Taiken-ten – Some Pines First, More Later

The top photo, with its rich deep colors, appears just the way we found it. I lightened up the bottom photo a bit to better show the details, especially the bark. All the photos in this post are from the 34th Taikan-ten Bonsai Exhibition. Taikan-ten takes place once a year in Kyoto and is considered by most people to be the second most important bonsai exhibition in Japan if not in the world (Kokufu is the king of bonsai exhibitions). I found them on Michael Bonsai’s facebook feed. There are more, but I decided to feature some of the … Continue reading Taiken-ten – Some Pines First, More Later

An Outrageous Explosion

This perfect curlycue has to be among the all time greats when it comes to distinctive deadwood. The tree belongs to the very talented Minoru Akiyama. The photo appears just the way I found it, with the apex and most of the pot missing. The art of carving bonsai deadwood was popularized by Masahiko Kimura and his custom power tools back in the 80s and 90s. Now a couple decades later amazing deadwood (and not so amazing deadwood) is everywhere with more and more outrageously wild examples popping up. Though this explosion of jin and shari is not everyone’s cup … Continue reading An Outrageous Explosion

The Time of Your Life (In Chicago)

Usually I don’t like distracting backgrounds, but the vertical lines in this display aren’t too bad. It doesn’t hurt that the tree is so powerful. It looks like a Yew, but there’s no verification with the photo. I found it at Michael Bonsai on facebook. Time to head to Chicago. Speaking of, you might be too young to know the song Chicago. It was written in 1922 and was recorded by a number of artists. The most famous version is by Frank Sinatra (1957). Anyway, whenever the I hear about Chicago the song immediately pops into my head. Fortunately, there … Continue reading The Time of Your Life (In Chicago)

An Almost Forgotten Promise

One of several great Shimpaku junipers from Bjorn Bjorholm’s Bjorvala Bonsai Studio. I picked this one in part because of the little curlycue jin (dead branch) hanging down. I’ve seen plenty of other intriguing jins, but this one is so distinctive and in a place so prominent that it comes close to stealing the show (in spite of the light background that diminishes its effect, and in spite of the many other wonders of this tree). Not that anybody remembers or cares… still it’s time to come through on an old promise. In February of last year we posted some … Continue reading An Almost Forgotten Promise

Four Beautiful Bonsai & An Exercise In Futility and Frustration

I think this tree deserves some attention. Especially the extraordinary powerful trunk that shows massive shari (trunk deadwood) with only a hint of a living vein (peeking out lower left and upper left). Then there’s the foliage which is somewhat groomed but still free-flowing; giving the tree an informal feel. It might also be worth mentioning that it’s slanting style. You don’t see nearly as many quality slant style bonsai as you do upright bonsai. The photo is from Salvador De Los Reyes facebook photos, as are the other three photos in this post. Here’s the caption that appears on … Continue reading Four Beautiful Bonsai & An Exercise In Futility and Frustration

…You Don’t See Bonsai Everyday, Yamadori or Othewise…

This wide-body old yamadori is the feature tree on Kevin Willson’s website. It looks like an English yew. That’s just a guess, though an educated(?) one, based on this and some other fading memories. You almost never see domestically grown bonsai that begin to approach the power and beauty of the best yamadori (trees collected in the wild). Carrying this a step further, you don’t see bonsai everyday, yamadori or otherwise, with the power and beauty of the trees shown here. The artist is Kevin Willson (we’ve featured him here on Bark and in Bonsai Today). Kevin’s website consists of … Continue reading …You Don’t See Bonsai Everyday, Yamadori or Othewise…

Komsta Bonsai

Calligraphy anyone? I don’t know if calligraphy was on Mario Komsta’s mind when he styled this remarkable tree. I do know that there was a time when bonsai that looked like calligraphy was popular and that many scholars agree that bonsai was, in part at least, inspired by the calligraphy of the old Chinese masters (this is especially true of bunjin style bonsai). Of course you could say that nature created the long calligraphic stroke that helps make this tree so unique, but we don’t know what Mario removed or otherwise changed to enhance the effect. We’ve been featuring the … Continue reading Komsta Bonsai

BCI: Bonsai Strong

Bonsai strong. One of many spectacular trees displayed at the recent BCI convention in China. This and all the photos in this post are courtesy of Robert Steven. Pines now, the rest later. Robert Steven just sent us a whole host of great photos from the recent BCI convention in China. We’ll start with some powerful pines here, and then show you some of the other trees in a few days. This has to be one of the most impressive pine forests anywhere. Actually, you can scratch the pine part and we’ll just leave it at one of the … Continue reading BCI: Bonsai Strong

A Compelling First Look

This photo of a Shimpaku that appears to be growing out of the side of a lava rock, came out better than most of the photos from Korea Bonsai Museum’s Exhibition at theplace gallery. Though some of the trunk is too dark to allow for any detail, the lower section is pretty good. Good enough to show off the rich cinnamon bark that you often find on Shimpaku. I realize we have never featured bonsai from Korea. An oversight for sure. Once it dawned on me to do something about this oversight, it turned out that there is a little … Continue reading A Compelling First Look

Delightful Points of Color & More…

There’s much to say about this magnificent tree: First the gem-like male pine cones that cover much of the tree add delightful points of color; and they go perfectly with the well-chosen (and beautifully cleaned up) pot. Then there’s the way the undulating twin trunks harmonize so well; one slanting style and one semi-cascading style. You might also notice that there isn’t much in the way of counter-balancing branching, yet the whole planting seems stable. I think this is mostly due to the weight of the pot and mounded soil, and also to the anchoring effect of the gnarly nebari … Continue reading Delightful Points of Color & More…