st to the 11th so Corey can take a little very well deserved summer break. We will still take orders during that time, but they won’t be shipped until the following week.

 

How About Yew (Carving Deadwood)?

Every time I open Bonsai Today issue 106 and lay my eyes on this wickedly powerful, dynamic old English yew, my mind does a little double take. It may not look exactly like anything you’ll see in nature, but it certainly jumps off the page. It’s by Kevin Willson, bonsai artist and deadwood carver extraordinaire. Photo by Simon Carr.

A labor of love
Yew wood is very hard. Harder than almost any other type of wood. In this light, take a look at the photo below and then at the photo above. Now imagine all that carving with only hand tools…. Okay, I’m kidding. Kevin used power tools. But still, it’s a labor of love (and considerable skill).

There’s much more
The sequence of steps that take us from what you see below to what you see above is covered in great detail in Bonsai Today issue 106. 13 pages of photos (38 in all) and informative text.

 

Before.

 

Getting started.

How about yew?
OKay. I know this pun is a little lame…. but if you are interested in deadwood carving (and why not?) we suggest you start with hand tools. Once you get the hang of it (there’s more than meets the eye) you can graduate to power tools.

Bonsai Today back issues are on sale at Stone Lantern for 54% off.

 

Bonsai Rebar & Other Wonders

Have you ever used rebar to shape a bonsai? Every time I see it done, I get inspired, but still haven’t tried it. Mario Komsta calls this photo ‘sylvestris fever,’ so I guess it must be a Scot’s pine.

Mario Komsta
All the photos in this post are from Mario Komsta’s photos on facebook. Some of them are unique and most are quite compelling. Here’s a few to whet your appetite. There are plenty more where these came from.

Encore!
We’ve featured Mario a couple time on Bonsai Bark and also in Bonsai Today magazine (issues 102 and 105, and a little bit in issue 104). I think Mario qualifies as a gifted, cutting edge bonsai artist.

 

I’ve seldom seen deadwood this good. It has all the marks of natural aging over a long period of time. I wonder how much Mario helped it along.  He calls this photo ‘just shari.’


Accent on the pine ;-) Photo and title by Mario Komsta.


Sweet bunjin juniper. No name on this one.


Mario calls this one ‘shohin shin.’


Sheer beauty, pot and plant. The one is titled: ‘flowers just opened.’

For more, visit Mario facebook photos. You can also visit his website.

 

NEW! Bonsai Embroidered T-Shirts

Brand new. Embroidered bonsai logo on all cotton black T-shirts.

Kimura’s legendary formal upright Japanese white pine
Long time bonsai embroidery maven Cindy Cones did a remarkable job of replicating Masahiko Kimura’s magnificent formal-upright Japanese white pine bonsai; probably the most distinctive, well-known formal-upright bonsai in the world. So distinctive and well-known that it appears in our Masters’ Series Pine book (2nd printing due in July), in The Magician, The Bonsai Art of Kimura 2 and on the cover of Bonsai Today issue 80.

Discounted prices
We’ve come up with new pricing formulas that are well below list prices on almost everything we offer. These excellent all cotton embroidered T-shirts are no exception and are good value even at the list prices. Our low prices are: M, L & XL 19.95. XXL 24.95 and XXXL 27.50.

 

Close up. If you know embroidery, then you’ll appreciate just how excellent the quality is.

Such blatant commercialism!
Don’t worry. It’s very rare that we indulge in such blatant commercialism on Bonsai Bark. Though we are very keen on making a living, still, our emphasis is and remains, promoting the art of bonsai (skeptics can scroll down and see if they can find the last time we devoted an entire post to something we sell).

 

 

Wiring Tips: Take It All Off (but not too early)

White pine bunjin wired at Taisho en. From ‘The Art of Bonsai.’

Take it all off (but not too early)
The following article by John Romano takes on a bit of conventional wisdom about wire scarring. The article originally appeared on the New England Bonsai blog, ‘The Art of Bonsai.’

