Can’t Really Pick a Favorite, But…

Suthin has a way with Hinoki cypress. And a way with bonsai altogether. The more I look at this tree, the more I like it. If I were to go back through our nine hundred or so posts so far and pick my favorites, this one would surely make the grade. This photo and the others in this post are from Suthin’s facebook timeline.

It would be very difficult if we had pick a favorite bonsai or a favorite bonsai artist. There are simply too many good ones, with so many different types of trees and styles. However, if I were to pick favorite artists, Suthin Sukosolvisit would be way up on my list. Especially if we’re talking about North American artists.

If we venture out to the whole world, I’d be remiss if I didn’t mention Saburo Kato, Masahiko Kimura (The Magician) and other great Japanese artists. Same goes with China and the rest of Asia. There are so many good ones, Robert Steven, Cheng Cheng Kung (last post), Lo Min Hsuan and numerous other great Asian bonsai artists. Europe too. If you look at the number of Bark posts devoted to European bonsai, you’ll get the drift (we could say more, but we’ll save that continent for other posts).

In a way, this whole discussion (early morning coffee fueled ramble) is silly and who cares? There are so many great bonsai and bonsai artists now and with the internet it seems like we are exposed to new ones almost daily. In this fluid world-wide burst of bonsai creativity, it might be futile to try to pick the best. Still, I like Suthin’s bonsai a lot and I think that the trees in this post (and especially the one above) support my argument.

All the images in this post were lifted from Suthin’s facebook timeline. If you’re not a facebook fan, here’s Suthin’s website.

 

Coiled snake. Slightly out of focus, but an undeniably unique and fluid bonsai. I’m not sure I’ve ever seen another full cascade bonsai quite like this one (a little redundant, but unique is always worth pointing out).

 

I’m running out of superlatives. Unique for sure. Powerful too. I like the way the delicate deadwood on top contrasts with the massive trunk and heavy foliage. And then there’s that deadwood arrow that almost single-handedly counters the heavy leftward movement of the tree.

 

In process from informal upright to slant style. Or he is planning another cascade?

 

I think we’ve shown this photo before. It’s another Hinoki with great deadwood. Great pot too.

 

Good News for Bonsai Art & Culture

A good example of the kind of results Cheng Cheng Kung gets with his Sidiao method. Hint: it’s the deadwood.

We just heard that Cheng Cheng Kung has confirmed to be one of the demonstrators at Robert Steven’s International Bonsai Art & Culture Biennal 2014. This is good news indeed for those of us who are planning on attending (here’s the registration form if you haven’t gotten around to it yet).

Just in case you don’t know Cheng Cheng Kung, here’s the short version: Mr Cheng is one of the most famous bonsai artists in the world and the creator of the Sidiao method (see above). We’ll feature more on him soon. Meanwhile here’s a post from exactly a year ago today that features one of his trees.

Stay posted here on Bark for more on this event, including the International Bonsai Biennale Photo Contest which Bonsai Bark and Stone Lantern will be sponsoring.

FYI: We’ve got a Big Book Sale at Stone Lantern. 25% – 30% off all books. Including Robert Steven’s Mission of Transformation.

Mission of Transformation by Robert Steven. List price 55.00, our regular price 45.00. Now only 33.75 with your 25% discount.


For your viewing pleasure. Here’s a bonsai by Robert that was recently posted on facebook.

Fairy Tale Bonsai

This wild and wooly Honeysuckle belongs to Walter Pall. Here’s his caption: “Tatarian honeysuckle, Lonicera tatarica, collected in Norway in 2010.. This species is quite interesting and very rare as bonsai. It throws hundreds of shoots in early spring. But after wiring most of them die – in my garden at least. Anyway, slowly but gradually the tree starts to look decent. This may be classified as Fairy Tale Style.”

We usually go for a more finished look, but these rough lightly-styled collected trees are too good to pass up. They are from Walter Pall’s Bonsai Adventures. I’ll just mention a couple things (you can visit Bonsai Adventures for more).

