Kimura’s Dragon & Old Magazines

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Masahiko Kimura’s ‘Dragon’ from Bonsai Today issue 2 (long out of print). It also appeared in ‘The Bonsai Art of Kimura’ (also long out of print). The Magician, The Bonsai Art of Kimura 2 is still in print and is currently discounted.

The good news & the bad news
The good news is that we are selling our collection out-of-print Bonsai Todays that we have bought back from people over the years. The bad news is that many have already sold.

More good news (maybe)
We are buying back out-of-print Bonsai Today whenever the opportunity arises, so, if and when we get more, we’ll make them available.

More good news (definitely)
We still have just over half of the 108 total issues in stock (unused). Some are getting low, and others will be around for a while. You can tell their status by their price: the base price is $12.00 each, with the ones that are still plentiful discounted to either $7.95 or $9.95, depending on just how plentiful they are.

Tree + Pot = Bonsai

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This sinuous shimpaku by Boon Manakitivipart (Bonsai Boon) is an excellent example of how to harmonize a tree with a pot. Not only does the rusty orange/tan (what is that color called?) pot color highlight the cinnamon colored bark, but the soft curves of pot enhance the trunk’s soft curves as well as the overall soft roundness of the foliage. As an added touch, the high shine on the pot helps bring out the bark’s almost glowing quality. Altogether a very sweet effect.

What do you think?
I’m not an expert and my opinion is just my opinion (opinions are like belly buttons…). If you look at the pot choices by the old Japanese Masters in Bonsai Today, you won’t always find ones as simple to understand as this one seems to be. Sometimes the choices of pots (and other things) seem counter intuitive, which leads me to believe that bonsai, like any true art, possess subtle layers that can push our understanding if we take the time to explore.

Rare, out of print issues of Bonsai Today
For years we’ve been buying back old out of print issues of Bonsai Today, sticking them on some shelves in our office and waiting for people that are looking for them to call. Now, finally, we’ve decided to start selling them a little more actively by putting them up on Stone Lantern. They aren’t all up yet, but so far the ones that are have been selling very quickly. Some are already gone, so don’t procrastinate if you want to fill out your collection.

Another Bon-Tat?

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Scott Tice’s shoulder, fully adorned. Nice flowers.

Are we heading in the wrong direction?
I’m not sure about these bon-tats anymore, though the flowers on Scott’s are very good. Are we heading in the wrong direction with these? Or should be continue posting them? Any thoughts?

Disclaimer
I don’t have any tattoos, and if I did, it probably wouldn’t be a bonsai (maybe a Mahakala). Most people in my generation don’t have tattoos, and when they do, it’s usually just one, and often that one is hidden. Still, I am not opposed to the culture of prolific tattoos that mark these times. I don’t always like them, but I’m a big fan of freedom to do what you will with your body and do appreciate the artistry that some tattoos exhibit.

You be the judge and maybe win something
Off topic: judging of our Bonsai Photo Art Contest is still open. Do it! It won’t take long, it’s enjoyable, and you just might win a gift certificate to Stone Lantern.

Developing Ramification on Deciduous Bonsai: 3

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The third and final set of illustrations in the series (first set, second set). This one deals primarily with shaping with wire after the pinching and pruning has been completed. I suspect that where it say RESTRAINING NEW SHOOTS (top left corner), it should say TRAINING NEW SHOOTS. From Bonsai Today issue 66.

Training new shoots
The final step in our series is on training the new shoots. Notice how it is suggested that you do it sooner rather than later after the shoots have started to harden. Shaping with wire is almost always the best way, though sometimes just pruning is enough. Once the shoots have been shaped, you need to continue pinching and pruning to keep them under control.

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This calendar is probably for around Tokyo. You’ll need to adjust for the climate where you live. To give some idea of how much difference there can be; here in northern Vermont, trees usually don’t leaf out until around mid-May (it has been getting a little earlier lately, especially this year).

Air-Layering with a Touch of Silliness

bornThis is from a Bonsai Society of Portland (Oregon) video entitled ‘Uncovering an Air-layer.’ I found it on Michael Hagedorn’s Crataegus Bonsai.

What’s with bonsai people?
A friend of mine (she isn’t a bonsai enthusiast) once describe bonsai people as a ‘bunch of harmless nerds.’ I’m not so sure about the harmless part (just kidding?), but you might find a touch of nerdiness every now and then (not that there’s anything wrong with it). Anyway, check out this video. It’s instructive (in more ways than one). And BTW, the happy cackle belongs to Mr. Hagedorn himself.

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Michael inspecting the newly separated unidentified little tree (some kind of beech?).

Continue reading Air-Layering with a Touch of Silliness

Sixty Four Years of Bonsai in Sacramento

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Coast live oak by Greg McDonald of the Sacramento Bonsai Club. If you want to see more detail, check out this larger image.

California dreamin’ but no diggin’
Though I don’t know the history of the oak above, I imagine it was collected in the California Coast Range. California (and most of the West Coast) is blessed with some of the most spectacularly wild mountain ranges anywhere, and these ranges are covered with a multitude of collectable tree species. Enough to boggle even the most jaded tree lover’s mind. This is not to say that I think you should run off to California and start digging. For most of us, this would be a very bad idea.

Bonsai Tonight in Sacramento
All of the photos in this post are from the Sacramento Bonsai Club’s 64th annual Bonsai Show. They were taken by Jonas Dupuich, the brains and brawn behind Bonsai Tonight.

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Japanese maple and Japanese black pine. I don’t know who the artist is.

Continue reading Sixty Four Years of Bonsai in Sacramento

Developing Ramification on Deciduous Bonsai: 2

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Two plus zero (plus one later) makes three installments
These illustrations represent tw0 pages from Bonsai Today issue 66 (out of stock, see previous post). It’s the second installment (here’s the first) of a five page series on ramification (branching) that we are running over three posts (I originally said two posts, but have decided to expand to three).

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