Bunjin Creds

Caption from 2012: I don’t know if I’ve ever seen a bunjin style bonsai in such a deep pot. You almost always see them in shallow round or near-round pots. No problem though, this one works to perfection; a spectacular tree with a lustrous pot. I think the heavy foliage (unusual for a bunjin) helps balance the heavy pot (Message from 2014: I think it’s a stretch to call this tree a bunjin. Mostly because of the very robust foliage and the deep flashy pot. More below…). It’s time to dig into our archives. This is one of our earlier … Continue reading Bunjin Creds

A Fascinating Mix of Insight & Opinion

Unfinished, but wild and wonderful. I wonder what this Scot’s pine bunjin beauty looked like before it was collected somewhere in the wilds of Sweden. It belongs to Muaro Stemberger. It’s from his facebook page. Mauro also has a website. It’s called Italian Bonsai Dream. Traveling once again, so we’ll resume our archival explorations. This one, originally titled Bunjin Bonsai Bliss is from October, 2011 (with some current editing and elaboration), though any Bark discussion of Bunjin warrants a mention of Moving Out of the Bonsai Mainstream with a Deft and Delicate Touch (from December 2012), whose comments are the longest … Continue reading A Fascinating Mix of Insight & Opinion

Just in Case You Don’t Know Marco…

This remarkable bonsai is labeled Taiwanese juniper (Juniperus chinensis) in Marco Invernizzi’s gallery. The stock for this bonsai was most likely field grown in Taiwan along with thousands of others. BTW: Taiwanese junipers are sometimes confused with the native Squamata juniper which grow wild in the mountains of Taiwan (there’s more on this in this Bark post from February). It has been a few months since we visited Marco Invernizzi’s bonsai gallery. Just in case you don’t know Marco, he was one of Masahiko Kimura’s first apprentices and was also one of the first Western bonsai artists to become a … Continue reading Just in Case You Don’t Know Marco…

Chaos & Harmony

A couple things qualify this bonsai as unusual. First, as you can see, it’s got all kind of lines looping and jutting in an almost chaotic fashion. But there’s a method to the madness. All the loops and juts not only add interest and excitement, but they come together into a very compelling overall shape. Second is the fact that it’s a Procumbens juniper. A species that you don’t see that often as specimen level bonsai. You do see a lot of dwarf Procumbens as little beginners’ trees here in north America, but that’s another story. Bjorn Bjorholm is one … Continue reading Chaos & Harmony

A Steady Stream of Good Bonsai to Choose From…

A little ‘after’ effect from a David Benavente ‘before and after’ on facebook. My only comment is that we don’t normally feature lead trees with an unfinished ‘wrapped in rafia’ look, but this little tree is so sweet, so why not? I just spent approximately 3 hours trying to decide on a post for today. Facebook, blogs, websites the whole e-catastrophe. Given that there’s a steady stream of good bonsai to choose from, sooner or later you have to surrender and just pick something. In this case, it’s David Benavente. He’s an old favorite and one of the very best. … Continue reading A Steady Stream of Good Bonsai to Choose From…

An All-Time Favorite

After. Finished for the moment. The challenge was for Masahiko Kimura to style a bunjin (literati) bonsai with only one branch (see below for where he started). Its uniqueness lies in its striking simplicity. It’s a Japanese red pine (Pinus densiflora). From a December 2009 post and before that from our Masters’ Series The Magician, the Bonsai Art of Kimura 2 (before that it appeared in Bonsai Today issue 69). This tree and its story are among our all-time favorites . Though it’s hard to say what Kimura would have done with this tangled-up bunjin had he not been challenged … Continue reading An All-Time Favorite

Deceptively Good – This Time with Attribution

Shohin bunjin? This little Shimpaku looks a lot like a bunjin bonsai, even though it may not fully reflect all the qualities, particularly age, that we associate with larger bunjin trees (the comments on this post may help shed a little light). Also, I wonder about the puffy little foliage pads. Still, in shape at least, I’d say there’s something bunjin about it. No matter, it’s an eye catcher that most of us would be happy to see sitting on our bonsai bench. Like the little trees in our last post, it’s from Bonsai-Mikunien (The Bonsai and the Moss Ball). … Continue reading Deceptively Good – This Time with Attribution

There’s Bunjin and Then There’s…

Recognize this planting? It was posted day before yesterday, though now there has been some changes. Andy Rutledge did the digital pruning and repotting to enhance its bunjin-ness, though I’m not so sure he’d say it quite that way (here’s what he did say about it: Even with a very few, but vital adjustments (mostly reduction), the pines begin to take on the bunjin quality). Wabi Sabi Our previous post elicited one of our best discussions yet. Thanks in large part to Andy Rutledge‘s comments. Here’s a quote from Andy that goes to the heart of the matter: “Bunjin is … Continue reading There’s Bunjin and Then There’s…

Moving Out of the Bonsai Mainstream with a Deft and Delicate Touch

Would you call this a Bunjin style bonsai? Whatever you call it, you don’t see too many bonsai that look like this. Even most bunjin are not quite like this; most are conifers and most don’t have such a meandering array of multiple trunks, especially multiple crossing trunks. And then there’s the leaf size (is this a Sumac?). I’ve long had a soft spot for the type of bonsai shown here. The uncontrived elegance that shows no concern for our current interest in muscular trunks, wide nebaris, carved wood… even most bunjin bonsai don’t quite go where these trees seem … Continue reading Moving Out of the Bonsai Mainstream with a Deft and Delicate Touch

Bonsai from the Basque Country

Rather than focus on the more obvious features on this magnificent two headed pine, it might be interesting to take a look at the low foliage that reaches down and touches in front of the base of the trunk. Though you might be tempted to remove it and show better show the base of the trunk and the line to the right, still, I think it serves to help bring the eye back to the tree’s balance point, rather than jumping back and forth between the two very strong competing halves of the tree. Another way of approaching this is, … Continue reading Bonsai from the Basque Country