Uh oh!

Avant-garde bonsai. This wonderfully fluid tree with its distinctive flying pot is from Bonsai Do. The caption says with Tony Tickle (I visited Tony’s blog and couldn’t find it, though I’m sure someone with a little more patience can pinpoint it). There’s also this quote by Thomas Browne (it’s in Spanish on Bonsai Do, but here’s the original English): Art is the perfection of nature. Nature hath made one world, and art another. Uh oh! A moments confusion. Fingers moving too fast, awareness disengaged, and suddenly it’s gone. I just deleted our January 29th post! It was titled A Famous … Continue reading Uh oh!

Scots & Scotch

Great tree, great pot. This powerful old Scot’s pine by Enrico Savini was an overall winner in a contest that was held at the Art of Bonsai Project way back in 2005. The pot is by Isabelia. Scots pine (Pinus sylvestris) is another in our bonsai species series. I used to think they were Scotch pine (some people say Scotch pine is incorrect and others say it’s an acceptable variation) and had the notion that you could enjoy a sip of Scotch while working on you Scotch pine (oh well…). No matter what you call them, Scots pine make excellent … Continue reading Scots & Scotch

Nick’s Natives

A famous tree by a famous bonsai artist. There’s a lot to like here, including the bark-deadwood contrast, the shift from the lower trunk’s subtler motion to the sudden S-shape at the top, the golden fall color, the pot, the moss. Even the sweet little companion. Two North American natives This post qualifies as another in our series of species specific offerings and a tribute to an artist as well. The tree is our native North American Larch (aka Tamarack, Larix laricina). The artist is another native, Larch Master Nick Lenz (aka Rarch Master Renz). BTW: I’m usually reluctant to … Continue reading Nick’s Natives

Chief Seattle, Dragon Pot, Asleep at the Switch & Some Bonsai Events

I’m not so sure this planting would attract much attention when contrasted with the higher caste bonsai that you see in top exhibitions, but there’s something uncontrived and natural about it that seems almost wholesome (is that the right word?), especially its lush green canopy. It’s from Bonsai Do. Unfortunately unattributed and unidentified. There is however, this accompanying quote by Chief Seattle that is attributed: “Every part of the earth is sacred to my people. Every shining pine needle, every sandy shore, every mist in the dark woods, every clear and humming insect is holy in the memory and experience … Continue reading Chief Seattle, Dragon Pot, Asleep at the Switch & Some Bonsai Events

Ramify!

Robert Steven’s simulation of an Olive that was submitted by Gary Howes (it’s Gary’s second time, here’s the first). Ramification. In the almost two and one half years since we ran our first critique by Robert Steven, he has repeatedly emphasized the importance of developing branching (ramification), particularly fine branching (secondary, tertiary and so forth). Especially if you want to create the feel of maturity on a young tree (or any tree for that matter). And though you can’t grow new branches overnight, it doesn’t take that long to get a good start. How long depends on a number of … Continue reading Ramify!

Japanese Whites

A seedling? Great base, strong taper and nice balanced open branching. An altogether excellent Japanese white pine and it’s from a seedling no less! As you may know, most quality Japanese white pine bonsai have been grafted onto Black pine stock (see below). But not this one. It was grown from seed and is, as you can see, quite impressive. It was just wired (in this photo) by Michael Hagedorn (Crataegus Bonsai.) It belongs to a client of Micheal’s. More than just another bonsai in our species specific series. The Japanese white pine (Pinus parviflora) is one of the world’s … Continue reading Japanese Whites

The Unexpected Surprise

Shimpaku juniper from Peter Tea’s latest post, titled Shimpaku, The Unexpected Surprise. My apologies to Peter for cropping the bottom of the pot to get rid of a distracting white band that appears in the the original (it’s below so you can decide for yourself if my pickiness has gotten out of control). It’s a great story and the tree’s not half bad either. If you’re not familiar with Peter Tea and his bonsai blog, please allow me to introduce him (once again). Peter’s work with bonsai is inspiring, and his writing about his experience as an bonsai apprentice is … Continue reading The Unexpected Surprise

Rim Shots

This has got to be one of the most magnificent Chinese hackberry (Celtis sinensis) bonsai anywhere. Though the distinctive split trunk needs no comment, you might also notice the highly developed ramification (fine branching). The tree was donated to the Pacific Rim Bonsai Collection by Ben Oki. We’ve featured it before, but it’s certainly worth another shot. Pacific Rim. Looking for an excuse to visit the Pacific Rim Bonsai Collection? These trees might provide some incentive. Dave DeGroot, curator of the Collection, sent us the photos along with some history and some of his observations. With the exception of our … Continue reading Rim Shots

Bonsai Truckin

Sheer power. This photo and one at the bottom of this post are from a chapter by Ernie Kuo in our Masters’ Series Juniper Bonsai book that’s titled ‘Two Studies.’ This now famous California juniper (Juniperus californica) also appears in a Bonsai Bark post from three years ago. This photo is from Capital Bonsai (Aarin Packard’s excellent blog from the National Bonsai and Penjing Museum). Here’s Aarin’s caption: Gary Wood, (seen here) a bonsai teacher from Muscle Shoals, Alabama had driven from Southern California to D.C. in 3 days with two very famous bonsai recently donated by bonsai artist Ernie … Continue reading Bonsai Truckin

Never Finished & Not Exactly Faint Praise

This Rocky Mountain juniper (Juniperus scopulorum) with its delightful deadwood and fluid movement was collected by Tony Cardoza and styled by Michael Hagedorn. Here’s Michael’s caption: “Finished tree. Or as my friends remind me, ‘No, not finished, that’s a dead tree!’ It’s quite alive. The tree is 24″ high, 31″ wide. The left lower branch is the key branch so it will need to grow out a bit. Left flow. In fact all the branches need length, as it looks like a small tree on top of a large base. I hope I’ve set things approximately right so there will … Continue reading Never Finished & Not Exactly Faint Praise