Quiet Dignity – Formal Upright Bonsai

cryptoafter-21This Cryptomeria japonica is reminiscent of the unimaginably vast and towering Giant sequoias in California's Sierra Nevada. This effect could be enhanced by photographing it from a little lower (see the photo below), but you still get the drift.

Back very late last night from vacation, so we’ll revisit our archives one more time. This one was originally titled Quiet Dignity (July, 2011).

What great trees. The one above is from Michael Hagedorn’s Crataegus Bonsai. You seldom see a real good formal upright bonsai and you don’t see many good Cryptomeria bonsai either. Especially in the West (as you might expect, they are more common in Japan). Their common name in English is Japanese cedar, even though they’re not really cedars (but then all kinds of trees that are called cedars, aren’t really).

In Michael’s own words “This cryptomeria was one of the standout trees in Boon’s backyard when I studied with him ten years ago. He’s been maintaining it for years. It was originally styled by Mitsuya during one of his visits to the states in the early 90s, and is the most significant cryptomeria I’ve seen in the United States. It’s about a meter tall, and has been developing as a bonsai for about twenty years….” For the whole story, visit Crataegus Bonsai.

pineformalAnother dignified formal upright. The one is a legendary Japanese white pine and is perhaps the most famous formal upright bonsai in the world. If was restyled by Masahiko Kimura (The Magician) just before this photo was taken in 1997. It appears in our book: Pines, Growing and Styling Japanese Black and White Pines.

 

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Pine Boom again

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This gnarly old Mugo pine belongs to Walter Pall. It's no doubt a yamadori (bonsai collected from the wild). Perhaps from the Alps?

Yesterday was Walter Pall. Today it’s pines, two of which belong to Walter. This post originally appeared here on Bark in September, 2012.

As far as I know, there is no Pine Boom. I was trying to type Pine Book as a filler until a more suitable name for this post came to me. Then, a simple typo, and now it’s Pine Boom.

Anyway, I’m trying to pull myself to together to catch a plane, so, quickly, here are some pine bonsai for your enjoyment (this was written in 2012, but still holds; catching a cross-country plane tomorrow morning back to Boston and then the three hour drive home to Vermont).

 

sudoWould you remove the first branch? The more I look at this tree, the more I like it. It's a Japanese white pine by Susumo Sudo. Even though it doesn't sport a heavy truck, there are several other features that lend an aged feeling; not the least of which are its rugged bark and natural looking deadwood (particularly the see-through shari). It's from our Masters' Series Pine book.

 

Before and after Scot's pine by David Benavente. You might notice the rebar in the after photo. If you're familiar with David's bonsai, you know that he has a penchant for using rebar to shape tough old wood.

 

Apologies for featuring Walter Pall's famous Scot's pine once again, but just in case you're one of the three people who hasn't seen it. This particular iteration of this oft photographed tree, appear on the cover of Bonsai Today 104.

 

Photoshopped? I'll leave you with this one to contemplate. I found it in Peter Ebensperger's facebook photo.

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Getting Out of the Way & Extending Our Bonsai Book Sale

 walter71This Ponderosa pine was no doubt collected somewhere in western North America and exported to Europe. Europeans are lucky in that regard; it's relatively easy for them to import plants from around the world. Here in the U.S. restrictions are much more onerous. The tree belongs to (or belonged to?) Walter Pall. The photo is from The Art of Bonsai Project, as are all the photos in this post.

We’ve decided to extend our Bonsai Book Sale until Sunday (see below). This is because I’m traveling and can’t find the time (don’t want to be bothered) to make the decisions and changes necessary. Traveling is also the reason we’re resurrecting this post from our archives (April, 2013).

All of the bonsai in this post are by Walter Pall in collaboration with Mother Nature. Walter is a proponent of the ‘getting out of the way‘ school of bonsai. Not that we want to resurrect the old naturalistic vs highly refined debate, but somehow, whenever we discuss Walter’s trees the questions begs to come up.

‘Getting out of the way’ isn’t really the whole story. Clearly Walter doesn’t just find suitable yamadori (trees collected from the wild) and stick them in pots. His experienced eye and hands are a big part of the process. Still, I think the objective is to do whatever is deemed necessary to let the natural qualities of the trees speak for themselves.

walter53Some of Walter's best trees are Norway spruce (Picea abies) and this one is no exception.

 

walter81A trunk that's full of character never hurts. It's an English oak (Quercus robar).

 

walter21Simple elegance and shaggy bark. I don't think you'll find such perfect Bunjin (Literati) bonsai growing just anywhere. It's a European larch (Larix decidua). The pot is by Peter Krebs.

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Larch Bonsai – Good Stock Never Hurts

Larches in training by Francois Jeker.

Traveling again, so we’ll delve back into our archives. This one draws on material from three different posts.

Larches are easy to grow (especially if you live in the north), easy to train and are naturally attractive trees. If you start with decent stock and you have some grasp of design and technique, you can end up with the kind of results you see above.

This is not to say each tree couldn’t have been styled differently as they certainly could have. Give the same potential bonsai to five different bonsai artists and you’ll end up with five different trees.

