Wiring Your Bonsai – Copper or Aluminum?

B1JUNHillLike most bonsai, this one has been wired (if you take a close look you'll see some wire). It's a collected California juniper by Warren Hill, from the gallery section of our Masters Series Juniper Book (now 25% off our already discounted prices).

It’s time to reach back into our archives once again (from May, 2013 with some changes).

Most bonsai are wired. In fact, bonsai that have been around for a long time may have been wired repeatedly. There are reasons for this, not the least of which is, it is often difficult to get decent results without wire.

Anodized aluminum wire is the most popular, at least here in the West (the other choice is copper, now 20% off). We offer both Japanese (Yoshiaki brand) and Chinese (Bonsai Aesthetics brand) anodized aluminum wire. Yoshiaki wire is a little stiffer than Bonsai Aesthetics wire. Stiffer means slightly more difficult to use, but better holding power.*

However, holding power* versus ease of use is not the whole story. There are at least two other things to consider: the price and the type of tree you are working on.

*Holding power general rules of thumb are: copper wire should be about 1/4th the diameter of the branch – aluminum should be 1/3 to 1/2 the diameter.. but as you know, general rules never apply to all cases, so some experimentation may be required.

Continued below…

bt77-p034-062Here's another one with visible wire. It's a Shimpaku that's from a chapter in our Masters' Series Juniper book, titled Keiko Tamaki's Deft Touch.

When it comes to price, Bonsai Aesthetics wire is hard to beat. It’s such a good deal that even though you have to use slightly heavier wire to get the same holding power, you still save money.

Types of trees can be broken down into four very general categories: conifers, deciduous trees, temperate zone broad leaf evergreens and tropicals. We’ll just skim the surface here and maybe dig a little deeper in future post.

Most conifers require stiffer wire than other trees, so copper works quite well (it’s the strongest and very good for heavy branches). However, many people eschew copper wire for the ease and lower cost of aluminum. If you use aluminum you’ll need a gauge that is much thicker than for copper.

Deciduous trees are usually wired with aluminum as are most temperate zone broad leaf evergreens (azaleas for example). Either Yoshi wire or Bonsai Aesthetics will work depending on the size of the branch and your preference.

Many types of tropicals are seldom wired, if at all. If you do have a tropical that you’d like to wire, we recommend Bonsai Aesthetics aluminum wire. Tropicals tend to grow so fast (especially in hot climates) that you’ll be taking it off not long after you put it on, so why spend the extra money?

At this point, I’d be well-served to borrow Michael Hagedorn’s disclaimer: “There are plenty of exceptions to everything I just said, which naturally makes blogging about bonsai a total disaster.”

Continued below…

B1JUNIPER770All the photos in this post are from our Masters Juniper book and like all the books on our site, it is now 25% off (of our already discounted prices).

 


 One good reason the best Japanese bonsai look more refined than most Western bonsai is because Japanese bonsai artists tend to wire all the way out to the tips of the smallest twigs.

 

Once the wire is on (copper in this case) it's time to bend. This photo and all the others in this post are from our Masters Series Juniper book.

 

Another good use for wire. If you want to prevent future mishaps, both small and large, it's an excellent idea to wire your tree into the pot.

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Still Bonsai Crazy

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After Uchi-san's magic touch. Here's what Mark Fields has to say about this tree: "Uchi-San just finished up styling the big taxus. It took about 16 hours to complete. Ready for the big show now! We know the pot is too big for the tree. We will repot in spring."

This post originally appeared in October, 2014. I don’t think I’ve ever seen a tree styled like this one. But then, I’m not sure I’ve ever seen a bonsai artist quite like Bonsai Crazy Uchi.

Mark Fields is an American bonsai artist and owner of Bonsai By Fields in Greenwood Indiana. Uchi-San is Bonsai Crazy Uchi. The show that Mark is referring to is the 4th U.S. National Bonsai Exhibition.

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I love these close-up deadwood shots that let you see every little scar and sliver. 

