A Sculptural Elm: Definitely Not Japanese

rawe

I’m guessing this impressive tree is a Chinese elm. Whatever it is, it displays much of what you’d look for in a bonsai: power, refinement, balance, excellent ramification, attractive pot, even some imperfection. I’d also venture that it’s definitely not Japanese. It’s from Rawe Laranta Ramook Bonsai.

It’s Penjing, but is it Chinese?
A couple posts ago Robert Steven offered us a lesson in the five schools of Chinese Penjing. I’m pretty sure Robert would include this tree in that vast and varied grouping, even if it’s not from China (I don’t know where it’s from). Though Robert (and others) are clear that Penjing is Chinese, I imagine he is saying that the art is Chinese in origin (much like Bonsai is Japanese in origin), not that all trees you’d call penjing are from China.

Baobob and that sculptural look
This tree looks a bit like a Baobob with its short fat trunk. Or maybe just a very foreshortened (you could say compressed) old deciduous tree that you might find standing alone in a field somewhere (if it were in a forest, you would expect it to be taller and narrower). In either case it has what you might call a sculptural look that is common in some penjing. It’s a look that seems to be more concerned with capturing the essence of a tree rather than just a scaled-down rendition of a full sized tree.

Make your bonsai feel like a tree
John Naka is famous for saying “don’t make your tree look like a bonsai, make you bonsai look like a tree.” In the case of this tree, and other penjing, you might say: don’t make your tree feel like a bonsai, make your bonsai feel like a tree.

This part is boring, even a little embarrassing, but definitely necessary
Our Holiday Sale ends Thursday. There are plenty of great deals. In fact, almost everything is discounted. Even double discounted. Your part of the deal is to buy something. Our part is to send it out to you immediately (there’s still time). And to keep Bonsai Bark posts flowing.

What Would You Do?

150580_469345357524_82869747524_6179315_6273145_n

Perfect, powerful, beautifully nicely photographed and apparently growing on a rock. The shape of the tree and the deadwood have a juniper look, but the foliage looks more pine than juniper, though it’s too far away to get a good read (see below). The dramatic backdrop could only be the Grand Canyon. The photo is courtesy of Bonsai Mania.

What would you do?
Imagine that this tree is in a training pot and, best of all, it’s yours. What would you do (if anything) to improve it?

grandcanyonfoliage

This blurry blow up pretty much confirms my notion the the tree is a pine, perhaps even a Bristlecone. To be sure, I got my trusty National Wildlife Federation Field Guide to Trees of North America out, and sure enough, the Intermountain Bristlecone (Pines longaeva) has a spot on the map that falls right on the Grand Canyon.

gcjun

This one looks like a Juniper with the foliage in full winter color. Both Rocky Mountain junipers (J. scopularum) and Utah junipers (J. osteosperma) are found around the Grand Canyon and your guess is as good as mine. The shot was borrowed from Flickr.

New Book from Japan: The Beauty of Bonsai

B1BEAUTY

This sumptuously photographed new book is aptly named. In addition to numerous stunning color photos, it features a preface by Masahiko Kimura and a section on Kimura that includes thirty seven new photos of the master at work, as well as of some of his most daring bonsai. That and much, much more. Hardcover, 96 pages with 205 color photos.

No matter how much we think…
… that we in the West are catching up with the Japanese when it comes to the art of bonsai, we still lag behind when it comes to the art of bonsai display and bonsai photography. Not to say that I think the rest of the world has caught up with Japanese bonsai (think refinement and subtlety), but judging from some of the buzz, there seem to be a significant number of people who disagree with me on this point. Disagreement is okay and healthy enough, but, at the extremes at least, opinions are sometimes based more on prejudice than knowledge.

Don’t get me wrong
I know there are some excellent Western bonsai artists and there is a lot of daring innovation outside of Japan (we feature some of it right here on Bonsai Bark). I also know that some Japanese bonsai seems a little too stylized and overrefined. Still (the poorly chosen tree on the cover of this new book notwithstanding) there is much to learn from our Japanese friends when it comes to bonsai. If you don’t believe me, maybe this book will help set you straight.

B1BEAUTY2

A little taste of what The Beauty of Bonsai has in store for you.

B1BEAUTY1

Robert Steven Critiques a Black Pine and Offers Some Insights into the Five Schools of Penjing

Mike-1

Robert Steven’s simulation of a Japanese black pine that was submitted by Mike Liu (Mike’s original is immediately below).

Mike

Mike’s original photo that was submitted to Robert.

Robert’s Critique

The Five Schools of Chinese Penjing

The above black pine bonsai is sent by Mike Liu from China. Since Chinese bonsai is called penjing, I will offer a brief discussion of penjing.

The main difference between penjing (Chinese: pen = pot; jing = panorama) and bonsai (Japanese: bon = pot; sai = plant), despite the terminology, penjing is more about artistic nuance in portraying natural phenomena; and bonsai is more disciplined in technical skill with the objective of suggesting the physical perfection of an old tree. Penjing is more symbolic as well as a media for the artist in expressing his emotional ideas. To a certain extent, bonsai is rather bounded within its convention and rules; where penjing is more free as personal expression.