In John’s own words…
“Wiring is an essential technique to create beautiful bonsai. It is not the only means (as some practice the Lignan method of cut and grow) but it is the most efficient way to shape a tree; to open up foliage to let light in; to move branches/trunks into place.

However, many inexperienced enthusiasts, and even many experienced ones, make certain mistakes in wiring that is evident in their technique. I am not going to outline all of these deficiencies but want to mention one often overlooked. First of all, if one wishes to learn proper wiring technique, there is no substitute for practice, practice, practice AFTER you first learn proper execution from a good teacher. Then just do it and do it some more (and then do it some more!)

But what I wanted to comment on in this post is the often practiced action of taking wire off too early. I know some practitioners who are so quick to point out wiring scars, however minor, and then diminishing the artistry of that particular tree off hand because of this…..”

For the rest of this article, including more photos, visit the ‘Art of Bonsai.’

This photo is not part of John’s article, though it does help illustrate his main point: if you look closely, you can see some wire scars on this pine. These scars will completely disappear soon enough. Photo is from our Master’s Series Pine Book (2nd printing is due in our warehouse in July).

 

 

 

http://nebonsai.wordpress.com/2011/05/15/wiring-put-it-on-and-leave-it-a-on-a-bit/

You Can Still Enter (and Win) Our $1,000 Bonsai from Scratch Contest

Some of these drawings look like bonsai that aren’t too far from scratch.

Don’t be intimidated!
Anyone can enter our Bonsai from Scratch Contest. Everyone’s entries will be respected, and your entry won’t be published on Bonsai Bark unless you are one of the winners. So, not to worry.

Here’s one reason why you can win
At least twelve prizes will be awarded and only about ten people have entered so far.

It’s not too late
You have until October 15th for your final submission.

Your final submission can be in a nursery container or a bonsai pot
Some trees don’t take to too much root pruning all at once. So, either way: in a bonsai, or in nursery container is okay.

Contest details and how to enter are here

If you own a bonsai business, you can offer a prize
If you would like to promote you business and help the contest along, you can submit a prize. In exchange we will acknowledge and link your website.

It’s fairly easy (and fun) to make saikei bonsai from scratch. This one is from Lew Buller’s Saikei and Art.

The Great ‘Is Bonsai Art?’ Debate

The May-June (Mai/Juni) cover of Bonsai Art magazine. Europe’s (and maybe the world’s) most beautiful bonsai mag (German language only).

Is bonsai art?
You’ll often see the term ‘bonsai artist’ in this blog (and elsewhere). You’ll also often see the term ‘the art of bonsai.’ Clearly, there’s no problem with putting the words bonsai and art (or artist) together. And why not? High quality bonsai pretty much fits the definition of art (see below) and most people would agree that good bonsai requires artistry.

A better question
Perhaps a better question than ‘is bonsai an art,’ would be; ‘when is bonsai art?’ Clearly not every little plant that has been stuck into a bonsai pot qualifies as art. Nor does the sticker merit the title ‘artist’. It’s same with painting and other human endeavors that are often referred to as art; most attempts don’t really rise to art. Something is missing.

I’ll just call it magic
That missing something is ineffable (we know it when we see it, but it’s difficult to say exactly what it is). I’ll just call it magic (there’s a word begging for misunderstanding) and leave the rest to you.

There’s more, but maybe later
There’s much more that we could say about bonsai and art, but we’ll save it for another time (or maybe for the comments).

It’s not really bonsai, but I’d definitely call it art. Also from Bonsai Art magazine.

Wikipedia’s current definition of art
“Art is the product or process of deliberately arranging items (often with symbolic significance) in a way that influences and affects one or more of the senses, emotions, and intellect. It encompasses a diverse range of human activities, creations, and modes of expression, including music, literature, film, photography, sculpture, and paintings. The meaning of art is explored in a branch of philosophy known as aesthetics, and even disciplines such as history and psychology analyze its relationship with humans and generations.
Traditionally, the term art was used to refer to any skill or mastery. This conception changed during the Romantic period, when art came to be seen as “a special faculty of the human mind to be classified with religion and science”.[1] Generally, art is made with the intention of stimulating thoughts and emotions.”

