Twisted

Twisted in the extreme. My guess is that you’ve never seen a tree as twisted as this one. I’m pretty sure I haven’t, though there are some (I think they are Whitebark pines Pinus albicaulis) at the treeline on Mt Lassen in Northern California that come pretty close. This photo is from Carlos van der Vaart on facebook. The caption says: Carlos van der Vaart with Carles Lleonart and Bonsai Eduardo Budes, Medellin, Colombia. What causes trees to twist? I’ve always thought twisting is caused by a combination of persistent strong winds and the way trees grow towards the sun. … Continue reading Twisted

Naturalistic? Not Exactly

Here’s a Kimura tree that I’ve never seen. This, and the other photos in this post are from Owen Reich on facebook. Owen lives in Japan and takes bonsai photos. In addition to his facebook offerings Owen has a blog that is rich with excellent photos. Not so naturalistic It’s not my intention to reopen the old naturalistic versus sculptural bonsai debate. It’s just that when you look at some of Masahiko Kimura‘s bonsai, the question seems to arise on its own; his highly refined deadwood-dominant bonsai stand in contrast to what you find in nature. Beyond that, I don’t … Continue reading Naturalistic? Not Exactly

Bringing the Magic Up To Date

After. From a demo by Masahiko Kimura at the 11 ASPAC. (Asia Pacific Bonsai & Suiseki Convention) in Takamatsu Japan. It helps to start with great stock. It also helps to be Masahiko Kimura. Photo by Jonas Dupuich (Bonsai Tonight). Still magic after all these years Just in case might think that the not-so-old Master has lost his touch. It does help to start with great stock, but taking that great stock to the next level requires vision and a deft touch. Especially when the next level is accomplish in a single demonstration. Japanese demos and Western demos The photos … Continue reading Bringing the Magic Up To Date

A Bonsai Story

This famous old Japanese white pine appears on the cover of Bonsai Today 43 (below) and in the gallery section of our Pine book (Bonsai Today Masters’ Series Pines: Growing and Styling Japanese Black and White Pines). It originally appeared in Bonsai Today issue 31 where it is restyled by Japan’s most famous bonsai master, Masahiko Kimura and subsequently won the President’s Award  at the 9th Taiken-ten Bonsai Exhibition. A revised version of this article later appears in The Magician, The Bonsai Art of Kimura 2. Back in good hands I stumbled upon the photo below in a 2009 post … Continue reading A Bonsai Story

Million Dollar (Plus!) Bonsai in Perspective

I just received this photo from Bill Valavanis. It’s that Million Dollar Japanese white pine we featured a few days ago. Now you can get a little perspective (size-wise at least). Bill’s remarks Here are Bill Valavanis‘ remarks that he sent along with the photo. Hi Wayne, I’ve just returned home from Japan and saw your post on my friend’s bonsai, the Million Dollar specimen. The million dollar bonsai WAS actually sold and at the current exchange rate on the sale day was $1,282,000. The tree is a grafted Miyajima Japanese five-needle pine which has not been on display since … Continue reading Million Dollar (Plus!) Bonsai in Perspective

Weekly Wire 7: The Old School Way

Displaying bonsai the old school way. It’s always great to see a world-class bonsai displayed in a well-put-together Tokonoma. It’s from Kunio Kobayashi’s website. Just in case you haven’t heart of Mr. Koybayahsi, he’s considered by many to one of the world’s most prominent bonsai masters. Speaking of Bonsai Masters: We almost never use the term here on Bonsai Bark or at Stone Lantern. In fact, I think we’ve used it only for Masahiko Kimura and Kunio Kobayashi. This is not to say there aren’t others in their league, it just that it’s such a tricky term that’s so often … Continue reading Weekly Wire 7: The Old School Way

Abstract Bonsai & Peace in Our Time

A European bonsai with a Japanese touch. This massive juniper with its wildly sculpted deadwood is reminiscent of bonsai you’d see in Japan in the 80s and 90s. Right down to the quality Japanese pot (unless it’s a Chinese knockoff). The artist is Carlos van der Vaart. Taking the bonsai scene by storm There was a time not very long ago when bonsai with a heavy reliance on sculpted deadwood took the bonsai scene by storm. Rather than attempting to ‘make your bonsai look like a tree’ (John Naka’s famous dictum) these more abstract trees were the result of a … Continue reading Abstract Bonsai & Peace in Our Time

Bunjin Bonsai Bliss

Unfinished, but oh so wild and wonderful. I wonder what this Scot’s pine bunjin beauty looked like before it was collected somewhere in the wilds of Sweden. It belongs to Muaro Stemberger. It’s from his facebook page. Mauro also has a website. It’s called Italian Bonsai Dream. Bunjin or Literati, bonsai elegance by any name The following is from something I wrote for The Magician: The Bonsai Art of Kimura. “Bunjin style bonsai originated in China among scholars and artist who were known as literati, which is another name for bunjin. Originally, literati style bonsai – which dates back to … Continue reading Bunjin Bonsai Bliss

Becoming a Bonsai

A good reason to visit the National Bonsai and Penjing Musem? Maybe. But whatever your reason, it’s always a trip worth making. Don’t read this post What follows is way more polemic (and wordy) than any of my hundreds of previous posts (a rough night’s sleep is my excuse) and besides, I love the people at the National Bonsai and Penjing Museum and am loath to offend them. Still, the anti-diplomat in my nature insists on speaking his mind (always a dangerous thing). An American tradition: bonsai from ordinary nursery stock Mr. Aarin Packard, Assistant Curator of Collections at The … Continue reading Becoming a Bonsai

Quiet Dignity

This Cryptomeria japonica is reminisent of the unimaginably vast and towering Giant sequoias in California’s Sierra Nevadas. This effect could be enhanced by photographing it from a little lower (see the photo below), but you still get the drift. Far and few between What a great tree. It’s from Michael Hagedorn’s Crataegus Bonsai. You seldom see a real good formal upright bonsai (you don’t see very many formal uprights at all) and you don’t see many good Cryptomeria bonsai either. Especially in the West; they are more common in Japan (their common name in English is Japanese cedar, even though … Continue reading Quiet Dignity