6th U.S. National – Bonsai on a Steady Upward Curve

This award winning dwarf Japanese garden juniper (Juniperus procumbens ‘Nana’) belongs to Creighton Bostrom of Waxhaw, North Carolina. The photo is from the 5th U.S. National Bonsai Exhibition. You can find it and all the other trees in the Exhibition Album. The same goes for the 4th Exhibition (the albums for 1, 2 and 3 are out of print) Thanks to Bonsai Empire for the photos shown here (and for identifying the varieties and the owners). They just made my job easier. And of course, thanks to Bill Valavanis and all the kind folks who put together the previous U.S. National Bonsai Exhibitions … Continue reading 6th U.S. National – Bonsai on a Steady Upward Curve

Elevated Company

The sheer power of this magnificent tree places it in elevated company. It’s a 50cm (20″) tall Ficus microcarpa by one of our favorite South American bonsai artists, Nacho Marin of Venezuela. The pot is by John Evans of the USA. Yesterday we featured a Ficus from Taiwan, so picking up that thread… and because I’m still on mini-vacation, we’ll take the quick path This one originally appeared here in May, 2015 Though this post was inspired by Nacho Marin’s powerful Ficus (above) and though Nacho is South American, when we start looking at Ficus bonsai we seem to circle back to Taiwan NEW FALL … Continue reading Elevated Company

Movement, Power & Artistic Freedom

Abstract bonsai art. I think there’s a temptation to judge trees with elaborately carved deadwood. But maybe it’s best to just appreciate the skill involved and not worry about too much deadwood or whether the result look like our sense of what’s natural or not. Not to downplay the importance of bonsai the look like trees in nature, rather to appreciate the vast variety of approaches and results in our wonderful world of bonsai Yesterday we featured Cheng, Cheng-Kung’s colorful side. Today we’ll touch upon his famous Sidao carving method and some results. Hopefully this will peak your interest. If … Continue reading Movement, Power & Artistic Freedom

Not All Bonsai Need Deadwood

It takes a strong tree to handle a pot like this. This Pistacio (Pistacia chinensis Bunge) has at least two features that qualify: its muscular trunk which works well with the depth of the pot (deep pots with thin trunks just don’t work) and its lushly hued full crown which contrasts with the pot’s brilliance. Today is the first day of a short summer vacation. We’ll try to keep Bark going by employing some favorites from our archives. This one is from January, 2016 (with a couple revisions today) The trees shown here are all Cheng, Cheng-Kung’s creations. Cheng is famous for his Sidiao method (a … Continue reading Not All Bonsai Need Deadwood

Great Bonsai Shots – a Story of Time & Human Artistry

A story of time and human artistry. This shot (looks like a Japanese white pine) is from Kunio Kobayashi’s famous Shunkaen Bonsai Museum in Edogawa, Tokyo Prefecture, Japan. When I first saw it, I was sure that it’s from the tree below. After closer examination, I’m not so sure. All the photos in this post are from the Shunkaen Bonsai Museum fb timeline The Shunkaen Bonsai Museum was founded by the great bonsai master, Kunio Kobayashi. Here’s what Mr Kobayashi wrote about the museum… “The Museum was built with the ambition to spread Japanese culture, especially Bonsai in a new way … Continue reading Great Bonsai Shots – a Story of Time & Human Artistry

Trident Maple Bonsai in a Well Chosen Pot

Sweet! I thought you might like to see this. It’s Carl Morrow’s Trident maple in a very well chosen and appropriately sized pot (Carl sent photos in an email, so no links) Last week we featured a Robert Steven critique of a Trident maple that belongs to Carl Morrow (Size Matters & Small Is Beautiful). It was a repost of a one we originally did in September, 2010. Carl took Robert’s advice and repotted the tree into a smaller pot, though not the same pot Robert used in his simulation (it’s hard to find simulated pots!). As it turns out, I think … Continue reading Trident Maple Bonsai in a Well Chosen Pot

Bjorn’s Bonsai for the Memory Bank

Before and after Juniper procumbens by Bjorn Bjorholm. The most obvious improvement is the foliage mass, but if you take a close look you see can many more changes, particularly the highlighting of the live vein (especially at the top of tree) It’s time to revisit Bjorn Bjorholm one of our most talented young bonsai artists – many of whom, including Bjorn, apprenticed in Japan. The photos and quoted text in this post are from Bjorn’s blog Before we go any further, do yourself a favor and take a look at Bjorn’s Advanced Bonsai Course. The price is right and if you take … Continue reading Bjorn’s Bonsai for the Memory Bank

Bonsai, Before & After – Evolution & Elevation of a Native Scots Pine

Jan Culek’s caption for this yamadori pine reads… “Evolution of native Czech Sylvestris pine between the years 2013-2017.” In English Pinus sylvertris is commonly called Scots pine. Jan makes no mention of the slab pot or the deadwood stand that supports it Here’s one more post featuring the bonsai of Jan Culek. It’s an unusual before and after of a yamadori Scots pine. The tree itself is distinctive enough and shows off Jan’s skills, but I think it’s the deadwood underneath the tree that that elevates the bonsai and causes the whole presentation to stand out (if you suffer from fear of puns, please accept … Continue reading Bonsai, Before & After – Evolution & Elevation of a Native Scots Pine

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Before and After on a Well Established Bonsai

A maintenance before and after. No variety is listed, but it looks like it might be a Shimpaku juniper. The artist is Jan Culek. You might notice the GREEN T Hydraulic Lift Turntable Sticking with Jan Culek, our newfound bonsai artist (see yesterday). This one is a fairly simple maintenance before and after. The shape and other main features have already been established, so it’s time to bring it back to its previous beauty (and beyond). Mostly it’s a matter of thinning the overgrown foliage, cleaning the deadwood and applying lime sulfur, and also cleaning and brushing the the live veins to bring out their natural beauty. … Continue reading Before and After on a Well Established Bonsai