Sturdy Spruce Bonsai

bt61-2

This impressively sturdy tree is from the cover of Bonsai Today issue 61 (all issues are now 30% - 40% off). As you can see, it's a Picea glehnii (Sakhalin spruce) though it's often confused with Ezo spruce (Picea jezoensis) and for all I know, could be an Ezo spruce (there doesn't seem to be general agreement on which is which). Image courtesy of Bonsai Focus.

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ezowalt2This Ezo spruce belongs to Walter Pall. Walter sometimes refers to this natural looking untouched-by-human-hands style as ‘naturalistic bonsai,’ though if you go to Walter’s Bonsai Adventures blog, you’ll see just how touched-by-human-hands it actually was. And just how accomplished Walter is at turning pedestrian bonsai into naturalistic gems.

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 ezowalt-copyThis photo shows the result of another radical Ezo transformation by Walter Pall. If you look at what Walter started with, you’ll see what I mean.

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Site Wide Sale Ends Tonight! – More Kingsville Bonsai

 boonkingYou can tell this is a genuine Dwarf Kingsville boxwood by the tight tiny leaves. This planting by Boon Manakitivipart was the winner of the Certre Award at the 2010 U.S. National Bonsai Exhibition.

We’ve got two more Dwarf Kingsville boxwoods today. Sweet trees, but they grow microscopically, so don’t expect fat trunks any time soon.

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1071A great pot and the finishing touches that the moss and soil present, don’t hurt this sweet little bonsai at all. This photo originally appeared on the cover of Bonsai Today issue 107. The tree belongs to Michael Persiano (co-editor of our Masters’ Series Pine book). You can see and read about its earlier stages of development in Bonsai Today issue 97.

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each one comes in a beautiful Bamboo box

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order yours for January delivery

 

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There’s No Better Time…

king

A pitch perfect Kingsville boxwood by Rodney Clemons. Here's Rodney's caption: "My old Kingsville Boxwood was also shown at the Silhouette Show this year. First and perhaps the only time to be seen public." The exquisite pot is from China, the stand is by Charlie Clemons and both photos in this post were taken by professional bonsai photographer, Joe Noga.

The elegant, serene and perfectly lovely Dwarf Kingsville boxwood above belongs to Rodney Clemons, as does the equally impressive Winged elm below. I don’t think we’ve ever featured Rodney on Bark, so there’s no better time than now to correct this oversight. Both photos are from Rodney’s facebook feed.

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elm

Here's Rodney's caption for this one: "Great photo of my Winged Elm at this year's Silhouette Show in Kannapolis NC." The pot is by Sara Rayner and the stand is by our neighbor (well, we're both in Vermont) David Knittle.

 

kingcu

Close up of the Kingsville. I wanted to show you the planting's structure and especially just how tiny the leaves are, and even though this blowup is a little fuzzy, I think you can get some idea.

 

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Monster Maple on Fire

mmmain

Shishigashira Japanese maple on fire at Kouka-en.

Yesterday was a one photo post. Today it’s a one tree post (with several photos).

I found this powerful old Japanese maple on Bjorn Bjorholm’s feed. Bjorn is featured here on Bark regularly. He also has a website (just a click away). Kouka-en is also worth a visit if you have a little time on your hands.

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Bonsai with Japanese Maples

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A Rare One Photo Post

china

Something I just found and thought you might like. I don't know the variety, but whatever it is, it's pretty cool.

This is a very rare one-photo post. I don’t know anything about the magazine, but I do like the tree and generally like Penjing and Penjing style bonsai. The photo is from Mauro Stemberger’s facebook feed

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28 Questions for an American Bonsai Apprentice

shimpaku3Kishu shimpaku grafted onto a Seirra juniper, recently reworked by Peter Tea. Speaking of, Peter seems to have dropped off the map. His last post was April, 2014. I haven't heard or seen a thing from him since.

Tis the season for old posts. This one is from June, 2014.