 

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Before Uchi-san. I dug around Mark's facebook photos and found this before shot. You might imagine that's Mark in this hands-on profile and you'd be correct.

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Bonsai Crazy Uchi. The name Crazy is his idea and there's a good reason he's wearing shades (stay posted).

 

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Before & After – Yearly Work on any Juniper

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Before and after on cleanup day. It's a Tam juniper (Juniperus sabina ‘Tamariscifolia) that belongs to Michael Hagedorn.

Here’s copy about the tree shown above that I lifted from Michael Horndorn’s Crataegus Bonsai: “The day these photos were taken was a basic ‘clean up day’ for the juniper—no wire was applied, removing only old and dangling foliage and shortening shoots that were overlong, and also sanding the bark, cleaning deadwood, and applying lime sulfur. This is yearly work on any juniper.

 

TamIt's a little hard to fathom that the tree above is the exact same variety as this low growing clump... but it is.  Here's Michael's copy for this photo: "Tam Juniper, is a commonly planted conifer for foundations and gardens. The foliage grows upright from the branch, giving it a sprightly appearance."

We are extending our 25% off Book Sale for another week
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TamAfter

A close-up of the after shot

3 Sales End Tomorrow
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Masters' Series Books25% off Bonsai Book Sale extended one week
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the 3rd printing of our Pine Book is due next month

3 other sales end tomorrow

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An Independence Day History of Bonsai in the U.S.

wistThis wildly expressive Wisteria reminds me of exploding 4th of July fireworks. The photo is from Bill Valavanis‘ Classical Bonsai Art (out of print). The tree belongs to Robert Blankfield, who originally styled it at a workshop with Bill.

This post is resurrected from Independence Day, 2013, with a few additions and subtractions.

Tomorrow is Independence Day here in the USA. To help you celebrate, why not enjoy a sampling of home grown bonsai?

But first, because many of our readers are not U.S. citizens and because some U.S. folks don’t know much about history anyway, a quick American history lesson follows.

Two hundred and forty years ago, a bunch of unruly, but very smart male landowners declared independence from their British overlords – who had among other things, made it difficult to import bonsai from Asia – formed a rag-tag army and after much suffering on all sides, sent the Redcoats back to their often dreary island. Now everyone has kissed and made up, women and most people who don’t own land can vote and it’s still difficult to import bonsai from Asia.

 

DanHinoki1-1Picasso's (aka Dan Robinson's) now famous wild and wonderful Hinoki. It's from Will Hiltz' most excellent book, Gnarly Branches, Ancient Trees, about Dan's life and work. BTW, it's back in print and available at Stone Lantern (by agreement with the publisher, sales do not apply to this book)

As long as we’re talking about sales, all of our current sales end this coming Wednesday at 11:59pm EDT. Including our 25% off Book Sale

 

This Hinoki is a contrast in types with the one just above. World-class Hinoki aren't very common, but this muscle-bound powerhouse by Suthin Sukosolvisit certainly rates


Michael Hagedorn (author of the now famous book, Post-Dated) reworked this magnificent collected Sierra juniper (grafted with Shimpaku) in a half-day refinement session at the Pacific Bonsai Museum, way back in 2009.

 

While we're in the Northwest, we might as well stay there long enough to feature a Ryan Neil bonsai. It's a collected Lodgepole pine.

 

This one's a Nia buxifolia that belongs to Michael Sullivan of Florida. It won the Finest Tropical Bonsai at the 2012 U.S. National Bonsai Exhibition.

 

Nick 'Larch Master' Lenz has collected and styled so many great Larches that it's easy to overlook the fact that he also has collected and styled so many great trees that aren't larches. This distinctive humpbacked apple is a pretty good example of one of those other trees. It's from Nick's Bonsai from the Wild (now out of print).

 

Time for an immigrant. This worthy old Korean yew (Taxus cuspidata, usually called Japanese yew) was donated to the Pacific Bonsai Museum by Mr. Su Hyung Yoo of Korea. It's one of 248 fine bonsai that are featured in the 3rd U.S. National Bonsai Exhibition Album and in my opinion, one of the best.