Spray-paint graffiti on a wall in Rome.

Windswept Bonsai Critique

Robert Steven’s simulation of a planting submitted by someone named Bob. In Robert’s words: “Above is my simulation that suggests a strong wind blown effect. I improved the ramification structure, reduced the foliage to enhance the movement of the lines, and eliminated the grasses to avoid irrelevant conditions.” Bob’s original is below.

Bonsai mastery
I have long been impressed by Robert Steven’s mastery of the art of bonsai and his skill and ease with windswept bonsai (surely one of the most subtle and demanding types of bonsai), illustrates that mastery.

Bob’s original submission.

Robert’s Critique

Many people misunderstand that windswept style bonsai is simply formed by leaning the trunk and placing all the branches on one side. It is not that simple, windswept can be created in any style because in nature, wind can blow on any tree, including a tree leaning into the wind.

Windswept is a very advanced bonsai style. To make a good windswept bonsai, in addition to basic design techniques, you need to understand windswept bonsai concepts. More advanced skill is required, especially when it comes developing ramification (branching).

Windswept bonsai is not simply styled by placing all the branches on one side of a slanting trunk. There are conceptual requirements for forming ramification that give a logical sense of how the wind blows: either the wind is blowing gently, or there’s a strong wind, or the style is formed by continuous wind blowing, but not blowing at the moment.

This bonsai, although it suggests a windswept style, does not portray a group of mature trees because of improper ramification. Nor does it suggest an existing wind blowing at this moment. The foliage and the grasses do not give a moving illusion, they all look still.

To create a good windswept bonsai, the key is properly forming the ramification. The best structure is formed by the “clip-and-grow” technique, showing the flowing lines of the tiny twigs with very spare leaves. All the tips are flowing slightly upward in one direction as shown in the pictures below.

On the reverse side, we need to form some side branches with dramatic bending in the direction the wind blows, as shown on the above picture. The idea is to show that the wind causes the twigs to bend, but is not strong enough to bend the branches. The more we can play with this feature, the better the impact is.

Below is one of my windswept bonsai. Windswept bonsai can be created in any style, even on formal upright or a tree that leans into the wind, as long as the ramification is correctly formed to suggest the blowing wind (you can read the complete concept of windswept bonsai in my book Vision of My Soul).

General comments
There is more than one way to design any bonsai and my critiques and recommended solutions might not always fit your taste and personal preferences, but I always try to give my opinion based on artistic and horticultural principles.

To understand my concepts better, please read my books Vision of My Soul and Mission of Transformation which are available at Stone Lantern.

You can also visit my bonsai blog.

Trunks & Trunk Chopping Techniques

I borrowed this mesmerizing ancient black pine trunk from Andy Rutledge’s ‘the bonsai journal.’

Trunk chopping 101 for deciduous trees
There’s an excellent article on trunk chopping at Andy Rutledge’s bonsai journal. Andy bills it as trunk chopping for beginners, but I suspect there are experienced bonsai people out there who might also benefit (like me, for example). I’ll just show you an illustration and a little text here, and encourage you to visit Andy’s site to see the whole article (and plenty of other useful stuff).

Cutting back to an existing leader

Here we have a likely candidate (above). This tree already has pretty good taper, but it is too tall for bonsai purposes.
Until now, you’ve been growing the trunk for size and you’re ready to begin its transformation into a bonsai. You’ve decided to cut back the trunk to an existing small branch that will be the new leader (indicated by the red arrow).
Use the saw and cut a little bit above the branch. Be careful not to damage the branch that will become the new leader.

Visit the bonsai journal for the whole article

Another great trunk. Also from the bonsai journal.

More than just a labor of love
If you read Andy’s whole article, you’ll see that there are at least two tools you’ll need for successful trunk chopping; a sharp saw and a grafting knife. Needless to say, the folks over at Stone Lantern (that’s us) would be happy to help you with these. At a sizable discount, no less.