American Bonsai Heaven

Still a work in progress, but an exceptional work at that. Douglas fir, styled by Ryan Neil. Collected by Randy Knight. Full tilt bonsai Is it just me, or has Oregon quietly become bonsai heaven? Think about it; Michael Hagedorn (Crataegus Bonsai) has been hunkering down in Portland every since he returned from his apprenticeship with Shinji Suzuki in Japan. Now Ryan Neil (International Bonsai Mirai), still somewhat fresh from his six year apprenticeship with Masahiko Kimura (if you’ve heard of anybody, you’ve heard of him) has settled in the Portland area too. Both Michael and Ryan are going full … Continue reading American Bonsai Heaven

NEW! Bonsai Embroidered T-Shirts

Brand new. Embroidered bonsai logo on all cotton black T-shirts. Kimura’s legendary formal upright Japanese white pine Long time bonsai embroidery maven Cindy Cones did a remarkable job of replicating Masahiko Kimura’s magnificent formal-upright Japanese white pine bonsai; probably the most distinctive, well-known formal-upright bonsai in the world. So distinctive and well-known that it appears in our Masters’ Series Pine book (2nd printing due in July), in The Magician, The Bonsai Art of Kimura 2 and on the cover of Bonsai Today issue 80. Discounted prices We’ve come up with new pricing formulas that are well below list prices on … Continue reading NEW! Bonsai Embroidered T-Shirts

Pushing the Bonsai Boundaries

Can you imagine the time needed to develop and maintain the numerous foliage clouds? Does this level of refinement exist outside of Japan? Needle juniper (J. rigida) by Shinji Suzuki. From our Masters’ Series Juniper book. Picking up where we left off Our last post provoked more discussion than any post so far. Roughly drawn, the topic is naturalistic bonsai versus highly stylized and highly refined bonsai. I thought it might be good to continue with examples that exist at the extremes, at least in my view. This Big cone Douglas fir by Dan Robinson jumped out at me because … Continue reading Pushing the Bonsai Boundaries

Abstract Bonsai Beauty & Concave Cutters

NOTE 3/24/11: I WAS JUST INFORMED THAT THIS IS A SIMULATION OF A MUCH ROUGHER TREE. MY MISTAKE! EVERYTHING THAT FOLLOWS IS WHAT I WROTE BEFORE THE ERROR WAS CALLED TO MY ATTENTION). This is the kind of bonsai that can stir up opinions. I found it on facebook (of course), under My Bonsai by David. Carvalho. If you look closely, you might notice the little concave piece that appears to be missing from the pot. What’s your cup of tea? If you are a big fan of, let’s say Dan Robinson and his remarkably natural looking bonsai (Gnarly Branches, … Continue reading Abstract Bonsai Beauty & Concave Cutters

Penjing & Bonsai: The Original Creators

A magical Chinese elm penjing by Wang Huaishun. Did this creative landscape, and others like it, influence some of Kimura’s more daring innovations? Robert Steven’s too? From Bonsai Today issue 98. Submitted by Karin Albert. Penjing in three parts The Penjing above is the lead photo in a wonderful (and very well received) in-depth article entitled, Penjing: A Chinese Renaissance by Karin Albert, that appear in Bonsai Today issues 98, 101 and 102. Following the buzz There’s been a lot of buzz from Robert’s last critique a few posts back: Robert Steven Critiques a Black Pine and Offers Some Insights … Continue reading Penjing & Bonsai: The Original Creators

New Book from Japan: The Beauty of Bonsai

This sumptuously photographed new book is aptly named. In addition to numerous stunning color photos, it features a preface by Masahiko Kimura and a section on Kimura that includes thirty seven new photos of the master at work, as well as of some of his most daring bonsai. That and much, much more. Hardcover, 96 pages with 205 color photos. No matter how much we think… … that we in the West are catching up with the Japanese when it comes to the art of bonsai, we still lag behind when it comes to the art of bonsai display and … Continue reading New Book from Japan: The Beauty of Bonsai

Inspired by the Master

I found this striking forest-on-a-cliff on facebook. It was posted by Dario Ascoli. It caught my attention for two reasons: first it stands on its own as decent bonsai with good potential for further development, and second, it is reminiscent of a famous Hinoki forest by Kimura (see below). Though I can’t find any information on this (who’s the artist etc), I’d wager that the trees are also Hinokis. Mature trees vs young trees Though comparisons are often odious (and unfair, especially when it’s with Kimura), still, older trees make for much more interesting forests. In this case, Kimura’s hinokis … Continue reading Inspired by the Master

The Magic Starts With An Idea

Finished. Most of Masahiko Kimura’s juniper masterpieces start and finish as one tree. Not so this one. The deadwood and each major branch all come from different places. How Kimura put all the pieces together is brilliant and novel. A few hints Rather than explain the whole process here, we’ll offer a few hints and leave the rest to your imagination (or, lacking that, you could get your hands on a copy of Bonsai Today issue 63 and see the whole process). Before. The pieces of the puzzle are gathered together. The deadwood after Kimura prepares it for the task … Continue reading The Magic Starts With An Idea

The Magician: After & Before

After. Pretty impressive, no? You’ll encounter very few bonsai that are both this powerful and this refined anywhere on this planet. In fact, I challenge you to find even one that rivals it (they do exist, but are oh so rare). Photo from Bonsai Today issue 59 (still available). Too refined? Masahiko Kimura has fallen out of favor with some people over the last few years. You might hear or see comments about how his bonsai is overly sculpted, overly refined, unnatural looking. For where I sit, it’s unfortunate when we feel we must take sides and pick either refined … Continue reading The Magician: After & Before

Mammoth Book Discounts

One of our very best bonsai books marked down from $29.95 to $9.95. Why, you ask? Because we printed 3,000 and still have about 1,000 left. So, let’s liberate them and give you a chance to enjoy and learn from one of our best and most interesting bonsai artists. BTW: the image above gives you a glimpse into the inner workings of a publishing company. This isn’t the cover we ended up with. We changed the color from blue to green and the main heading to gold. Otherwise, everything is the same. We can’t do this with most books… … … Continue reading Mammoth Book Discounts