Brilliant Bonsai Berries and Something for Cat Lovers

pryahand

Two bunches of brilliant berries on either side of central gap... In this shot, almost all the berries and foliage are parted down the middle, which provides a clear view of the trunk all the way from the base to the apex. This is quite unusual. Most bonsai will show the lower third or half of the trunk while most of the upper regions are hidden, or at least partially hidden. The tree is a Pyracantha. The pot is Japanese and the artist is Christian De Ross

Today we’re picking up where we left off yesterday, with the bonsai of Christian De Ross, our new found Brazilian bonsai hero. Yesterday it was small (Shohin) one handed bonsai. Today it’s one size up, sometimes called Katade-mochi . Still one handed (with the exception of the tree at the bottom), but a little big for shohin. Btw, these terms are from a Japanese classification systems that you might find useful (see below). Both tree shown here are Pyracantha.

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pyraflowers2

Same tree, different pot and with early summer flowers (the berries show up in the late summer and fall). As you can see the trunk is a little more obscured than in the photo above

pyraflowers

Once again, the same tree. Different background and the top of the trunk is now completely obscured. A little more like what you might expect

 

pyracat

Once more with berries. This time for cat lovers

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prya2hands

Different pyracantha. Looks like it's too big for one hand

 

bonsai sizes

Bonsai sizes. Courtesy of our friends at Wikipedia

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A Bonsai in Hand…

cparth

When it comes to fall color, this little Boston Ivy (Parthenocissus tricuspidata) puts on a pretty good show, with the contrasting brilliance of the pot and leaves being nothing short of spectacular. All the trees shown in this post are by Cristian De Ross, a first timer here on Bark.
I always feel a little lucky when I stumble upon superior Shohin bonsai. Especially when they’re hand held. The hand gives perspective on size without the distraction of the awkward drink cans you sometimes see. In this case the superior Shohin belong to Christian De Ross. Christian lives in Caxias do Sul, Brasil. You can see more of his remarkable shohin and other bonsai here

 

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ctri

This tasty little Trident maple presents another case of pot/leaf color awareness

 

cuni

Christian calls this one Nativa não identificada (Unidentified native tree) and refers to the pot as Vaso izumi (Vaso is Portuguese for pot and Izumi, which means spring or fountain in Japanese, refers a type of Tokoname bonsai pot)

 

cjun

A sweet little Shimpaku juniper. Would you remove the little branch growing in toward the trunk?

 

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The Finest Bonsai Deserves the Finest Turntable

GTSat

Everything looks good on a Green T turntable and this luscious azalea in full flower is no exception. Here's part of the caption that the folks at Green T wrote with this photo... "@bonsaiwarsaw loves azaleas! This variety of bonsai require lots of special care and dedication and we are glad that such a young innovative bonsai artist is trusting Green T to do his best!" I cropped the original photo to feature just the tree (apologies for the slight fuzz). The uncropped version is below. All the photos shown here are from Green Ts fb photos

Just in case you missed it, we’re going to feature our special on our famous Basic Green T  Turntables again (with some new photos for your pleasure). Your free 50.00 coupon provides an excellent opportunity for you to own and enjoy your own Green T Basic while also enjoying a generous bonus

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BjornGT That's Bjorn Bjornholm contemplating a tree that we featured just two day ago. Bjorn is a relentless presence on the internet these day, including our last two posts here on Bark. Here's Green Ts caption... "@bjorn_bjorholm_bonsai is giving his touches to this beautiful scoth pine styled during a demo for @takibonsai! Another quality work done on a quality turntable! Coincidence? 

 

gtkim

The Magician with one of his famous rock plantings and another omnipresent Green T at this summer's World Bonsai Convention

 

GTsat1

Here's the uncropped version of the photo from above. The artist is Marcin Gajewski

 

GTbw

One example of why the Green T Basic is the turntable for large bonsai

Bjorn’s Biggest Loser – Before & After – Fertilizing Old Trees

b&a

Before and After. This masterpiece Itoigawa Shimpaku was restyled by Bjorn Bjorholm at Keiichi Fujikawa’s Kouka-en Bonsai Nursery in Ikeda City, Japan, where Bjorn was apprenticing at the time. The photo is from a post on Bjorn’s Bjorvala Bonsai Studio blog, as are all the photos in this post.

Continuing with our Bjorn Bjorholm theme (it fits well with our ongoing before and after theme as well). This post originally appeared here in April, 2013, with a few minor changes today

In Bjorn’s own words
“This massive Itoigawa Shimpaku has a long history as a bonsai. It was first shown in the Kokufu-ten about 35 years ago, back in the days before the boom in major refinement techniques and quality occurred.”
Continued below…

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Before. To paraphrase Bjorn, this tree arrived at Kouka-en after being over-watered, overfed and overgrown (see below "Fertilizing bonsai - finding the balance").

