Elevated Company

The sheer power of this magnificent tree places it in elevated company. It’s a 50cm (20″) tall Ficus microcarpa by one of our favorite South American bonsai artists, Nacho Marin of Venezuela. The pot is by John Evans of the USA. Yesterday we featured a Ficus from Taiwan, so picking up that thread… and because I’m still on mini-vacation, we’ll take the quick path This one originally appeared here in May, 2015 Though this post was inspired by Nacho Marin’s powerful Ficus (above) and though Nacho is South American, when we start looking at Ficus bonsai we seem to circle back to Taiwan NEW FALL … Continue reading Elevated Company

Movement, Power & Artistic Freedom

Abstract bonsai art. I think there’s a temptation to judge trees with elaborately carved deadwood. But maybe it’s best to just appreciate the skill involved and not worry about too much deadwood or whether the result look like our sense of what’s natural or not. Not to downplay the importance of bonsai the look like trees in nature, rather to appreciate the vast variety of approaches and results in our wonderful world of bonsai Yesterday we featured Cheng, Cheng-Kung’s colorful side. Today we’ll touch upon his famous Sidao carving method and some results. Hopefully this will peak your interest. If … Continue reading Movement, Power & Artistic Freedom

Not All Bonsai Need Deadwood

It takes a strong tree to handle a pot like this. This Pistacio (Pistacia chinensis Bunge) has at least two features that qualify: its muscular trunk which works well with the depth of the pot (deep pots with thin trunks just don’t work) and its lushly hued full crown which contrasts with the pot’s brilliance. Today is the first day of a short summer vacation. We’ll try to keep Bark going by employing some favorites from our archives. This one is from January, 2016 (with a couple revisions today) The trees shown here are all Cheng, Cheng-Kung’s creations. Cheng is famous for his Sidiao method (a … Continue reading Not All Bonsai Need Deadwood

No Hidden Flaws or Ugly Spots

Cheng, Cheng Kung starts with this view, so we’ll call it the front (south). It has been a while since we featured a 360 degree Bonsai. The Juniper bonsai shown here is from Cheng, Cheng Kung’s Si-Daio website . If you visit Cheng’s Si-Daio you can watch the tree spin a full 360° circle. This 360° bonsai brings to mind an old discussion whether a quality bonsai should be attractive when viewed from any angle. No hidden flaws or ugly spots, no matter where you stand in relation to the tree. I’ve taken screen shots from 8 different points of … Continue reading No Hidden Flaws or Ugly Spots

Abstract Bonsai Art & Carving Deadwood, Sidiao Style

Abstract bonsai art. I think there’s a temptation to judge trees with elaborately carved deadwood (like this one). But maybe it’s best to just appreciate the the skill involved and not worry about too much deadwood or whether the result looks natural or not. Yesterday we featured Cheng, Cheng-Kung’s colorful side. Today we’ll touch upon his famous Sidao carving method and some results. Hopefully this will peak your interest. If it does, you can visit his website for more. Cheng, Cheng-Kung’s Sidiao method in a nutshell. There’s a lot more where this came from. Just another Shimpaku with … Continue reading Abstract Bonsai Art & Carving Deadwood, Sidiao Style

Cheng, Cheng-Kung’s Colorful Side

It takes a strong tree to handle a pot like this. This Pistacio (Pistacia chinensis Bunge) has at least two features that qualify: its muscular trunk which works well with the depth of the pot (deep pots with thin trunks just don’t work) and its lush, full, colorful crown (subtle, but still colorful) which contrasts with, and is not overpowered by, the pot’s brilliance. The trees shown here are all Cheng, Cheng-Kung’s creations. Cheng is famous for his Sidiao method (a technique for creating and enhancing deadwood – more on this tomorrow), but today, in keeping with yesterday’s theme, we’ll show his more colorful side. We’ve featured Cheng, … Continue reading Cheng, Cheng-Kung’s Colorful Side