Fairy Tale Bonsai is a term that was introduced into our bonsai lexicon by Walter Pall. Walter readily admits that he isn’t the first to work with these untamed looking collected trees that tend to look unstyled or only lightly styled (he credits the Chinese for this), but he is, to best of my knowledge, the first to call them Fairy Tale Bonsai (here’s a Case Study on Fairy Tale Bonsai video with Walter on ofBonsai).

Styling deciduous trees in the winter. In most cases, it’s okay to pull deciduous trees out of dormancy in the winter and do some wiring and pruning, and then stick them back into a cool, well-protected spot when you are finished (32F  – zero celcius – give or take, is good). There are few things you need to know however: Let them thaw out before you do anything. Don’t keep them warm for more than a couple days (you don’t want them to start waking up). Finally, because they are going to be somewhat stressed, put them back into a cool well-protected spot (see above) for the duration of the winter. If you if live in a very cold climate and your trees are wintered way below freezing, and you don’t have a cool spot for them, then best to not pull them out of dormancy at all. Or, you can wait until just before spring, when a cool protected spot shouldn’t be hard to find.

 

Walter’s caption: “Tatarian honeysuckle, Lonicera tatarica, collected in Norway in 2010. This tree can only be appreciated if one understands the concept of Fairy Tale Bonsai Style. Otherwise it is ugly and grotesque. Well, it is supposed to. No kidding.”


And again, Walter’s caption: “European dogwood, Cornus mas, collected in Croatia in 2012, 35 cm high. This kind of tree can only be appreciated if one understands the concept of the Fairy Tale Bonsai Style. The living part will have to be developed considerably, of course. But it is not what makes this tree good eventually, it is all about the wild trunk which has to be enhanced.

 

Trout Fishing in America (off the Bonsai Mainstream)

I like this full cascade with its flowing lines and unusual perspective. It’s from Ed Trout’s facebook photos as are the other four bonsai photos in this post. I’m going to guess that it’s a Lantana, but my guessing record isn’t all that good.

Ed Trout’s bonsai are unique. Distinctive is another word that comes to mind. It’s as though he branched off from the bonsai mainstream (please accept my apologies – twice) years ago and followed his own inclinations and now those inclinations have borne fruit. You might have to see more of his bonsai to get a feel for this distinctive quality, but here are a few that I lifted from facebook to get you started (there are some more here and here).

Trout Fishing in America is a poem novel by Richard Brautigan. I don’t think Mr Brautigan had either Ed Trout or the bonsai mainstream in mind when he wrote the poem novel, and I suspect very few of you have heard of him, but Richard Brautigan was a 1960s and 70s West Coast poet. It’s not my habit to drop names and ramble off topic (better skip ahead to the rest of the photos now) but I met Richard at Floyd Salas‘ 35th birth party. Richard was tall and quiet and I was not tall and most likely impaired, so conversation was limited. BTW: Floyd Salas is a fighter and writer (Tatoo the Wicked Cross, What Now My Love and several other novels) with a large personality, who once gave me a friendly boxing lesson. Fortunately, he was highly skilled and had no trouble pulling his punches.

 

Looks like a Chinese elm. My guess is that it’s a sub-tropical variety that was originally imported from China that Ed cut way back and trained to look like a Weeping willow.


Looks like a Bald cypress forest. Bald cypress can make great bonsai and these are no exception. Especially that main tree with the flaring base that’s so full of character. I’d like to see this planting once the branches develop a bit more and the foliage fills out. Not that it’s not already worthy of a good look.

 

This powerful little tree looks like a defoliated Willow leaf ficus (Ficus neriifolia). It’s got all those important bonsai features: excellent nebari and lower trunk, great taper and well-placed, well-developed branching. All topped off with a perfect apex.


I know this unusual planting with its flowing, almost abstract look. It’s a San Jose juniper that we featured in one of the later issues of Bonsai Today.

 

Ed’s hands using his trusty Sword shears that originally came from Stone Lantern. The photo is from the Miami Herald. For some strange reason no URL came up with the article, so no link. We do have a link for our Sword shears however.

You can help spread the word. We are using facebook to bring more readers to Bonsai Bark. If you like Bark and you’ve got the time, you can go here and find something you like and then click like. Thank you.