Bjorn continued from above…
Since then, it was purchased by several different owners and has been in the collection of its current owner for about 20 years. During that period, this particular client has tried to show it in the Kokufu-ten again on three separate occasions, and each time the tree has failed to cut the mustard, so-to-speak. The owner recently brought the impressive juniper to us at Kouka-en for a major restyling and to see if, perhaps, we might be able to transform it once again into a Kokufu-ten-worthy bonsai…”
 (please visit Bjorn’s blog for the rest of what he has to say about this tree).

after1

After. All that's left to do is to repot with the new planting angle.

Fertilizing bonsai – finding the balance…
In reference to Bjorn’s comment about the tree being overfed… What does it mean to overfeed a bonsai? We should say something here, as we’ve often encouraged our readers to fertilize more, rather than less. To clarify, we need to make a distinction between older well-established trees and younger less developed trees.

With older bonsai, once the trunk and branches are well developed, two primary concerns are the health of the tree and the continued development of fine branching (ramification). If you fertilize too much at this stage, the fine branching tends to grow too fast, with the result being undesirable thickness and internodes that are too long. So you want to slow the feeding down to just enough to keep the tree healthy and to promote tight ramification.

With younger trees, heavier fertilizing helps promote faster growth which can result in increased trunk girth and the development of strong primary branching. Though there much more that can be said, and, as with most everything, finding the proper balance between too much and not enough is key.

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This closer look gives you a pretty good view of how well this tree is ramified. If you look closely, you can follow the branching from primary, to secondary, to tertiary and so forth. Though conifers aren’t usually as highly ramified as the most developed deciduous trees, still, ramification is critical if you want top-notch conifer bonsai.

 

The biggest loser.

Tall Cliffs & a Rickety Little Bridge

b1best

Partial shot of a large penjing style planting that features water, tall cliffs and a rickety little bridge. The artist is Bjorn Bjorholm with some friends as able assistants

Yesterday we featured a planting and a few other bonsai by Bjorn Bjorholm and friends. Today we’ve got another one from the same event (you can visit Bjorn on facebook for more)

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bfriends

Bjorn and friends posing with their masterpiece. Bjorn is the one with the blue T-shirt

 

b11

A piece of the action...

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Another piece of the action... this time with a couple tiny sailboats

 

bbridge

A closer look at the bridge. It's not clear why anyone would take it. I guess you'll have to use your imagination

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A Well Traveled, Hard Working Bonsai Artist

bjtodmainc

Bjorn Bjorholm posted this root-on-rock gem the other day. It looks like a juniper, but I can't tell for sure what kind and won't bother to guess. Speaking of guesses, I'll venture that some or all of the trees might share a single root system, and that the rock formation is manmade. I cropped this photo to eliminate background noise. A version that shows the whole planting is just below. 

Bjorn Bjorholm has to be one of the most well-traveled and hard working bonsai artists anywhere. At least that’s the impression I get from his posts on facebook. Speaking of, stay posted for another of his amazing rock plantings tomorrow

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bjtodmain

The whole planting

bjtmaincu

Up close

 

bjtoday3

Another Bjorn bonsai. This one looks like it might be the same kind of juniper as the planting above

 

bjorntoday1

Hat's off to Bjorn. This one strikes me as a good example of how to make a tree with a difficult shape look good. Bjorn doesn't say what type of pine this is

 

bjtoday2

I love the unusual shape and the gnarly ancient looking bark on this one. Judging by the needles, it looks like it may be the same type pine as above

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Two Splendid Cedar Bonsai

cedar-1

This has to be one of the very best Northern white cedar (Thuja occidentalis) bonsai we've seen yet. We've seen thousands of magnificent Cedars growing in the wild here in Northern Vermont and surrounding states and provinces, but very few top quality bonsai. BTW: this one belongs to Brian Donnely of Quebec City. The photo is from one of the U.S. National Bonsai Exhibition albums (I don't remember which). The rest of the photos in this post are of another brilliant Cedar that belongs to Michael Pollock

This post was inspired by a Cedar (Thuja occidentalis) that we’ve featured here in an earlier incarnation. This time it’s a before and after post we found on facebook (photos are below). The artist is Michael Pollock and the results are excellent
Continued below…

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beforeBefore. This is what happens to Cedars. You do a heavy trimming and wiring (see below) and next thing you know, it looks like this. Here's Michael Pollock's caption... "Swipe Right! Another recently re-worked tree. This time a Thuja or Eastern* White Cedar. Recent scientific study aged these collected New England specimens as quite old. Safe to say this tree pre-dates the USA. Really ready for a new pot soon."