 

This rare beauty is the other immigrant. It’s a Nyohozan Satsuki Azalea that belongs to The Kennett Collection. It originally belonged to Kunio Kobayashi of Japan, one of the world's most renowned bonsai artists. Like many of the other trees in this post, it's featured in the 3rd U.S. National Bonsai Exhibition Album. It has also been featured here on Bark several times.
This sweet California native is the tree that graced the cover of the very last issue of Bonsai Today (issue 108). It's a Sierra juniper that belongs to Boon Manakitivipart one of North America’s most influential bonsai artists and teachers.

Speaking of Bonsai Today magazine, our 30% off back issue sale ends this coming Wednesday at 11:59pm EDT.

Sheer power displayed by another California native. This photo of a now famous California juniper (Juniperus californica) is originally from a chapter by Ernie Kuo in our Masters’ Series Juniper Bonsai book that’s titled ‘Two Studies.’

 

B1JUN770

Our Masters Series Juniper Book is currently available at Stone Lantern for only 17.20 (list price 29.95, our discounted price 22.95 which comes to 17.20 with our 25% off book sale).

 

Boug

We've also got some tropicals here in the U.S. This colorful full bloom Bougainvillea belongs to Rick Jeffery. The photo was taken at the Epcot International Flower & Garden Festival.

 

4 Big Sales End Soon

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the following sales end at 11:59pm, Wednesday, July 6th
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Solid Gold Money Tree & Two Big Bonsai Events

gold1

A little tacky for sure. But how often do you see a 'solid gold' money tree? It's from Bill Valavanis' bonsai blog. He discovered at a Chinese restaurant while in the Philippines in March.

Bill Valavanis has two exciting bonsai events coming up. First and foremost is his 5th U.S. National Bonsai Exhibition in September. Second is his tour of the 2017 8th WBFF Bonsai Convention in Saitama (Omiya) Japan. Details and links for both are below.

In addition to Bill’s big bonsai events, you might like to know that we have 4 New Sales at Stone Lantern, including 25% off our vast bonsai book selection. These sales, like the two events shown here can enhance your bonsai experience. After all, who doesn’t like good products at great prices?

5th

This is an event that all of us here in North America (and beyond) should put on our calendars. If you've never been to an major bonsai exhibition like this, prepare to be blown away. Here's your link to learn more and sign up. See you there.

WBFF

Can you imagine? Can you go? Here's your link

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Two Pines, an Honest Effort (& Something New for You)

mugo

I like this tree's fluid movement with its strong changes of direction. I also like the pot, though if you're showing a tree like this, it could be a little smaller. Here's our rough translation of the caption with this photo: "This charming and elegant image that we're sharing is from Bonsai Albar (does someone knows who it belongs too? Thank you)." The original Spanish is below.*

Today we’ve got two pines for you. A little digging unearthed the tree above as a Mugo** but the artist is unknown. The tree below is the reverse; the artist, Kevin Willson is identified, but we’re not sure about the tree.

Thanks to Bonsai Maydalit for both photos shown here. It seems they make an honest effort to attribute artists and identify trees. Not everyone on social media bothers.

 

pine

We know this pine was styled by Kevin Willson, but we don't know what kind of pine it is (I'll guess that it's also a Mugo, though my guessing powers leave something to be desired).

*”Este bellisimo ejemplar lo compartí de: Bonsái albar (si alguien sabe a quien pertenece? Gracias)”

**Sorry, no link… it was found then lost (in passive voice)

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Brilliant Bonsai Pots – Site Wide Sale Ends Tonight

pot

This brilliant bonsai pot is by Satomi Terahata, as are the other pots shown here

There are two ways to look at bonsai pots – with and without trees. Pots with trees are often overlooked, especially by less experience bonsai enthusiasts, who may not yet fully grasp the importance of the relationship. How a bonsai isn’t a bonsai without the pot. Or, in the eyes of some, ‘without the right pot.’