 

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This towering Tamarack is too tall for the photo, so the top and a tiny piece of the bottom of the pot are missing. It belongs to Suthin Sukosolvisit and is from a post we did back in February of this year. Tamarack is a local name for the American larch (Larix laricina). Suthin identifies it only as 'larch,' a genus of trees that numbers about twelve species; so Tamarack is a guess based on geography.
wildlarchInspiration for your bonsai. Here's something from a post we did back in April, 2010. The photo originally came from Bonsaimania.

 

B1-2JEKERIf you'd like to dig into aesthetics and techniques for superior bonsai, check out Francois Jeker's excellent books. You can also visit his website.

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Remembering When Isao’s House & Bonsai Were Washed Out to Sea

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Sculpted swan with swooping lines. A work of abstract art. It's an Itoigawa juniper that belongs to Isao Omachi.

A little over five years ago, Isao Omachi’s house and bonsai were washed out to sea. Here’s what he wrote on the anniversary of that terrible day:
Today is 11th March.
5 years has passed since terrible earthquake in Japan.
I never forget the day I lost everything.
But I could resume my 2nd life thanks to my friend’s support.
I can’t express my gratitude in the words.
Now I go ahead step by step.
Once again, Thank you everybody.
I’m looking forward to seeing you again!

The two bonsai shown here (whoops… see below) and Isao’s quote are from his timeline.  For more on Isao and his bonsai, here’s a link to some previous Bark posts.

 

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My mistake. This does tree not belong to Isao Omachi. Hollowed out trunk, two living veins, a strange little deadwood creature and a bottomless pot. Dave DeGroot just sent this email:  
Thanks for sharing the information about Isao’s recovery from the tragic event a few years ago. I just wanted to mention that the second image attributed to him (the yew) is actually the work of Korean artist Yoo, Su Hyung, and resides at the Pacific Bonsai Museum in Federal Way, WA. Mr. Yoo is a wonderful bonsai professional from the city of Pyontaek in South Korea. He has a facebook presence, and is well worth checking out.Thanks again for your always interesting Bonsai Bark and posts. Dave
Asleep at the wheel: I should have noticed the backdrop. Now that Dave mentions it, it's obvious, as is the tree, which as it turns out I saw in person last fall.

 

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A happy Isao Omachi breaking down at the year's Kokufu exhibition (2015). Photo by Bill Valavanis.

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Root Over by Robert

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Robert Steven has done it again. This time it's a perfect root-over-rock bonsai (I couldn't find the variety). Here's what Charles Bevan has to say about it: "This is unbelievably perfect. One quick glance at this tree brought me to a state of nirvana."

The three trees shown here are from Robert Steven’s timeline. No varieties given, and though we would rather know what they are, we can still enjoy simple bonsai beauty, with or without a name.

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Even though we don't know what the trees are, one thing we do know about this forest planting is that it is very large and that such a huge pot most likely cost a small fortune.

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The foliage and deadwood indicate that this is a juniper. But Robert lives in the tropics, where I don't think you'd see healthy junipers (I guess it could be belong to someone who lives somewhere else?). BTW: where's the living vein?

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Bonsai & Brad Pitt

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Brad Bjorn posing with an impressive (Stewartia?) bonsai. From an article in Architectural Digest titled "Meet the Brad Pitt of Bonsai."

Still looking after my grand kids (and enjoying this fog-shrouded City by the Bay while they’re in school), so to save time and trouble we’ll borrow from our archives. This one appeared last December.

We don’t usually feature photos of people. I almost always find people in bonsai photos distracting. Rather than ‘look at me with my beautiful bonsai,’ I prefer ‘look at this beautiful bonsai.’

However, occasionally photos of people with trees work. In this case, because the article is about Bjorn Bjorholm, “the tall, blond, all-American,” a couple photos of Bjorn with bonsai are appropriate and necessary. Otherwise how would you know?

The article in question, ‘Meet the Brad Pitt of Bonsai‘ appears in the October, 2014 issue of Architectural Digest, one of the one percent’s most prestigious and beautiful magazines.
Continued below the photo…

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Japanese white pine are among Bjorn's favorites. All the photos in this post are from the Architectural Digest article or a slide show that accompanies the article. The little icons in this and other photos appear in all the slide show photos.

Here’s a great excerpt from the article that anyone who has ever really messed something up (I guess that covers us all) can relate to: “Today Bjorholm is fluent in Japanese, “though some days are better than others.” And, he admits, when it comes to his life’s work, mistakes have been made, the most dreadful being when he accidentally snapped off a picturesque and highly important deadwood branch on a bonsai that had taken his employer years to perfect. “My heart sank because I knew he was going to tell me to go home,” Bjorholm says. Instead Fujikawa, his face a furious red, simply turned and walked away and refused to talk to his American apprentice for weeks.

 

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This powerful old yew looks familiar.

 

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Too bad about those little icons, but still, this is an undeniably super cascade in a perfect pot.

 

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Before and after

 

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Brad Pitt, bonsai artist.

