2011 Bonsai Calendars Have Arrived!

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January 2011 (see below for the cover page) from our new 2011 Bonsai Calendar. My apologies for the fuzzy image. The real thing looks much better.

Enjoy world class bonsai while you keep track of the date
Some of your have been getting your calendars from us for at least ten years, maybe longer. Might as well keep the tradition going; or start a new one. With our bonsai calendar, you’ll stay inspired and you won’t suffer the horrible confusion of not knowing what year it is, let alone what month and day.

Sorry, no Japanese garden calendars for 2011
We ended up practically giving away most of our 2010 Japanese garden calendars, so decided to forgo them this year. I hope the handful of you who wanted them aren’t too angry with us.

C2011frontCover page. Also a little fuzzy here, but the real thing is not fuzzy at all.

Mugos by Mother Nature & Georg Reinhard

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The sculpted look. This Mugo pine by Georg Reinhard combines wildness and elegance with its flowing lines and almost perfectly shaped robust live growth. I particularly like the way the deadwood twists and turns all the way back down to soil and the jagged lightening bolt on the left. Though I know that some people take issue with highly sculpted deadwood, this is so well done that I can’t imagine even the most dogmatic proponents of the naturalistic look being too worked up about it.

There are Mugos, and then there are Mugos…
I don’t think we ever see Mugo pines quite like these here in the States. It’s safe to say these are Yamadori (collected from the wild); Mugos are native to Europe, and they certainly have that look. But then there’s that skilled human hand that belongs to Georg Reinhard. Check out bonsai-kunst for more bonsai by Georg.

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A more natural feel. The human hand is less evident here than in the one above. Still, it’s hard to know just how much the artist (Georg) contributed to this tree’s natural feel without seeing the way it looked when it was dug. No matter, this tree speaks for itself, loud and clear.

A Great Transformation, But Still…

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Though there is something dramatic and wonderful about this tree, there are a couple things that I’m not sure about. Most disturbing is the messy background that distracts from the tree. It’s actually worse in the original (Bonsai Today issue 56), but Photoshop helped solve part of the problem. The other more subjective issue is the rock, particularly the upper part. Though it is quite strong, to me it’s just not that attractive (though the more I get used to it, the less it bothers me). The tree is great with its powerful aged trunk, the way it clings to the cliff  (it it just me, or does it look a little like a small animal to you?) and its dynamic movement. Its sweep also provides a counter balance to the weight of the rock.

Transformation
The original article in Bonsai Today issue 56 shows the steps of a transformation that starts with a large unusual rock and a tree that is already pretty good (both are below), and ends with the same tree (now much better than pretty good) clinging to the large unusual rock. The artist is the famous bonsai master, Kunio Kobayashi.

Root-on-rock vs Root-over-rock
The finished tree is a root-on-rock bonsai as opposed to the root-over-rock bonsai it was before the transformation.

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Before. The tree, an already well established Japanese white pine (aka Japanese five needle pine).

bt56atrockThe rock.

Spindle Tree Bonsai

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This exquisite, small but strong, little Japanese spindle tree (Euonymus sieboldianus) is from Google images. Euonymus is a vast and varied genus with about 160 species. Some are suited for bonsai, though it’s not too often you see them used for bonsai.

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It spite of the fuzzy image, you can still get a pretty good idea of both the power and colorful beauty of this spindle tree. Though it’s a E. sieboldianus, just like the one above (at least that’s how the original in Bonsai Today 31 is labeled), the bark looks quite different; though with the poor quality image, it’s hard to be too sure about any of the details.

A Gallery of Two

Robert Steven

A sweet little root-over-rock by Robert Steven. I can’t tell tell you what it is or its dimensions or really anything (except that I’d love to see it in my collection). I don’t even remember where I got the photo (or the one below).

Robert Steven is a household name
Over the last few years Robert Steven has become a household name throughout most of the world (wouldn’t that be something?). Actually, about 99.99% percent of the people in the world are blissfully ignorant of Robert’s existence. Too bad. Maybe someday bonsai will enjoy its place as an art worthy of widespread appreciation , but for now, it’s mostly just us (we are a growing population and there are places in the world where bonsai as an art is gaining some foothold, still…).

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Red pots are not that common. Most people don’t dare use them anyway, as they tend to steal the thunder from the tree. Speaking of the tree, did you notice the ramification? That’s the result of years of careful pruning.

More Robert
Robert Steven is a world class bonsai artist, teacher and author (Vision of My Soul and Mission of Transformation, both now on sale at Stone Lantern for 30% to 40% off). Robert is also a regular contributor to Bonsai Bark.

Fall Color in Upstate New York

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This strikingly colorful ginkgo with its thick, uniquely shaped and uncommonly well tapered trunk (for a ginkgo) is from facebook, courtesy of Bill Valavanis (International Bonsai). In fact, all three photos in this post are Bill’s.

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Looks like a pyracantha. The well-chosen blue pot contrasts with and amplifies the bright vermilion berries.

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A colorful piece of Bill’s nursery.