Continued from above…
As you may know, our native Cedars present a challenge for bonsai artists. The foliage fans tend to grow too large for scale, so diligent and ongoing trimming is essential. Without going into too much detail, there’s an art to it that requires sharp shears, wire and an understanding of how cedars grow.

after

After extensive trimming and wiring. Now it just needs some time for the foliage to recover and grow just a bit, and it will be restored to its previous splendor (see below)

 

Thuja+5-31-13

It's previous splendor. From a post we did back in October, 2015

*We prefer to call them Northern white cedar rather than Eastern white cedar, though both are misleading. It’s not a true cedar (Cedrus) but rather one of five arborvitae species (Genus Thuja and family Cupressaceae (cypress family)) that grow in the northern hemisphere (2 in North America and 3 in Asia). Here’s a link to Wikipedia if you’d like to know more

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A Very Variegated Unusual Bonsai

var

I think this unusual gem is the first variegated privet bonsai I've seen. Here's what our source for this photo, Miguel Ros of Museo Tatsugoro said when he posted it... "It's a Ligustrum with a natural graft of the same species. Its leaves are variegated!!!. It's a beautiful tree." (If you're interested, here a link to what Wikipedia has to say about natural grafts.) 

When I stumbled upon this unusual tree on Miguel Ros Museo  Tatsugoro timeline, I thought the variegated and the unvariegated leaves look a lot like leaves you might find on two different Serissa foetida varieties, but that the trunk is impossibly thick for serissa. Had I been on the ball, I might have realized that the leaves also look a lot like they might belong on a privet, and that there are privets with variegated leaves, at least in the nursery industry, if not on any bonsai we know (until now, that is)
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varcu

Here's a closer look at the trunk and at the variegated leaves

Continued from above…
Privets have been capturing our attention a lot lately. Especially since we became the North American distributor for Harry Harrington’s unique bonsai treasure, The Foundations of Bonsai. Harry is a bit of an expert on Privet bonsai and his book is a very good place to develop your privet expertise and expand your knowledge of bonsai in general and particularly bonsai from what you might call ordinary stock (aka inexpensive stock).

 

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varhandback

The hand in this back of the tree shot offers a perspective when it comes to size. I lifted it from a video at Miguel Ros' Museo Tatsugoro's timeline... thus the fuzz

 

vartop

This bird's eye shows the extent of the variegated section. It was also lifted from the video at Miguel Ros' Museo Tatsugoro's timeline

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Juniper Bonsai – Before, During & After

yama2017Noelanders

This Itoigawa juniper (Juniperus sargentii Itoigawa) belongs to Yannick Kiggen of Yama Bonsai Studio. The shot is from Noelanders Trophy 2017. The 200 year old pot is by Nakawatari. The stand was built by Pascal Houdusse

This before, during and after sequence, covers four years in the life of Yannick Kiggen’s massive old yamadori juniper (yamadori is bonsai collected from the wild). Yannick bought it in 2014 from Maarten van der Hoeven of Bonsaiplaza, who imported it from Taisho-en in Japan.
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2014This before shot was taken in 2014. Of course it's not the original before shot from when the tree was collected, but it's all we have. When a bonsai is this well established, it's more a question of annual maintenance, at least until more dramatic changes are desired or required (it's impossible to simply maintain a bonsai as is - sooner or later some more serious restyling will be necessary)

Continued from above…
You might notice the wide range of foliage colors in these photos. This is the way we found them in Yannick’s facebook photos (I did do some cropping and just a little background tweaking in the photo above, but no changes in hue, saturation or color balance*)

 

yama2015Here’s Yannick’s caption… “I observed the tree for a year, and than the first shaping came in 2015

 

2016Yannick's capton... "2016- thinned it out again. stil needs a few wires and a different pot"


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yama2017And again, Yannick's caption... "Few weeks ago was time to unwire this Yamadori itoigawa. Manuel Germade cleaned this beauty"

yama2017Noelanders

Here's the after shot again. You might notice the pinkish tone on the shari and the background. When this happens it usually means someone has played with the color. In this case, it looks like they wanted to enhance the red in the pot. I adjusted the levels to take some of the pink out, but didn't want to mess with things too much*

*I usually consider messing with color taboo, especially when working with photos that belong to someone else. The exception might be a little softening of unreal looking background tones (this often means someone has already fiddled with the color)

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No Bonsai Are Too Big for Green T – FREE $50 Coupon with Basic Model

GreenTrident

No bonsai is too big for Green T. Speaking of too big, it's not everyday you see a Japanese maple with trunk this massive. It belongs to Jean Paul Polmans and a Basic Green T Turntable exactly like this one can can belong to you along with a FREE 50.00 coupon that's good for any future Stone Lantern purchase

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GreentTKimThat's Marcin Gajewski working on one of Kimura's famous rock plantings that happens to be sitting safely and securely on a Green T Turntable

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