Continue reading Robert Steven Critiques a Black Pine and Offers Some Insights into the Five Schools of Penjing

Better Now? Revisiting Mario’s Famous Hornbeam

Mario

The latest incarnation of Mario Komsta’s extraordinary and now somewhat famous Hornbeam.

Balance
Is the balance better now (comparing the photo above with the earlier photo immediately below)? Does the elongated first branch (left) help to counter balance the slight rightward lean of the apex?

The base of the trunk
The base of the trunk appears stronger in the earlier photo below. Is it just the photo, or does the extended branching and the new pot diminish the power of the base?

Ramification
No matter what our thoughts about balance and the base of the trunk, the impeccable patience and masterful technique that is displayed in the ramification is undeniable. Altogether a powerful dynamic tree.

mario2

An earlier incarnation. Though the balance may not be perfect and the ramification isn’t as developed as in the top photo, I think the base of the trunk appears more powerful in this photo.

A few instructive comments
The comments that follow appeared on facebook in response to the posting of the photo immediately above. I’m not sure how much earlier this photo was taken than the photo at the top of the post.

Mauro Stemberger: very good ramification , pity the top is unbalanced, respect first branch in the left

Mario Komsta: so the apex need to following to direction of the first branch ? is this regulation? something new for me !

Mauro Stemberger: rules are made to be broken but……….this tree seems to me unbalanced …….sorry ;)

Boon Manakitivipart: Mario,very nice tree. and i agree with Mauro.

mariobark

This photo, from an earlier Bonsai Bark post, appears to show the tree sometime between the two photos above.

Destroying Magnificent Beauty – For What?

azaleas

A small piece of the at-risk U.S. National Arboretum’s Azalea Collection.

Some things just don’t make sense
The National Arboretum intends to eliminate a large portion of the colorful azalea collection and to break-up and transplant the nationally renowned boxwood collection. This article from the Washington Post sums it up pretty well.

Nothing says springtime in Washington like the cherry blossoms. Except perhaps azaleas in bloom at the U.S. National Arboretum.

Which explains why last week’s surprise announcement by the arboretum that it plans to destroy the most frequently visited section of the historic Azalea Collection and dismantle the entire National Boxwood Collection hit a horticultural nerve throughout the region. Countless fans, including members of the nonprofit Friends of the National Arboretum (FONA) and National Bonsai Foundation (NBF), have expressed opposition to the decision to eliminate one of nature’s most magnificent and scientifically important spring displays…. continue reading

Short & Very Muscular

short

One very muscular Shimpaku juniper. From Reiner Vollmari’s photo gallery.

Hiding the action
This wonderfully powerful bonsai presents a bit of a mystery. The live wood that peaks out in the V at the top of the shari is quite well developed, as is the entire crown, and would require at least one or two large living veins to support all that life. The small living vein in the front, though quite striking against the massive deadwood, is completely unconvincing. This is not a complaint, I like this tree a lot. It is unique in its strength and its style. Still, much of the action must be hidden in back. Too bad we can’t turn it around.

TOK101-400

Speaking of muscular. Okatsune tools are among the very best in the world and these bypass shears are no exception. I use mine for large bonsai cuts (top and roots), in the field collecting, in my garden and for my fingernails (just kidding, though I bet they’d work). They come in two sizes: Eight inch and seven inch. Both are discounted right now, as is pretty much everything at Stone Lantern.

Bonsai Gallery: Five Magnificent Trees

23-1Forest on a slab from Bonsai Today issue 23. Though the photo is uncaptioned it looks like it could be an Ezo spruce forest by Saburo Kato.

14-2

Slant style Japanese maple in fall color. From Bonsai Today issue 14. Artist unknown.

14-1

This is one of a handful of outstanding Japanese winterberries (Ilex serrata) that pop up here and there in Bonsai Today. It’s from issue 14 (it appears on both the cover and inside, though with different backgrounds). Artist unknown.

14-6

Trident maple forest from Bonsai Today issue 14. I counted 29 trees, though it’s difficult (if not impossible) to tell the exact number. The pot is almost exactly the same length as the planting’s height (23″).

23-2

Full cascade Shimpaku juniper from Bonsai Today issue 23. Artist unknown, though it looks like it could be a Kimura. Height: 35″

Rare Out-of-Print Bonsai Todays

BT52

We just put this one, along with thirteen other rare out-of-print issues of Bonsai Today, up on our site. That makes twenty eight total. Most have been out of print for years and are quite rare. We only have a few copies of each (anywhere from one to five), so don’t wait. BTW: the wisteria on the cover is a good example of what we discussed in our last post.

Where do they come from?
We buy back old out-of-print copies of Bonsai Today whenever we get a chance. Then they sit around on our shelves for a few months and every now and then we get around to putting them up.

How rare are they?
Some of the oldest issues are very rare (we seldom see single digits issues), but there are later issues that are almost equally rate. For example issues 103 and 104: we were shorted by the printer on these, so we barely had enough to fill subscriptions before we ran out.

Our supply of in-print issues
We still have new copies of around fifty issues. Most are from this century. Some are getting scarce and some will be around for a long time. You can usually tell how scarce they are by the price.

Don’t forget our sale
All of our issues of Bonsai Today (new and out-of-print) are currently discounted. This won’t last much longer, so don’t sit around on your thumbs for too long.