A Cascading Bunjin Pine in Three Simple Steps

These illustrations by Kyosuke Gun show three stages in the development of simple shohin cascading bunjin style pine. Though we don’t know for sure, we might assume that these illustrations are of an actual tree, as many, if not most of Mr. Gun’s illustrations are based upon actual bonsai. The illustration originally appeared in Bonsai Today issue 39. Small adjustments with big results One of the purposes in this post is to show how a couple simple changes can turn an untrained stock plant in to presentable bonsai.

Boon’s Big Bonsai

Boon Manakitivipart takes a good look at an impressive wild specimen just before he digs it up (just kidding). From Boon’s new website. This shot gives you an idea of the scope and size of one of nature’s more impressive trees. I haven’t talked to Boon, so I don’t know the what or where, but my best guess is a juniper somewhere in the Sierra Nevadas. Maybe someone out there can set me straight.

Green Workshop: Wiring a Young Tree

Before: The wire has been applied and is ready to bend. The two illustrations in this post are from Bonsai Today issue 107, from an article entitled ‘Wiring a Young Tree.’ After. A good place to start Most beginning wiring instructions start with how to place wire and then move toward the actual uses of wiring. Our approach here is a little different: if you can see a simple result of the use of wire, you might be inspired to learn the basics (stay tuned).

Masters’ Gallery: Group Displays #2

The small Zelkova in the forest plantings on each side create the feeling distant panoramas. The center tree in the curved pot is a Nanking cherry (Prunus tomentosa). The artist is Saburo Kato‘s brother, Hideo. There are also two barely visible companion plants (five elements in all). Masters’ Gallery This is the second post in our masters’ gallery series. It and the first post in this series are from an article by Saburo Kato that appears in Bonsai Today issue 43.

Truly a Simple Air-Layering Technique

This photo shows step two (see below). From this angle you can see that the current base of the trunk is a mess. After layering we’ll have a new base, though it’s unclear from this photo why this spot (at the top of the layer) was chosen. My guess is the author picked this unattractive tree for instructional purposes rather than for aesthetic reasons. The photos are from Bonsai Today issue 20. Your basic layering technique This one is actually simpler than the previous ‘simple’ technique. It’s the most common way to air-layer. It is quite easy and when done … Continue reading Truly a Simple Air-Layering Technique

A Simple (?) Air-Layering Technique: part 3

Ten years later. This Japanese beech is from an air-layering that we began showing several weeks ago (part one and part two). We promised a third installment (and almost forgot), so here it is. You can see the whole ten year process in detail in Bonsai Today issues 48 and 49. It this technique really simple? Though each step is fairly simple, there are so many steps that you might question our original notion that this is a simple technique. I guess your view of relative simplicity might depend upon your experience and your patience. Step 9 (one year after … Continue reading A Simple (?) Air-Layering Technique: part 3

Contest critique #4: Uncontrived & Natural

This elegant five tree planting was submitted by Michelle Dougherty (Bunjin Journal). A simple, natural look If you’ve been following our Great Debate posts, you know that some people see a dichotomy between naturalistic and traditional bonsai. If I had to put Michelle’s drawing into one of these two groups, it would be naturalistic. Though the placement of the trees may or may not have been influenced by traditional Japanese guidelines (the odd number certainly conforms), the overall effect seems uncontrived and natural.

Wiring for Refinement

From above, after thinning and wiring. Notice how fine wire is used all the way out to the tips of each twig. The photos in this post are from Bonsai Today issue 92. The artist is Mr. Kiyoshi Yamagami. The tree is a Japanese white pine. Attention to detail and patience One of the things that separates world class bonsai from mediocre bonsai is refinement (some bonsai appear over-refined, but that’s another story). Refinement, requires attention to detail and patience and has a lot to do with how you relate to small branches and twigs.

Master’s Gallery #2: Group Displays

From left to right: unidentified grass, Japanese black pine (Pinus thunbergii), flowering ‘Nippon Bells’ (Shortia uniflora) companion plant, suiseki (viewing stone), another unidentified companion, and a very stately Needle juniper (Juniperus ridgida). By Masao Komatsu. Group displays Each group display in this post is by a single artist. Each display shows mastery in two art forms: bonsai and bonsai display. The photos come from an article by Saburo Kato in Bonsai Today issue 43.

A Simple Air-Layering Technique: part 2

Back to the beginning Mr. Sinichi Watanabe has decided that this impressive old Japanese beech (Fagus crenata) needs to be air-layered. The photo shows two assistants holding a training pot (cut in half for the photo) to show what the tree will look like after it’s layered. The original article appeared in Bonsai Today issue 48. Picking up where we left off In our last post we showed the first few steps in Mr. Watanabe’s air-layering technique. This post will show the last step in the previous post and the next series of steps. We’ll need a third post to … Continue reading A Simple Air-Layering Technique: part 2