In this post it’s pots without trees. This offers a chance to appreciate the art of bonsai pottery simply as is (no tree required) and an opportunity to imagine what kind of tree might be suitable for a particular pot.

All the pots in this post are by Satomi Terahata. I found the lead pot here on facebook. The rest were here and there on the web, including on one of my favorite sites, Japanese Bonsai Pots.

Our 15% to 20% off Site Wide Sale ends tonight. Details below.

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Fans are a recurring theme in Japanese art. And though it speaks for itself, this pot is, to my eye, a total delight to behold

potdetail

Close up of the lead pot

 

pot2

A little more understated than the other two so far...

 

pot4

Scenes that tell stories are a recurring motif in Japanese ceramics

 

pot8

 

potcornerdetail

Back to the lead pot. This time a close up of a corner shot that shows the fine cracks in the glaze

Our 15% to 20% off Site Wide Sale
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Old Bonsai Beauty – Site Wide Sale Ends Tomorrow

azalea4-1This old beauty is one of hundreds of quality bonsai that was featured at the 2nd U.S. National Bonsai Exhibition. It's a Nikko Satsuki Azalea that belongs to The Kennett Collection. It originally belonged to Kunio Kobayashi who started it by planting small Nikko's next to each other. The 5rd U.S. National Bonsai Exhibition will take place September 10th & 11th in Rochester NY. See you there!

Running a little behind schedule, so we’ll dip back into our deep archival pool once again. The photos and some of the text in this post are from May 2012.

You may notice from the title that our
Site Wide Sale ends tomorrow
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It's not a bonsai, but it is a sweet photo. It turned up on the New England Bonsai Gardens facebook page a while back.

 

Restyling a Mugo pine. The Bonsai Journal has an excellent step-by-step photo article by Wolfgang Putz on his award winning Mugo pine. This photo was taken in October 2002 at the Euro Bonsai Gala. The tree was selected among the fifteen best trees of the show by the two special guests from Japan, Mr. Harunobu Tokita and Mr. Yoshihiro Nakamizu.

 

Paolo Gai sent us this digitally altered version of an ancient looking Ezo spruce that we featured two weeks ago. At the time I wondered what would happen if you removed the shari. Now, thanks to Paolo Gai, we have an answer.

 

The old Ezo with its eye-catching shari
Bonsai Tourists. We featured Chase and Solita Rosade's Bonsai Studio yesterday, now here they are again. From Bonsai No Satori, the Rosade Bonsai Studio Newsletter.

 

You don't see that many Birch bonsai. Let along quality Birch bonsai. This one is from the Maros Bonsai Blog. Apologies to Maros for playing with the image in order to get a clear background. You can go here to see original photo.

 

This looks intriguing. I've often thought that residential retreats are one of the best ways to enhance your bonsai skills. You can check it out here.

 

Excellence in Bonsai for Over Fifty Years

rosade3

Massive trunks and extensively carved deadwood aren't the only way to go. Delicacy, grace and color work too. This photo and the others in this post are from Rosade Bonsai Studio. The tree looks a lot like a Virginia creeper.

It has been a long time since we visited Chase and Solita’s Rosade’s Bonsai Studio. If you’re old enough, you might even remember when it first opened. I don’t know the exact date, but I do know that it was over fifty years ago (proof is just below).

Which must make Rosade Bonsai Studio one of the older Bonsai nurseries in north America. For sure one of the two or three oldest in the eastern U.S. (some of the nurseries on the west coast go back to late 1940s or early 1950s and if it weren’t for the internment camps, might have gone back even further).

5oyears

Proof! Well, even though it doesn't say Rosade Bonsai Studio anywhere, you'll just have to trust me (or check for yourself)

rosadeficus

Looks a lot like a Ficus

rosade22

I like the long gentle curve on this juniper

rosade2

It's easy to appreciate the unusual shape of this old juniper

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