The other day (this was written in 2014) I happened upon a unique and worthy bonsai blog called Yenling Bonsai that belongs to Jeremiah Lee. In the course of familiarizing myself with Jeremiah’s handiwork I came across this October 2012 interview with Peter Tea.

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Before we get to the interview, just a word about Peter Tea. Peter is a promising bonsai apprentice/artist and good writer too. We’ve featured Peter many times here on Bark and we always recommend that you visit Peter’s blog yourself. It’s a journey worth taking.

Meanwhile, we won’t publish the whole 28 Questions here. Just enough to peak your interest and prompt you to pay a visit to Yenling Bonsai. We’ll put Jeremiah in italics and Peter in plain text:

shimpaku3cu

Shari close up...

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Jeremia Lee: I recently caught up with Peter and was able to ask him several more questions I had and he was kind enough to answer. I thought I would share these, so here are the 28 questions and answers below. Thank you Mr. Tea!

1. What do you think you will learn or focus on in 2013 as opposed to what you’ve learned and focused on in 2012?

Peter Tea: 2012 was a overload of new Bonsai information for me. It reinforced what I’ve learned in the past, yet also got me to rethink my approach and philosophy in Bonsai. For 2013, I plan to continue honing the skills I’ve learned in the past, and be more focused on more varieties and better recognizing the little things that make each species used in Bonsai interesting and unique.

2. What do you think Bonsai in the US will be like 20 years from now?

A. The US is such a large country and Bonsai levels vary greatly. I see a huge leap in quality and enthusiasm as I’m continuing my apprenticeship today. There are young and talented bonsai professionals hitting the bonsai scene and I can only see a up swing in Bonsai and a new higher standard in American Bonsai.

 

tea21This photo appeared here on Bark back in 2011. Here's the caption: An old Black pine at Aichi-en bonsai nursery, after Peter Tea worked on it for three days. 

Continued below…

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3. Name 1 or 2 non bonsai related lessons Mr. Tanaka has taught you during your apprenticeship?
A. It’s okay to have fun too.

…..

8. If Akadama ran out in the US. What mixes would you start experimenting with?
A. Akadama is an interesting soil because it evolves with the root system. At first, it holds only so much water, then as the tree grows more roots and the akadama starts to break down, it holds even more water for all the new roots. I’m not sure what other types of material I can find that will do similar things other then firing some clay myself. If I couldn’t come up with a substitute, I would probably use porous type stones in the mix only such as lava, pumice, etc.

……

12. If any, what types of US natives would you like to work with or experiment with?
A. We are fortunate in the United States with all the great native species to choose from. I like the native junipers and pines, but what I would really love to experiment with are Coast live Oaks and Valley Oaks. Done well, they have such a good feeling to them.

……

16. What’s the best way for people in the US to obtain top notch material?
A. I believe that learning from a skilled and qualified professional will help us all in first recognizing what good material is. Then at that point, it’s a matter of growing, collecting or importing trees. Personally I think growing and collecting are the best way to get nice material. Importing works for me as well but is much more limited with all the restrictions.

……

26. What type of liquid fertilizer if any is used at Aichien and how often is it applied?
A. We don’t use liquid fertilizer at Aichien. We use ground up rapeseed and put them in tea bags. We apply them to different trees during different times of the year.

Visit Yenling Bonsai for the entire interview.

 

538468_3755775939790_1169783851_nThis photo of Peter working on a Black pine at Aichi-en appears with the interview on Yenling Bonsai.

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Two Simple Tricks With Bonsai Wire

ca17-oct-jwp-copy

Japanese white pine from our 2017 Bonsai Calendar (Sorry, sold out). This tree has no doubt been repeatedly wired over years of development.

The  photo above is from the October page of our 2017 Bonsai Calendar. The rest of this post is from March 2010. Two dates separated by more than eight years. But the advice is timeless.

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straight

Too long and too straight. We all know you can add curves to a branch that is too straight, but did you know that you can also use wire to shorten a branch that is too long?

 

notstraight

Much better. Now it's much shorter and much more interesting.

