Penjing

Three Bonsai: Artists Unknown

On fire. If you look closely, you can see a little reddish hue in the trunk, pot and even the soil. Does this mean this fiery thread leaf Japanese maple was color enhanced? My guess is, yes, it was. Unnecessarily so. If it were slightly less blazing, this would still be a beautiful bonsai. In fact, even if the foliage were green, the age and movement in the nebari, trunk and the rest of the tree, would be enough to qualify this tree as beautiful. The pot is excellent too, though it’s difficult to tell if it’s round or oval. … Continue reading Three Bonsai: Artists Unknown

Cold Mountain Bonsai

At first glance I was drawn to this tree. Later, I wasn’t so sure. But then, after a long slow look, I came back to my first thought; the spectacular pot, the deeply striated bark and the tree’s overall simplicity and naturalness won me over. Have we been overly influenced by Japanese bonsai? When I look at the trees in this post I sense a wild naturalness that seems distinctly Chinese. A sensibility that dates back to the ancient poet-calligrapher hermits deep in the Cold Mountains. This connection doesn’t occur with most Japanese and Western bonsai (the exceptions are mostly … Continue reading Cold Mountain Bonsai

Four New Books

I liked this book at first glance and still like it after spending a few days with it. I can say with some confidence that it’s the best book yet on Penjing, at least in English. It goes way beyond Zhao’s earlier Worlds of Wonderment in all respects: quality and variety of the Penjing, quality of the photos, amount and level of information and overall production value of the book itself. This is to say that this is a very handsome and very useful book. Zhao Qingquan is one of thee world’s most renowned Penjing artists and when you see … Continue reading Four New Books

Paying a Visit to an Old Friend

There’s something about a beautiful bonsai in flower. If you let your eyes linger for a few moments, you’ll notice how the seemingly perfectly placed flowers enhance the power of the tree rather than overwhelm it. It’s a bougainvillea by Robert Steven. All this photos in this post are from Robert’s facebook gallery. Always a pleasure It has been a while since we’ve featured the bonsai of Robert Steven. In addition to being one of the foremost bonsai artists and teachers on this fierce and lovely planet, Robert is also a friend. Not in the ordinary sense of buddies you … Continue reading Paying a Visit to an Old Friend

Robert Steven Critique & An Intoxicated Debate

Sake fueled debate? Are these two old Chinese sages engaged in a raging (and perhaps intoxicated) philosophical debate? (Speaking of: Monday’s NYTimes has a somewhat interesting article/debate about Western vs non-Western philosophy for the two of you who might be interested in such things.) But I digress. What you are really looking at is a Robert Steven simulation of a tree that was submitted by Mr Zhang Bing for critique. Singing Robert’s praises We’ve been singing praises for Robert Steven’s bonsai, bonsai simulations and books for a long time. Here’s why; Robert provides insights about bonsai and especially Penjing that … Continue reading Robert Steven Critique & An Intoxicated Debate

An Old Philistine Takes a Second Look at Some Remarkable Trees

This well-known Sageretia planting is by Dr Wu Yee-sun. It appears in The Chinese Art of Bonsai & Potted Landscapes. An Aha! moment Sometimes you might pass over a tree or planting because it’s not dramatic enough to catch your attention. Or maybe it just seems strange at first glance. In some cases, if you’re lucky, a question mark might pull you back for a second look. That’s what happened to me with two or three of the trees in this post; they were easy to overlook, but when I did take a close look, an Aha! moment dawned. Whatever … Continue reading An Old Philistine Takes a Second Look at Some Remarkable Trees

A Penjing Symphony in Three Movements

This super-sized three part penjing is by Robert Steven; renowned bonsai artist, teacher and author, and frequent contributor to this blog. In Robert Steven’s own words “This is a super large penjing I did two weeks ago. The total length is three meters (about 10 feet). I combined three large special-order white marble trays in the arrangement in order to give a unique presentation in perspective and composition. The mountains were made of real rocks by a friend who hollowed some areas for planting the trees (Triphasia trifolia, aka Limeberry). The problem was to find a background for the photo, … Continue reading A Penjing Symphony in Three Movements

Strange & Wonderful Bonsai

A little perspective on a very tiny tree. I’m not crazy about most Chinese figurines (at least the commercial ones you usually see), but this contemplative man is pretty good. This and all the other photos in this post are borrowed from The Art of Bonsai Project. The Bonsai of Lam Ngoc Vinh Every once in a while you come across an artist who takes their work (play) in a genuinely fresh and new direction. To this old eye, it looks like Lam Ngoc Vinh is one of those rare artists. If you agree (or even if you don’t) and … Continue reading Strange & Wonderful Bonsai

Penjing & Bonsai: The Original Creators

A magical Chinese elm penjing by Wang Huaishun. Did this creative landscape, and others like it, influence some of Kimura’s more daring innovations? Robert Steven’s too? From Bonsai Today issue 98. Submitted by Karin Albert. Penjing in three parts The Penjing above is the lead photo in a wonderful (and very well received) in-depth article entitled, Penjing: A Chinese Renaissance by Karin Albert, that appear in Bonsai Today issues 98, 101 and 102. Following the buzz There’s been a lot of buzz from Robert’s last critique a few posts back: Robert Steven Critiques a Black Pine and Offers Some Insights … Continue reading Penjing & Bonsai: The Original Creators

A Sculptural Elm: Definitely Not Japanese

I’m guessing this impressive tree is a Chinese elm. Whatever it is, it displays much of what you’d look for in a bonsai: power, refinement, balance, excellent ramification, attractive pot, even some imperfection. I’d also venture that it’s definitely not Japanese. It’s from Rawe Laranta Ramook Bonsai. It’s Penjing, but is it Chinese? A couple posts ago Robert Steven offered us a lesson in the five schools of Chinese Penjing. I’m pretty sure Robert would include this tree in that vast and varied grouping, even if it’s not from China (I don’t know where it’s from). Though Robert (and others) … Continue reading A Sculptural Elm: Definitely Not Japanese