Bonsai Book Sale 25% – 30% off

Our Big Book Sale even includes our already discounted sets like this recently back in print
SET OF 3 HASKILL CREEK BONSAI BOOKS

BOOK SALE 25% TO 30% OFF ALL BOOKS & DVDs

1-2 Books 25% off – 3 or more 30% off

(off of our already discounted prices)
sets count as 1 book
final discounts will show up when you check out
sale ends March 2nd, 2014

 

Visit Stone Lantern and choose from our vast selection of already discounted Bonsai Books, Japanese Gardening books and other related books. We also offer a large selection of Bonsai Tools and Japanese Gardening Tools and a range of other necessities for Bonsai and Gardening. Almost everything is discounted below list prices and many items are discounted miles below list prices.

 

Sale includes all of our books including our most popular book
MASTERS’ SERIES JUNIPER BOOK

 

SET OF 5 STONE LANTERN BONSAI CLASSICS

 

Set of three Bonsai DVDs

 

Snow & Flowers

Ume (aka Flowering apricot, aka Prunus mume). This fantastic tree resides at Bonsai Aichien in Japan.

Both the photos here were just posted on facebook by Juan Andrade who is an apprentice at Bonsai Aichien and a great source of excellent bonsai photos.

 

Bonsai Aichien Nursery. This photo could almost pass as black and white with the snow and the diminished light. It’s snowing here in Vermont too. More than 14 inches of fresh pow so far the last couple days. BTW: have you ever noticed all the power lines in photos from Japanese nurseries?

 

A Wild Weather Beaten Story

After styling. This wild looking tree is a Phoenician juniper. The artist is Salvatore Liporace. All three images in this post are from Salvatore’s facebook photos.

Several things caught my attention when I first saw this tree. First, it’s a Phoenician juniper, a tree you don’t see very often, especially here in North America (we’ve only featured one in all our years of posting). Second, it’s a compelling bonsai styled by an accomplished bonsai artist (Salvatore Liporace). Third, there’s the almost scary deadwood. Like a tree you might see at a haunted house in a spooky movie.

One thing that makes the after version of this bonsai so compelling is the very small and sparse living crown, as compared to the scale of the deadwood. This reinforces the barely-staying-alive weather beaten story that the deadwood tells. Something to bear in mind when styling natural looking bonsai.

 

Before. A lush, healthy, overgrown bonsai. Soon to be radically reduced.


Before close-up. It always helps to have high quality material to work with.

Walter Pall’s Hedge Cutting Method

The Japanese maple that Walter Pall uses to illustrate his ‘hedge-cutting method.’ This photo was taken four years after Walter started working with this tree. The before photo is below.

We ran this last year, but it’s so good and the season for bonsai hands on is almost here for most of us (already here for some), so just in case you missed it…

Walter Pall’s hedge-cutting method. Our last post presented a radical approach to soil and feeding by Walter Pall, the great bonsai innovator. This post features another of Walter’s radical innovations. This time it’s about pruning broad leaf bonsai.

Before continuing with Walter’s technique, I’ll reintroduce Jim Smith and see if I can bore you with a personal note.

I first learned about hedge shearing bonsai from Jim Smith, a highly respected American Bonsai Artist and grower who works primarily with tropical and sub-tropical bonsai. Because Jim lives in Florida, I figured that hedge shearing was only used in the tropics or sub-tropics, due to rapid rates of growth and recovery.

That was until I began field growing larches here in Vermont and decided that the only way to keep up is to use my sword shears (large one-handed shears with long blades that I originally learned about from Jim) and simply keep cutting back to the desired silhouettes. At least while they’re in the ground. However, until now, I didn’t know about Walter Pall’s hedge-cutting methods, which as it turns out (and as you might expect) are considerably more sophisticated than mine.

What follows are some of Walter’s photos (with his captions in italics) and some remarks (also in italics) that I selected from his hedge-cutting article.

 

Before. “2008-05: The tree arrived in my garden in this state. The previous owner had kept it in Akadama mush and thought that he would automatically improve the tree by pinching. The crown is much too wide and flat and the leaves hide poorly structured branches. Many branches are dead. The Nebari could be much better and the maple is planted too high in its pot.”

