Japanese Cedar, Few and Far Between

This Cryptomeria japonica is reminiscent of the unimaginably vast and towering Giant sequoias in California’s Sierra Nevada. This effect could be enhanced by photographing it from a little lower (see the photo below), but you still get the drift. Still on a vacation of sorts, so we’ll continue our archival adventures. This one was originally titled Quiet Dignity (July, 2011). Far and few between What a great tree. It’s from Michael Hagedorn’s Crataegus Bonsai. You seldom see a real good formal upright bonsai (you don’t see very many formal uprights at all) and you don’t see many good Cryptomeria bonsai … Continue reading Japanese Cedar, Few and Far Between

Nest of Cranes, Whirlpool Dancer

Mulitple trunk, raft-style Japanese white pine. This is a truly spectacular example of raft style bonsai. It’s mature and abundant, with a flowing natural feel that is the result of bonsai artistry at its best (nature too). In fact, it’s so spectacular that it has a name (Maiko – Dancer). In Japan, names are usually reserved for the best bonsai. This tree resides at the Omiya Bonsai Art Museum, as do all five trees in this post (from Omiya’s timeline on facebook). All the trees in this post are Japanese white pines that reside at the Omiya Bonsai Art Museum … Continue reading Nest of Cranes, Whirlpool Dancer

Old Kuromatsu for a New Year

This trunk is so heavy that you could imagine it supporting a huge mass of foliage, yet this humble crown works to perfection. There’s a lot more that could be said about this great old tree, but I’ll stop at pointing out the luminous color and texture of the trunk (not that you could miss it). The tree is around 50-years-old and was grown from seed. It belongs to Kiyoshi Hiramatsu (great name for someone who grows pines) owner of the Hiramatsu Seijuen bonsai garden in Takamatsu’s Kokubunji area in Japan. We just ended 2013 with three great Kuromatsu (Japanese … Continue reading Old Kuromatsu for a New Year

King of Bonsai

This has to be one of the most unique Japanese black pines anywhere. I can’t help but think of a monster with two gnarled feet lurching along. Now, if you can put that image out of your mind, you might enjoy the ancient bark and wonderfully confusing movement of the trunks. This is our last post of the year, so why not end 2013 with three great Kuromatsu (Japanese black pines), considered by many to be the king of bonsai? All three belong to Fumio Ideue, owner of Ideue Kikkoen Bonsai Garden in Shikoku, Japan. I originally saw the photos … Continue reading King of Bonsai

Cutting Corners: Fall Transplanting

A freshly transplanted Black pine. The photo is from our Masters’ Series Pine book. Three’s a charm Much of what follows originally appeared in 2010 and much of that reappeared in 2012. Normally that would be enough, but because this one is so seasonally pertinent and because we have so many new readers, it’s worth at least one more shot. It’s also worth mentioning that we’ve added some new text and done some editing. Fall transplanting It’s the beginning of fall transplanting season here in the north country. One advantage to transplanting in the early fall is that when the … Continue reading Cutting Corners: Fall Transplanting

No Mean Feat

This remarkable Satsuki azalea with its bright profusion of flowers belongs to Teunis Jan Klein. It’s not very often you see a cascade with such a long reach (both vertically and horizontally). What’s more remarkable is the mass of flowers around the tip, which is almost as strong as the crown. That much strength so far from the base is no mean feat. This photo and the other photos in this post are from Hans Van Meer’s blog. It was taken at the 7th Het Westen Bonsai Show in Delft, Netherlands. All the photos in this post have been borrowed … Continue reading No Mean Feat

Forever Young? How Not to Fertilize

You can bet that this Japanese black pine (Pinus thunbergii) was fertilized with a master’s touch. Speaking of masters, this photo is from our Masters’ Series Pine Book. An American bonsai pro on fertilizing. Whenever Michael Hagedorn writes, I read, and though I am a little reluctant to tell others what to do, you might want to consider it too. Here’s a part of Michael’s latest post on his famous Crataegus Bonsai blog: “For fertilizing bonsai, we can make this one basic distinction: Begin fertilizing a young, unrefined tree when it begins growing early in the spring Wait a bit … Continue reading Forever Young? How Not to Fertilize

Japanese Whites

A seedling? Great base, strong taper and nice balanced open branching. An altogether excellent Japanese white pine and it’s from a seedling no less! As you may know, most quality Japanese white pine bonsai have been grafted onto Black pine stock (see below). But not this one. It was grown from seed and is, as you can see, quite impressive. It was just wired (in this photo) by Michael Hagedorn (Crataegus Bonsai.) It belongs to a client of Micheal’s. More than just another bonsai in our species specific series. The Japanese white pine (Pinus parviflora) is one of the world’s … Continue reading Japanese Whites

Rim Shots

This has got to be one of the most magnificent Chinese hackberry (Celtis sinensis) bonsai anywhere. Though the distinctive split trunk needs no comment, you might also notice the highly developed ramification (fine branching). The tree was donated to the Pacific Rim Bonsai Collection by Ben Oki. We’ve featured it before, but it’s certainly worth another shot. Pacific Rim. Looking for an excuse to visit the Pacific Rim Bonsai Collection? These trees might provide some incentive. Dave DeGroot, curator of the Collection, sent us the photos along with some history and some of his observations. With the exception of our … Continue reading Rim Shots

The Other Black Pine

An old European black pine after the first styling by Walter Pall and friend. Though we don’t often lead with unrefined trees, it’s hard not to give Walter Pall first billing when it comes to European natives. Here’s what Walter has to say about this tree: “the foliage of black pines is quite coarse and it is perfectly normal for them to look kind of raw after first styling… After a few years it will get much better.” He also says “The tree will take ten to fifteen years to be ready for exhibit. Such is bonsai life.” Walter has … Continue reading The Other Black Pine