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This make about 125 items at mercilessly low prices
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halfCrack! Branches sometimes crack. In fact, experienced bonsai artists sometimes intentionally crack a branch in order to bend it more than it normally would. Either way, you need to stabilized it while it heals (see below). You also need to apply sealing paste (cut paste).

 

half2Keep it still. You can use a guy wire to prevent any more downward movement while the branch heals. All four drawings in this post are from Bonsai Today issue 21.

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Ordinary Bonsai for Ordinary People

1johnbsKishu shimpaku juniper by John Brocklehurst. I like the fragile deadwood twigs and ordinary qualities of this tree, though it could use more refinement and the pot seems a little large, still most of us aspiring bonsai artists would love to see it on our bench.

This may be our busiest weekend of the year. That’s my excuse for resurrecting another post from our archives. This one is from January 2013. It was titled, Small Is Still Beautiful. I chose the current title because the trees shown here, though very good, are not quite the jaw dropping world class bonsai we usually show.

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Here's a powerful yet graceful little Japanese white pine (Pinus parviflora). No artist is listed, nor is the name of the little companion.

All the photos in this post were taken by Mark Cooper at the 2012 Noelanders Trophy. I found them in two places (here and here) on Morten Albek’s excellent Shohin Bonsai Europe blog. Unfortunately, the artists are not listed with most of the photos.

 

This sweet little Japanese black pine has a lot to say about age and movement (needle reduction too). No artist is listed.

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A muscular little European olive and a very funky (in the good sense of the word) pot. Then there's old Chinese sage enjoying the shade. No artist listed.

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Confused about Itoigawa, Kishu & Shimpaku Junipers?

jun1

This dynamic Juniper jumped off its digital page on my daily bonsai hunt yesterday. In addition to all its movement, there's those two perfectly placed foliage clouds. Their gentle downward motion and soft weight help tame the upward thrust of the deadwood. Bjorn Bjorholm's caption for this Juniper reads: "Itoigawa Shimpaku styled in 2013 during my apprenticeship at Kouka-en."

Today it’s a few dynamic Itoigawa junipers for you. The beautiful & energetic beast above is from Bjorn Bjorholm’s facebook feed. I pillaged the others from our archives.

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Confused about the the differences between Itoigawa, Kishu and Shimpaku junipers? Nebari Bonsai can help shed some light.

crespimainPower, movement and texture. This astounding Itoigawa shimpaku juniper (Juniperus chinensis Itoigawa) received an Honorable Mention at the 2015 Crespi Bonsai Cup which was held at the Crespi Bonsai Museum. It belongs to Gino Costa.

 

o41Isao Omachi identifies this Itoigawa shimpaku and notes that is 29cm (11.5"). The other trees in this post appear show-ready while this one has a freshly lime-sulfured, in-process look.

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hh4

This artfully swirling Itoigawa Shimpaku juniper (Juniperus chinensis Itoigawa) belongs to Fabio Mantovani. The photo was taken at the recent European Bonsai San Show by Harry Harrington (cropped to get a closer look).

 

itoigawa-1Sculpted swan with swooping lines. A work of abstract art. It's an Itoigawa juniper that belongs to Isao Omachi.

 

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Windswept Deadwood?

taxfront

Windswept deadwood? I don't think I've ever seen deadwood quite like this. It's those little spikes on the left that conjure wind or speed, but I think it must be something else. I wonder what natural forces would cause this.

I like this tree. It’s over the top a bit, but real eye catcher and it’s easy to appreciate the work that went into it. Especially if you know just how hard Yew wood is.

In this case it’s European yew (Taxus baccata). Sometimes called English yew, but considering that it grows over much of Europe and into western Asia, we’ll stick with European.

The artist is Sandro Segneri. And if I read the Italian correctly, it’s part of the Bonsai-Do Avellino collection.

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taxcu

Close up...

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taxbackThe other side...

 

taxside

Side shot...

taxdraw

I don't know if Sandro Segneri drew this and if it was drawn before the tree was styled or after. I'd like to think it was drawn before as a guide for styling.

 

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