A Solution to a Nonexistent Problem

If you pitch your tent in the Naturalistic Bonsai camp, then it’s probably too late to suggest you avert your eyes. So… as long as you are looking at this remarkable tree, I’ll just comment on how the static perfectly groomed crown seems to contrast with the swirling movement in the perfectly groomed deadwood. Something like that. The artist is Minoru Akiyama, who is one of the headliners at this year’s Mid Atlantic (scroll down a little for more info). It’s that time of year. You can tell because every other post these days features a few big bonsai events … Continue reading A Solution to a Nonexistent Problem

Taxus Maximus (It’s all about Yew)

The powerful tree with its heavy flowing deadwood (it reminds me of melting wax) and luscious reddish bark is truly wonderful, but then there’s that little companion too. Have you ever seen a piece of deadwood used as a bonsai companion? This Taxus (yew) and charming little piece of deadwood belong to Mauro Stemberger. The pot is a Tokoname. Species specific series. I’ve been thinking about starting a species specific series  (in this case it’s actually genus specific). We’ve devoted posts to certain species before, but haphazardly and without any notion of doing a series. So we’ll consider this the … Continue reading Taxus Maximus (It’s all about Yew)

There’s Bunjin and Then There’s…

Recognize this planting? It was posted day before yesterday, though now there has been some changes. Andy Rutledge did the digital pruning and repotting to enhance its bunjin-ness, though I’m not so sure he’d say it quite that way (here’s what he did say about it: Even with a very few, but vital adjustments (mostly reduction), the pines begin to take on the bunjin quality). Wabi Sabi Our previous post elicited one of our best discussions yet. Thanks in large part to Andy Rutledge‘s comments. Here’s a quote from Andy that goes to the heart of the matter: “Bunjin is … Continue reading There’s Bunjin and Then There’s…

In Search of the Elusive Kingsville

This Dwarf Kingsville boxwood planting by Boon Manakitivipart was the winner of the Certre Award at the 2010 U.S. National Bonsai Exhibition. However, this is not the photo that appears in the Exhibition Album. Rather, it’s a cropped version of a photo that appears on Boon’s website. There’s a story behind this tree, but you’ll need the 2010 Exhibition Album if you’d like to read it. The first two photos in this post are the best I could do after a web search for photos of Dwarf Kingsville boxwoods. The reason for this dearth is that true Dwarf Kingsvilles grow … Continue reading In Search of the Elusive Kingsville

Thematic Incoherence & Embarrassed Apologies

Continuing with Bonsai Today, this gorgeous, sinewy New Zealand tea tree (Leptospermum scoparium) appeared on the cover of issue 96 (still available and 75% off). Not much more needs to be said about this one (it speaks for itself), except maybe to comment on the variety. Though you may occasionally see a New Zealand tea bonsai, in general they are not that common, at least here in the Northern Hemisphere. But, even if you have seen them before, I’ll take a wild guess and venture that you have never seen one quite like this. Thematic incoherence. This post is a … Continue reading Thematic Incoherence & Embarrassed Apologies

Selling Out & Going Fast

This gracefully flowing Hornbeam is from Bonsai Today issue 94. It seems to me that deciduous bonsai are somewhat under-appreciated and under-explored in the west. Along those lines (so to speak) you might notice the near perfect taper from the base of the trunk out to tip of each twig. This level of detailed development is still somewhat rare in Western deciduous bonsai, but quite common in Japan. Bonsai Today issues are now 75% off. We just increased the discount to 75% off on Bonsai Today back issues. In case you’re not familiar with the wonders of Bonsai Today, each … Continue reading Selling Out & Going Fast

A Boon to Bonsai

From chuhin to shohin. I have a soft spot for stubby little trees. Especially ones with reams of character like this European olive that was originally a stump dug from Boon Manakitivipart’s garden. Bonsai Boon Boon Manakitivipart is without doubt one of North America’s most influential bonsai artists and teachers. Several of his students have become important artists and teachers in their own right, and countless trees of Boon’s and his students’ have appeared on this blog, in magazines and books and elsewhere on the web. All of the photos in this posts (except the very last one) are from … Continue reading A Boon to Bonsai

Pine Boom

The more I look at this tree, the more I like it. It’s a Japanese white pine by Susumo Sudo. Its rugged, naturally aged look (enhanced by the pot and ground cover) stands in perfect contrast to its simple, graceful lines. From our Masters’ Series Pine book. Pine Boom? As far as I know, there is no Pine Boom. I was trying to type Pine Book as a filler until a more suitable name for this post came to me. Then, viola, there it was; Pine Boom. Anyway, I’m trying to pull myself to together to catch a plane, so, … Continue reading Pine Boom

Bonsai In Black & White

Japanese white pine. You can find the color version of this tree on the cover of our Masters’ Series Pine book and on the cover of Bonsai Today issue number 2. The black and white version is the same image with the color photoshoped out. Black and white? I don’t have any answers, though there does seem to be something compelling about a good black and white photo. Maybe the stark quality of black and white highlights features that we might otherwise miss. Or…?   Here’s a good one from flickr. It’s titled Black and white bonsai tree, The Huntington … Continue reading Bonsai In Black & White