Black Pine Critique by Robert Steven

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Robert Steven’s simulation of a Japanese black pine that was submitted by Tom Duong (see below for Tom’s original).

Where’s yours?
Email us a photo of your bonsai and we’ll submit it to Robert Steven for a critique. So far about ten people have dared and have learned something about their bonsai in the process. Now it’s your turn.

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Tom’s original photo that was submitted to Robert. Tom also submitted a back, left, right and top view. Even though Robert requested these, very few submissions have included them. While we are on the topic; when photographing bonsai it’s always a good idea to include the whole pot in your photo and to try to make the background as clean and uniform as possible.

Robert’s critique

Issues:

Although there is shari on the trunk, this bonsai looks young. This is because it doesn’t have the ramification (branching) structure of a mature tree. Also, the foliage is not well trained and refined. Although the artist has tried to bend down the branches to suggest an old tree, the apex is still that of a young tree and doesn’t fit with the overall design.

There’s a lack of visual balance due to the improper placement of the crown in relation to the trunk line and movement and the branch formation.

The pot is too big.

Solutions:

The shari on the trunk looks like an accident rather than suggesting an aging effect. In order to create a more natural look, I would turn the apex into jin and connect that with a shari that winds down the trunk and links with the lower shari.

Form a flatter apex to impart a more accurate story of how this tree would be formed in nature. There are natural forces that kill the apex which creates the jin. This jin starts dying down creating the shari. These same natural forces also flatten the crown and bend down the branches.

Develop the ramification (fine branching) so the tree will look mature.

Improve the composition to obtain better visual balance. (Robert doesn’t elaborate this point, but I think if you look at his simulation, you’ll get his drift).

Use a smaller pot.

General comments
There is more than one way to design any bonsai and my critiques and recommended solutions might not always fit your taste because of personal preferences. But I always try to give my opinion based on artistic and horticultural principles.

To understand my concepts better, please read my books Vision of My Soul and Mission of Transformation which are available at Stone Lantern.

You can also visit my bonsai blog.

A Lost Treasure #6: Enchanted Lands

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Enchanted lands, our fifth in a series of plantings (here for the previous one) from Toshio Kawamoto’s Sakei classic (long out of print). The tree are 3 five year old ezo spruce, 16 five to eight year old cryptomeria (6-8 inches tall), 7 three to eight year old satsuki azaleas and 3 three year old tsutsuji azaleas. The pot is a round unglazed tray, 28 inches (71cm) in diameter (you can’t really tell from the photo just how large the pot is).

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This diagram is designed to give you a little better idea of the layout and relationship of the elements. The trees are numbered, but your eyes are much better than mine if you can distinguish them.

toshio3This bird’s eye view shows the placements of the rocks and footprint of the hills. Yes, the tray is really completely round. Round tray-style pots this size are very unusual. You’ll see extra large ovals and rectangles for sure, but when was the last time you saw a monster round tray-style pot?

A tip from Toshio Kawamoto
Place the rocks so that the best looking surfaces are visible and their heights vary. Tilt the rocks slightly toward the center of the tray. Also note that the spruce trees 1, 2, and 3 (get out your magnifying glass) are planted so that their branches extend out beyond the rocks and toward the center of the tray.

The Magic Starts With An Idea

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Finished. Most of Masahiko Kimura’s juniper masterpieces start and finish as one tree. Not so this one. The deadwood and each major branch all come from different places. How Kimura put all the pieces together is brilliant and novel.

A few hints
Rather than explain the whole process here, we’ll offer a few hints and leave the rest to your imagination (or, lacking that, you could get your hands on a copy of Bonsai Today issue 63 and see the whole process).

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Before. The pieces of the puzzle are gathered together.

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The deadwood after Kimura prepares it for the task ahead.

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An air layered branch right after separation. The shape of the new roots and the photo above should give you a pretty good idea of the next step.

More Magic
If you’d like to see a whole book of bonsai magic, The Magician, The Bonsai Art of Kimura 2 is on special at Stone Lantern.

Tool Sale Last Day

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This set of carving tools from China has been extremely popular. It’s a good idea to be careful with Chinese tools as so many are inferior (especially scissors and to some degree other cutting tools). However, we are fortunate in that regard; Robert Steven goes to the factory and rejects tools that don’t meet his standards. This has worked quite well for us, especially with these carving tools; so far we’ve sold over 100 sets with not one complaint.

All tools (and some other stuff) 30% to 40% off
The tool and related other stuff includes turntables, cut paste, grafting tape, cleaning blocks, sharpening stones and camillea oil are on sale now, but won’t be tomorrow (see below).

Don’t wait
Our tool sale ends tomorrow, Thursday, October 20, around 9am Eastern Standard time (USA). Books and netsuke will remain on sale for a while.

Then there’s books and netsuke.
Books and netsukes will remain on sale for the time being. Also 30% to 40% off.

Kenzans are next
Tomorrow (Thurs) we will add kenzans (flower pins, aka frogs) to our sale items.