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Before & After – Refining a Very Compelling Bonsai

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This has to be one of the most compelling bonsai I've seen in a while. It has that wild, not overly refined look and 'just so' deadwood (it's not dominated by deadwood like so many trees). But the real deal is the trunk. When was the last time you saw a trunk with so much power and character?

To save a little time, we’ll dig back into our archives today (I’m out west watching the grand kids while mom & dad attend the BookExpo America 2016 in Chicago and lunches still need to be made). BTW: this is one of our all-time favorite bonsai out of the approximately one million trees we’ve featured here.

This before and after is more about refinement than styling rough stock. Less daunting perhaps, but only someone skilled in the art of bonsai can do what you see here. In this case, that someone is Gabriel Romero Aguade (Bonsai Sant-boi) (this isn’t the first time we’ve featured him on Bark).

Though no name is mentioned, the tree looks like a Yew. You can tell by the foliage and the reddish bark. Yew bonsai are popping up everywhere. Especially in Europe with the English (aka European) yew (Taxus baccata), where there seems to be an abundance of good stock.

beforeBefore. Already a very impressive bonsai. Just needs an expert hand to bring out its best.

 

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Great Photos from Our Deeply Discounted Bonsai Books

fineflowers

This luscious Satsuki azalea is one of a multitude of remarkable bonsai photos from the very aptly named, Fine Bonsai, Art and Nature.

There’s a theme to this large gallery and a method to our madness. All the photos are from bonsai books that we sell and all our books are currently on sale at Stone Lantern. We also offer books on Japanese Gardening and related topics.

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A piece of the cover of Francois Jeker's excellent, one-of-a-kind new book (well, almost new).

 

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Windswept Japanese white pine tray planting from Zhao Qingquan's remarkable book, Penjing, the Chinese Art of Bonsai. In this case, I think the wind is a gentle but persistent on-shore breeze.

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After. Finished for the moment. The challenge was for Masahiko Kimura to style a bunjin (literati) bonsai with only one branch. It’s a Japanese red pine from our Masters’ Series The Magician, the Bonsai Art of Kimura 2.

 

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Time to repot. Morten Albek intentionally broke the pot to show this Cork bark Japanese black pine’s dense root mass. From Morten’s book, Shohin Bonsai, Majesty in Miniature.

 

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The cover tree from our Masters Series Juniper book. Now back in print.

 

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The cover tree for Botany for Bonsai. It’s a collected Black Mangrove (Avicennia germinans) that belongs to Enrique Castaño, who happens to be the author of Botany for Bonsai and the winner of the 2010 John Y. Naka award (for this tree). BTW: it looks a lot like what is usually called Buttonwood (Conocarpus erectus) in Florida and sometimes called Button Mangrove (just to thicken the plot).

 

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Norway spruce (Picea abies) by Francois Jeker. From the first volume of his two essential books on Bonsai Aesthetics (volume two is out of print).

 

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A piece of the cover of Michael Hagedorn's delightfully readable Post-Dated: The Schooling of an Irreverent Bonsai Monk.

 

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The tree is an old Japanese yew (Taxus cuspidata) from the Pacific Rim Bonsai Collection. It’s one of 248 fine bonsai that are featured in the 3rd U.S. National Bonsai Exhibition Album. The 4th album is also available.

 

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My guess is that this is one of the very best and most famous full cascade bonsai in the world. It's from the Black pine gallery in our Masters’ Series Pine Book.

 

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Playfully sitting bonsai from Kenji Kobayashi's Keshiki Bonsai.

 

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And just in case you are wondering; yes, we do offer a whole range of Japanese garden books and some others as well.

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Muscular Bonsai, Muscular Turntable

muscleolive11Old European olives are often full of character as well as muscle, and this one is no exception. I found it on flickr and then, as one thing led to another, I came to the conclusion that this tree belongs to Luis Vallejo (though I couldn’t find evidence on his website).

Taking off on a long trip today, so we’ll fall back on our archives again. Actually, this will be the third time for this one, but after yesterday’s post it seems like a good idea to show you one of my favorite olives.

There’s something compelling about bonsai with powerful trunks. Assuming that I’m not the only one so compelled, here are four very sturdy bonsai for your enjoyment.

Myrtus communis by Rui Ferrreira. I’ve never seen a Common myrtle with a heavy trunk, let alone one as massive as this one. The photo is from the EXPOS PORTUGAL – 3º Congresso Federação Portuguesa de Bonsai – Ericeira 2011. You can find it on Kintall’s home page. BTW, if you check out the comments in this post from 2013, you can see a couple other shots of this tree.

 

Muscle with nine (?) trunks. This Trident, by Jose Machado, shows a nebari kind of muscle, but muscle it is. Also from EXPOS PORTUGAL – 3º Congresso Federação Portuguesa de Bonsai – Ericeira 2011, on Kintall’s home page).

If you like these muscular bonsai (really any bonsai), you might want consider our amazing Green T Professional Bonsai Turntable. If you haven’t seen it yet, here’s a photo for you (just below). Next step, click here to learn more and then click here and tempt yourself. It might be the smartest thing you’ll do all day.

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Green T Turntable in action
with a massive Mugo pine that belongs to Paolo Riboli