Scots Pine: One Artist, Four Trees

The Dancer by Mauro Stemberger. Mauro’s facebook caption reads: Never give up !!!! Swedish scots pine “The Dancer.” You can see that Mauro is planning a new planting angle and most likely a new pot. You might imagine a bunjin type pot (shallow, round, maybe a little rough…). Good Scots pine bonsai (Pinus sylvestris) are easier to find than good Austrian black pine (Pinus nigra) bonsai. For example, a quick search turned up all four Scots pines shown here in just one person’s collection; the omnipresent Mauro Stemberger. We could easily do the same with Walter Pall and perhaps some … Continue reading Scots Pine: One Artist, Four Trees

Small Is Still Beautiful

Kishu shimpaku juniper by John Brocklehurst. Mark Cooper took the photo at the 2012 Noelanders Trophy. I like the natural, fragile looking deadwood twigs and a whole lot more about this tree. Shohin again. We’ve been featuring shohin bonsai (small bonsai) a lot lately. Maybe it has to do with fact that we’re all aging and, as we age, smaller bonsai have larger appeal (easier to handle, take less space on our condo’s balconies and are a little less taxing on our social security budgets). Or maybe it’s just that we like them so much. All the photos in this … Continue reading Small Is Still Beautiful

The Other Black Pine

An old European black pine after the first styling by Walter Pall and friend. Though we don’t often lead with unrefined trees, it’s hard not to give Walter Pall first billing when it comes to European natives. Here’s what Walter has to say about this tree: “the foliage of black pines is quite coarse and it is perfectly normal for them to look kind of raw after first styling… After a few years it will get much better.” He also says “The tree will take ten to fifteen years to be ready for exhibit. Such is bonsai life.” Walter has … Continue reading The Other Black Pine

Year End Loose Ends & Shameless Promotion

Just couldn’t resist posting yet another yew (there have been several lately). But, as you can see, it’s not just any yew. I found it here with this caption. Taxus Baccata (English yew) by Stefano Frisoni from Italy. Newsflash!  I’ve been having a strange feeling that I’ve seen this tree somewhere before. Turns out it was right here on Bark 17 months ago. Oh well, this photo is much better. Shameless promotion There are three reasons why I spend so much time on Bonsai Bark. To spare you the boredom, I’ll skip the first two… the third is to promote … Continue reading Year End Loose Ends & Shameless Promotion

Small Trees with Big Trunks

Root-over-rock Trident maple from Kaede Bonsai-en. In this case, it might be more accurate to say rock-almost-completely-swallowed-by-roots (which have morphed into a trunk). There are several things that stand out about this tree, not the least of which is the near perfect mix of reds, oranges and golds that make for a striking fall color display. Then there’s the trunk (ex-roots) with its impressive character and substantial girth relative to the pot and canopy size. Such thick trunks for such small trees are almost always the result of reducing trees that were grown in much larger containers (or in the … Continue reading Small Trees with Big Trunks

An Embarrassment of Riches

I believe that this is our first tree from Matt Reel’s blog (though we featured a photo of Matt, with a tree that we lifted from Crataegus Bonsai almost two years ago). Matt is an American bonsai apprentice in Japan. We’ll have to more to say about him and his blog another time, but meanwhile, here’s what he has to say about this tree: “This Red Pine has such a broad apex it makes me giggle to myself at times, however, one might feel a little tipsy with all that leaning movement if there was a little dainty apex instead. … Continue reading An Embarrassment of Riches

Deceptively Good – This Time with Attribution

Shohin bunjin? This little Shimpaku looks a lot like a bunjin bonsai, even though it may not fully reflect all the qualities, particularly age, that we associate with larger bunjin trees (the comments on this post may help shed a little light). Also, I wonder about the puffy little foliage pads. Still, in shape at least, I’d say there’s something bunjin about it. No matter, it’s an eye catcher that most of us would be happy to see sitting on our bonsai bench. Like the little trees in our last post, it’s from Bonsai-Mikunien (The Bonsai and the Moss Ball). … Continue reading Deceptively Good – This Time with Attribution

Small Is Deceptively Good

We’ll call this little pine tree number 1 (pretty creative eh?). I’m not sure if this is the best view, but it does provide a clear shot of the trunk which appears to be two trunks that start together, separate and then come back together, though if you go down to the last photo, you might be surprised at all that you can’t see here. Beyond the interest created by the trunk, there’s the branching which is pretty well developed for such a small tree. You gotta love Shohin. All the photos here are borrowed from a Michael Bonsai series … Continue reading Small Is Deceptively Good

Taxus Maximus (It’s all about Yew)

The powerful tree with its heavy flowing deadwood (it reminds me of melting wax) and luscious reddish bark is truly wonderful, but then there’s that little companion too. Have you ever seen a piece of deadwood used as a bonsai companion? This Taxus (yew) and charming little piece of deadwood belong to Mauro Stemberger. The pot is a Tokoname. Species specific series. I’ve been thinking about starting a species specific series  (in this case it’s actually genus specific). We’ve devoted posts to certain species before, but haphazardly and without any notion of doing a series. So we’ll consider this the … Continue reading Taxus Maximus (It’s all about Yew)

Ramificato ad Extremo

An exercise in extreme ramification. Mario Komsta’s latest photo of his now famous Hornbeam (Carpinus laxiflora). The three photos below are earlier stages of the same tree. All have been featured on Bonsai Bark and at least two in Mario’s facebook photos. Fine ramification can be the difference between average and exceptional bonsai The photos in this post provide a chronology of a Hornbeam that belongs to Mario Komsta. Though there is much to say about this magnificent bonsai, it’s the fine ramification (branching) that I find the most compelling (taking absolutely nothing away from the trunk’s stupendous base). In … Continue reading Ramificato ad Extremo