“Well, a few decades ago when the first bonsai trees were brought to the West, the purchasers asked how they should care for these trees. The answer was given so that no mistakes could be made. It was assumed that the owners wanted to keep the trees in the state in which they purchased them. The pinching was recommended because it is useful for trees that are ‘finished’ and ready for exhibition or sale. Nobody thought at that time that the Westerners would ever be able to develop bonsai themselves.

In the developmental phase, the goal is clearly to improve the tree. The trunk and the branches must be thickened, pruning wounds must close and the tree is to develop so many new shoots that one has a choice of useful branches. The nebari should also improve significantly. At this stage, the immediate image is secondary to the future beauty. That is why leaves can be large and the tree can look ugly for the longest time. To achieve these goals, the tree needs as much excess energy as possible which it can only obtain through the photosynthetic activity of as many leaves as possible. If exactly those sources of energy are removed too early, then the tree can’t develop. In the worst case, it dies a slow death.”

As you can tell from the sacrifice branches, Walter’s methods involve more than just hedge shearing. “2009-01: A deciduous tree can be much better evaluated without its leaves. It is now apparent that the center tree ought to be much thicker and somewhat higher. The previous owner didn’t achieve much by many years of pinching. It looks rather poorly developed. The pot by Bryan Albright seems over powering.”

“The numerous leaves produce lots of energy in the form of carbohydrates that moves downwards through the branches and is deposited in the branches, the trunk, and finally the roots. The result is that branches and trunk thicken, that the surface roots – the nebari – also thicken, and that the roots grow strongly. At the same time, many new visible and dormant buds develop. The entire system “tree” is strengthened and it has good reserves for any setbacks. A radical cutback is such a setback.

In Central European climate about six to eight weeks after the first flush, in our area from the middle of May to the beginning of June, the tree is then cut back with big sheers to its previous silhouette. It is irrelevant where exactly it is being cut, or if any leaves are cut. This actually ought to occur as a partial leave pruning will allow light and air into the crown of the tree. All other growth inside the silhouette is not touched but strengthened with this method. And the tree is strongly encouraged to bud out again.”

The final photo in Walter’s article. “2013-02: The tree was repotted into a very suitable pot by Walter Venne from Germany. The results of the development thus far are quite presentable. But is is by far not the end of the development. Much has changed in five growth periods, yet the work continues as before. In another five years the tree will be better again. The drawback, however, will be that he tree is not really presentable during much of that time.”

The above comments and photos are just a sampling from Walter Pall’s ground-breaking article on his hedge-cutting method.

The following photos are not by Walter.

Podocarpus macrophylla by Jim Smith. My best guess is that Jim used his own hedge shearing method to develop this tree. Photo is from The Art of Bonsai Project.

 

Our Sword shears work quite well for the hedge cutting method.

Boon Again & Again

Shohin cork bark Chinese elm in its new pot. From Boon Manakitivipart’s facebook feed.

Boon is repotting once again. On facebook of all places. Just in case you don’t know who Boon is, well, among other things he’s a famous bonsai artist and teacher who resides in the SF Bay Area. Here’s his home page on facebook, here’s his website and here’s Boon Again, one of many Bark posts where he is featured.

 

There are differing opinions about the practice of washing the roots clean when repotting, but that’s for another time.

Norman Rockwell’s Bonsai Painting

Just got this image from Robert Steven. He sent a whole package of fascinating images as run ups to his International Bonsai Art & Culture Biennale in October. We’ll be posting them regularly. Meanwhile, here’s a little known Norman Rockwell painting to get us started….

The image above is to help clue you in to Robert Steven’s International Bonsai Art & Culture Biennale in Indonesia. I think it’s going to be a unique and wonderful benchmark bonsai event. See you there!

Meanwhile, the image just below has nothing to do with Roberts’ big event, but as long as we’re on bonsai events (in more or less in the same part of the world), here’s something from our friends down under…

The Hastings Bonsai Group, based in Port Macquarie, (Australia) will be holding their annual Bonsai Exhibition on Friday 28th February, Saturday 1st March, both days from 10am to 5pm, and Sunday 2nd March, from 10am to 3pm.