Making an Apex Look Like an Apex

After. Compacting the apex of a Japanese white pine. Borrowed without permission from our friend and teacher, Michael Hagedorn (can you really borrow something without permission?). The before photo is below. It has been a while since we plundered from Crataegus. It’s the before and after apex that caught my attention (the other photos are just for the fun of it). Reason being, that for many of us, figuring out how to make an apex look like an apex is no mean feat. Maybe this will help. A little slice of Crataegus Bonsai. Those doors lead into Michael’s spacious … Continue reading Making an Apex Look Like an Apex

Kokufu 2014 – Time to Get Busy

I don’t think you need me to point out that this is a great tree. Or, for that matter that it’s a great photograph (web photos this sharp aren’t all that common). It’s a Japanese black pine from Announcing the 2014 88th Kokufu ten Bonsa Exhibition on Bill Valavanis’ excellent new blog. If you haven’t already made plans to visit Kokufu ten 2014, it’s time to get busy. It will be held at the Tokyo Metropolitan Art Gallery, February 4th – 12th. Just in case you are new to the wonderful world of bonsai, Kokufu is the most renowned bonsai … Continue reading Kokufu 2014 – Time to Get Busy

A Congenial Way to Start Your Day

Aside from the very distinctive shari and jin (two types of deadwood), there are a couple other things about this Japanese white pine that you may have already noticed. First it seems somewhat top-heavy, and second, this top-heavy quality is exaggerated by the pot, which is quite small relative to the size of the tree. Still, amazingly it works quite well. Even better than quite well. The bonsai shown here are all from a gallery in Bonsai Today issue 96. Reminds me of the older galleries from the very earliest Bonsai Todays. How important they were back in the dark … Continue reading A Congenial Way to Start Your Day

Grafting Master Masaru Ishii

I just spent over an hour digging around the internet looking for at least one really good photo of a masterpiece bonsai by Mr Masaru Ishii. The results are this photo of a grafted Shimpaku in training (from New England Bonsai Gardens) and the photo immediately below. This one is a quality photo, but far from one of the masterpieces that I remember seeing at Mr Ishii’s nursery. The one below is a little closer to a masterpiece, but the photo isn’t so good. Oh well… Sadly, Masaru Ishii, grafting master, bonsai artist, teacher, nurseryman, husband, father and much more … Continue reading Grafting Master Masaru Ishii

An Inexplicable Oversight

I’m going to guess that this peerless pine, with its strong sinuous trunk is a Japanese black pine, rather than a Japanese red. However, there’s no need to guess about the quality of the tree or where we found it (world-class quality and Bjorn Bjorholm’s website). I don’t know exactly how this inexplicable oversight happened, but suffice it to say that I’m amazed and a little befuddled that we haven’t yet featured the truly remarkable bonsai on Bjorn Bjorholm’s website (Bjorvala Bonsai Studio) or the story of Bjorn’s apprenticeship in Japan. Especially given that Bjorn is practically from our own … Continue reading An Inexplicable Oversight

Small Is Still Beautiful

Kishu shimpaku juniper by John Brocklehurst. Mark Cooper took the photo at the 2012 Noelanders Trophy. I like the natural, fragile looking deadwood twigs and a whole lot more about this tree. Shohin again. We’ve been featuring shohin bonsai (small bonsai) a lot lately. Maybe it has to do with fact that we’re all aging and, as we age, smaller bonsai have larger appeal (easier to handle, take less space on our condo’s balconies and are a little less taxing on our social security budgets). Or maybe it’s just that we like them so much. All the photos in this … Continue reading Small Is Still Beautiful

BIB Tonight, BABA Last Night

I wonder where this little Japanese black pine came from originally. My guess is that it was imported from Japan. I’ll also guess that, though it looks like a Yamadori (collected from the wild), it was actually grown for bonsai. I could be wrong on both counts, but there’s one count I’m pretty sure of; this is an excellent little tree, with it’s strong base, aged bark, compact twisted shape, small bright needles and complimentary pot. BIB then BABA I should have posted BIB before BABA (see last post). Confused? Okay, here’s how it goes: There are two (at least) … Continue reading BIB Tonight, BABA Last Night

Your Fate is in Their Hands

Michael Hagedorn (our alphabetically first judge) worked on this Japanese white pine before his teacher, Shinji Suzuki entered it in the famous Kokufu show. You can visit Michael’s Crataegus Bonsai (one of my all time favorite bonsai blogs) for the whole story. Michael is the author of Post-Dated – The Schooling of an Irreverent Bonsai Monk. Bonsai from Scratch Contest: it’s time to meet the judges All the images have been sorted and sized and sent to the judges. Now it’s their turn, so I thought it might be a good idea to introduce them. In alphabetical order, they are: … Continue reading Your Fate is in Their Hands

Tea Time in Japan

An old Black pine at Aichi-en bonsai nursery, after Peter Tea worked on it for three days. Bonsai apprentice Peter Tea is an American bonsai artist who recently became an apprentice at Aichi-en in Japan. Aichi-en, which is known for primarily for Black pine bonsai, is owned and operated by Mr. Junichiro Tanaka. One thing that makes Peter’s apprenticeship particularly interesting, is his on-going chronicle (blog) of his experience at Aichi-en. Peter is not the first to write about his apprenticeship (see Michael Hagedorn’s excellent book: Post-Dated – The Schooling of an Irreverent Bonsai Monk), but so far, what he … Continue reading Tea Time in Japan

Quiet Dignity

This Cryptomeria japonica is reminisent of the unimaginably vast and towering Giant sequoias in California’s Sierra Nevadas. This effect could be enhanced by photographing it from a little lower (see the photo below), but you still get the drift. Far and few between What a great tree. It’s from Michael Hagedorn’s Crataegus Bonsai. You seldom see a real good formal upright bonsai (you don’t see very many formal uprights at all) and you don’t see many good Cryptomeria bonsai either. Especially in the West; they are more common in Japan (their common name in English is Japanese cedar, even though … Continue reading Quiet Dignity